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Source Description

This small enigmatic figure was probably a prized possession placed in a tomb. It shows a man wearing only a loincloth, with a gentle smile on his face and his hands placed on his chest. Figures of humans engaged in everyday activities are actually quite rare within the corpus of Chavin art, more frequent are supernaturals and people engaged in rituals. It is possible that this figure shows a man under the influence of hallucinogens, like the San Pedro cactus. One notable detail is that the part in his hair and much of his face and chest have been emphasized by the use of red pigment. This is probably the mercury compound cinnabar, a bright red mineral that had many sources in the Andes region. Both the mines and rocks that came from them were sacred entities (or wak’as) to the Indigenous people of Peru. People cared for the cinnabar by extracting it from underground and grinding it to release its vibrant color. In return, cinnabar helped to preserve mummified remains of ancestors and also had many medical and cosmetic uses for the living.

Scholar Source Context

Document identity
localId
79400
label
Standing Figure
core
obj
dtoType
object
pageCount
17
Source metadata
id
79400
contentType
object
stage
normalized
title
Standing Figure
description
This small enigmatic figure was probably a prized possession placed in a tomb. It shows a man wearing only a loincloth, with a gentle smile on his face and his hands placed on his chest. Figures of humans engaged in everyday activities are actually quite rare within the corpus of Chavin art, more frequent are supernaturals and people engaged in rituals. It is possible that this figure shows a man under the influence of hallucinogens, like the San Pedro cactus. One notable detail is that the part in his hair and much of his face and chest have been emphasized by the use of red pigment. This is probably the mercury compound cinnabar, a bright red mineral that had many sources in the Andes region. Both the mines and rocks that came from them were sacred entities (or wak’as) to the Indigenous people of Peru. People cared for the cinnabar by extracting it from underground and grinding it to release its vibrant color. In return, cinnabar helped to preserve mummified remains of ancestors and also had many medical and cosmetic uses for the living.
provenance
The Merrin Gallery, New York [date and mode of acquisition unknown]; Private collection, 1991, by purchase; Walters Art Museum, 2009, by gift.
date
900-200 BC (Initial Period-Early Horizon)
rightsUri
CC0
language
en
genreSpecific
Ceramics
figures
imageCount
17
pageCount
17
source
import
dimensions
units
cm
width
14.9
height
7
depth
5.1
dimensionsRaw
H: 5 7/8 x W: 2 3/4 x D: 2 in. (14.9 x 6.99 x 5.08 cm)
Source extras
cul
Chavín
med
earthenware, cinnabar
creator_ids
8558
collection_ids
AME
exhibition_ids
none
Page inventory
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photo
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photo
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type
photo
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photo
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