Ask the Scholar

Document scope · 10 pages
obj
Scholar
Ask about this object, its catalog metadata, its source description, or the page inventory. For page-specific OCR and visual context, open one of the page chats.

Source Description

This “stirrup-spout” vessel shows a jaguar modeled in relief on one side of the surface of the bottle. The artist carefully represented the spots of its coat and depicted sharp claws with loving care. The other side of the vessel depicts the jaguar’s environment. It is comprised of curling wave forms, perhaps representing the nearby Pacific Ocean, and several examples of cactus. This probably shows the San Pedro cactus, whose branches contain a hallucinogenic substance. The cactus is used in traditional medicine and religious ritual to this day. The sacredness or ritual power of the vessel is suggested by the fact that parts of it seem to have been rubbed in ancient times with the red pigment known as cinnabar, a substance that was used in consecration rituals. The “stirrup spout” was one of the most common vessel forms in pre-Columbian Peru and the Andean area. A short spout at the top is attached to two tubes which join with the vessel itself. The form is reminiscent of a stirrup for horseback riding, hence the name. The resulting container was beautiful and versatile, since the main vessel could be shaped into many different forms, with a surface that was either carefully polished or highly textured. These vessels were also practical: in the extremely dry deserts of Peru, such a narrow opening prevented evaporation of the liquid held within. The complex shape of the neck also meant that it was easy to carry: two such vessels could be tied to the ends of a cord, to be slung over a person’s shoulder or a llama’s back. Large numbers of vessels like these have been found in burials of elites on the north Coast of Peru beginning about 1800 BCE. Chavín is considered the mother civilization of the South-American Andes, and is often compared to the Olmec of Mexico in that both cultures established many patterns of art, architecture, and culture by 1000 BC, that prevailed until the arrival of Europeans in the 16th century. Stirrup-spout vessels like this example were made by the Chavín (and many other South-American peoples) using a number of molds, with details modeled by hand. Although we do not know what was stored in these vessels, suggestions include corn beer or "chicha," a native Andean fermented beverage. Chavín stirrup-spout vessels vary in both their architecture (spout-width, shape, direction) and type of decoration. Many combine incised design with modeled form, as in this example. Felines of the type depicted on this vessel were important in Chavín art and culture because they were associated with the ruling houses. In nature such animals are often excellent hunters who occupy the top of the food chain, qualities also valued in human rulers. Felines, like jaguars and pumas, were also thought to enjoy great spiritual force; shamans were believed to transform into such creatures.

Scholar Source Context

Document identity
localId
79372
label
Feline-and-Cactus Stirrup Vessel
core
obj
dtoType
object
pageCount
10
Source metadata
id
79372
contentType
object
stage
normalized
title
Feline-and-Cactus Stirrup Vessel
description
This “stirrup-spout” vessel shows a jaguar modeled in relief on one side of the surface of the bottle. The artist carefully represented the spots of its coat and depicted sharp claws with loving care. The other side of the vessel depicts the jaguar’s environment. It is comprised of curling wave forms, perhaps representing the nearby Pacific Ocean, and several examples of cactus. This probably shows the San Pedro cactus, whose branches contain a hallucinogenic substance. The cactus is used in traditional medicine and religious ritual to this day. The sacredness or ritual power of the vessel is suggested by the fact that parts of it seem to have been rubbed in ancient times with the red pigment known as cinnabar, a substance that was used in consecration rituals. The “stirrup spout” was one of the most common vessel forms in pre-Columbian Peru and the Andean area. A short spout at the top is attached to two tubes which join with the vessel itself. The form is reminiscent of a stirrup for horseback riding, hence the name. The resulting container was beautiful and versatile, since the main vessel could be shaped into many different forms, with a surface that was either carefully polished or highly textured. These vessels were also practical: in the extremely dry deserts of Peru, such a narrow opening prevented evaporation of the liquid held within. The complex shape of the neck also meant that it was easy to carry: two such vessels could be tied to the ends of a cord, to be slung over a person’s shoulder or a llama’s back. Large numbers of vessels like these have been found in burials of elites on the north Coast of Peru beginning about 1800 BCE. Chavín is considered the mother civilization of the South-American Andes, and is often compared to the Olmec of Mexico in that both cultures established many patterns of art, architecture, and culture by 1000 BC, that prevailed until the arrival of Europeans in the 16th century. Stirrup-spout vessels like this example were made by the Chavín (and many other South-American peoples) using a number of molds, with details modeled by hand. Although we do not know what was stored in these vessels, suggestions include corn beer or "chicha," a native Andean fermented beverage. Chavín stirrup-spout vessels vary in both their architecture (spout-width, shape, direction) and type of decoration. Many combine incised design with modeled form, as in this example. Felines of the type depicted on this vessel were important in Chavín art and culture because they were associated with the ruling houses. In nature such animals are often excellent hunters who occupy the top of the food chain, qualities also valued in human rulers. Felines, like jaguars and pumas, were also thought to enjoy great spiritual force; shamans were believed to transform into such creatures.
provenance
Mr. Alexis Forrester, London, before the late 1970s [mode of acquisition unknown]; Economos Works of Art, Santa Fe, New Mexico [date and mode of acquisition unknown]; Private collection, 1991, by purchase; Walters Art Museum, 2009, by gift.
date
1200-500 BCE (Early Horizon-Early Intermediate)
rightsUri
CC0
language
en
genreSpecific
Ceramics
vessels
imageCount
10
pageCount
10
source
import
dimensions
units
cm
width
29.5
height
17.5
depth
14.6
dimensionsRaw
H: 11 5/8 × W: 6 7/8 × D: 5 3/4 in. (29.5 × 17.5 × 14.6 cm)
Source extras
cul
Cupisnique
style
Tembladera
med
earthenware, pigment
creator_ids
8559
collection_ids
AME
exhibition_ids
3673
Page inventory
seq
1
type
photo
mediaId
1d11365302ba9568
hasOcr
no
hasDescription
no
seq
2
type
photo
mediaId
fd0cde19c6ba5cc5
hasOcr
no
hasDescription
no
seq
3
type
photo
mediaId
0e29fc8836407f26
hasOcr
no
hasDescription
no
seq
4
type
photo
mediaId
cbd789b0dca0c08b
hasOcr
no
hasDescription
no
seq
5
type
photo
mediaId
b6c5b8d4aeda10fe
hasOcr
no
hasDescription
no
seq
6
type
photo
mediaId
6e7e5e84bfe1c25e
hasOcr
no
hasDescription
no
seq
7
type
photo
mediaId
4c2620c88af7575d
hasOcr
no
hasDescription
no
seq
8
type
photo
mediaId
4b8cb387eebb56f5
hasOcr
no
hasDescription
no
seq
9
type
photo
mediaId
ebce2e8b27ffd93b
hasOcr
no
hasDescription
no
seq
10
type
photo
mediaId
58ec1c75a7e41773
hasOcr
no
hasDescription
no