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Source Description
This is an illuminated and illustrated copy of the poem Sūz va gudāz (Burning and melting) by Nawʿī Khabūshānī (d. 1019 AH / 1610 CE), which recounts the love story of a Hindu girl who burns herself on the funeral pyre of her betrothed. The codex was written in nastaʿlīq in black ink by Ibn Sayyid Murād al-Ḥusaynī and illustrated by Muḥammad ʿAlī Mashhadī in 1068 AH / 1657 CE. According to the colophon, Ibn Sayyid Murād al-Ḥusaynī copied the manuscript for the painter Muḥammad ʿAlī, the “Mani of the time,” as a “souvenir.” The fact that the manuscript was produced for one of the most prolific artists of seventeenth-century Iran makes it a highly significant document. It opens with an illuminated incipit with headpiece (fol. 1b) and closes with an illuminated tailpiece with colophon (fol. 21b). Text pages have interlinear illumination and small rectangular and triangular pieces with polychrome floral and scrolling vine motifs. There are eight miniatures in a style associated with the Safavid centers of artistic production of Mashhad and Isfahan (fols. 5a, 9a, 10b, 13a, 14a, 16a, 17b, and 19b).
Scholar Source Context
Document identity
localId
80060
label
Leaf from Burning and Melting: Hindu Couple United on the Funeral Pyre
core
obj
dtoType
object
citationUrl
pageCount
1
Source metadata
id
80060
contentType
object
stage
normalized
title
Leaf from Burning and Melting: Hindu Couple United on the Funeral Pyre
description
This is an illuminated and illustrated copy of the poem Sūz va gudāz (Burning and melting) by Nawʿī Khabūshānī (d. 1019 AH / 1610 CE), which recounts the love story of a Hindu girl who burns herself on the funeral pyre of her betrothed. The codex was written in nastaʿlīq in black ink by Ibn Sayyid Murād al-Ḥusaynī and illustrated by Muḥammad ʿAlī Mashhadī in 1068 AH / 1657 CE. According to the colophon, Ibn Sayyid Murād al-Ḥusaynī copied the manuscript for the painter Muḥammad ʿAlī, the “Mani of the time,” as a “souvenir.” The fact that the manuscript was produced for one of the most prolific artists of seventeenth-century Iran makes it a highly significant document. It opens with an illuminated incipit with headpiece (fol. 1b) and closes with an illuminated tailpiece with colophon (fol. 21b). Text pages have interlinear illumination and small rectangular and triangular pieces with polychrome floral and scrolling vine motifs. There are eight miniatures in a style associated with the Safavid centers of artistic production of Mashhad and Isfahan (fols. 5a, 9a, 10b, 13a, 14a, 16a, 17b, and 19b).
provenance
Henry Walters, Baltimore; by bequest to Walters Art Museum, 1931.
date
1657 (Safavid; Mughal)
citationUrl
rightsUri
CC0
language
en
genreSpecific
illuminated manuscripts
folios (leaves)
imageCount
1
pageCount
1
source
import
dimensions
units
cm
width
23.5
height
14.5
dimensionsRaw
H: 9 1/4 x W: 5 11/16 in. (23.5 x 14.5 cm)
Source extras
cul
Islamic
dynasty
Safavid Dynasty
med
ink and paint on laid paper
creator_ids
16860
16859
16858
collection_ids
MSS
ISL
MIS
exhibition_ids
none
Single page context
seq
1
pageIndex
0
type
photo
mediaId
61aaad7b56a1718f