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Although Gérôme is best known as a painter he was also a sculptor, and his paintings and three dimensional works are often closely related. This equestrian statuette was first shown at the salon of 1899. It is also known in a gilt bronze version, without the addition of an ivory head. Two plaster versions are also known. This version was cast by Soit-Decauville.From the late 1890s, Gérôme began work on a series of equestrian portraits of historical figures from antiquity through to the 19th century. In addition to this piece, the artist also sculpted Bonaparte entering Cairo (1897), Tamerlane (1898), Caesar crossing the Rubicon (1900), and George Washington (1901). All displayed careful attention to the detail of the finishing of fabrics, fringe, and other regalia.
Page data
- Page
- 4
- Source index
- 0
- Type
- photo
- Media ID
- 2cc103c46ee6b283
- Size
- unknown
Document data
- ID
- 79345
- Core
- obj
- Type
- object
DTO data
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"title": "Frederick the Great",
"description": "Although Gérôme is best known as a painter he was also a sculptor, and his paintings and three dimensional works are often closely related. This equestrian statuette was first shown at the salon of 1899. It is also known in a gilt bronze version, without the addition of an ivory head. Two plaster versions are also known. This version was cast by Soit-Decauville.From the late 1890s, Gérôme began work on a series of equestrian portraits of historical figures from antiquity through to the 19th century. In addition to this piece, the artist also sculpted Bonaparte entering Cairo (1897), Tamerlane (1898), Caesar crossing the Rubicon (1900), and George Washington (1901). All displayed careful attention to the detail of the finishing of fabrics, fringe, and other regalia.",
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Document identity
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Document source metadata
{
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"contentType": "object",
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"title": "Frederick the Great",
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Document source extras
{
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Page context
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