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Source Description

For shamans in ancient Colombian communities, rock crystal was desirable due to itstranslucent quality, which under certain light, can flicker colorfully as if lit by a fire. The inherent reflective traits of the crystal symbolized a supernatural energy—a power that people believed could be harnessed if worn close to the body.This entrancing rock crystal necklace is as beautiful in its visual qualities as it ismysterious in its origin. The production of the gold figures—done by hammering out thin sheets of metal—signals the artist to be of the ancient Tolima people in Colombia. Gold work from the Tolima region is characterized by strong geometric forms combining stylized parts of humans and animals. The small figures here each have a triangular, bird-like tail indicating they may represent a deity or other supernatural being. This style is sometimes called "invasionist" because it shows stylistic influence of people who came to the region from the Amazon, across the Andes mountains.” However, the quality of rock crystal of the necklace's beads can only be found in a region far to the north of known Tolima sites. This unique combination of materials indicate that either the gold or the crystal was traded in order to make this important piece of symbolic jewelry.

Scholar Source Context

Document identity
localId
80231
label
Rock Crystal Beads and Gold Pendants Necklace
core
obj
dtoType
object
pageCount
1
Source metadata
id
80231
contentType
object
stage
normalized
title
Rock Crystal Beads and Gold Pendants Necklace
description
For shamans in ancient Colombian communities, rock crystal was desirable due to itstranslucent quality, which under certain light, can flicker colorfully as if lit by a fire. The inherent reflective traits of the crystal symbolized a supernatural energy—a power that people believed could be harnessed if worn close to the body.This entrancing rock crystal necklace is as beautiful in its visual qualities as it ismysterious in its origin. The production of the gold figures—done by hammering out thin sheets of metal—signals the artist to be of the ancient Tolima people in Colombia. Gold work from the Tolima region is characterized by strong geometric forms combining stylized parts of humans and animals. The small figures here each have a triangular, bird-like tail indicating they may represent a deity or other supernatural being. This style is sometimes called "invasionist" because it shows stylistic influence of people who came to the region from the Amazon, across the Andes mountains.” However, the quality of rock crystal of the necklace's beads can only be found in a region far to the north of known Tolima sites. This unique combination of materials indicate that either the gold or the crystal was traded in order to make this important piece of symbolic jewelry.
provenance
Ron Messick Fine Arts, Santa Fe, New Mexico; purchased by John G. Bourne, between 1990 and 1999; given to Walters Art Museum, 2013.
date
100-1000
rightsUri
CC0
language
en
genreSpecific
Gold, Silver & Jewelry
necklaces
pendants
imageCount
1
pageCount
1
source
import
dimensionsRaw
L of chain: 26 7/8 in. (68.2 cm)
Source extras
cul
Tolima
med
gold, rock crystal
creator_ids
31452
collection_ids
AME
exhibition_ids
2988
Single page context
seq
1
pageIndex
0
type
photo
mediaId
0a66a02d17befcb7