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Source Description
Large incense burner stands are a hallmark of the Postclassic period in Colima. The stands likely were placed on altars or the exteriors of temples, a low dish with burning coals and incense being placed either atop the columnar stand or underneath it; the smoke rose through the column and issued from openings in the face. The rounded eyes recall the Central Mexican rain deity Tlaloc, this distinctive representational style perhaps having been appropriated from Central Mexico and adapted by the peoples of Colima as part of socioeconomic interaction. During the Postclassic Period, West Mexican peoples increasingly were in contact with highland Mexico, trading marine resources (especially shells), coveted green stones and other lithic materials, and copper objects made in West Mexico. The spikes and flanges on this stand not only served to dissipate heat absorbed from the burning coals; they also may symbolize the spikes of the ceiba, the tallest tree in the Mesoamerican forest. Among the Maya and other Mesoamerican societies, the ceiba was the model for the World Tree at the center of the cosmos, which maintained the universe's tripartite structure (heavens, earth, and underworld). The ceiba-World Tree also provided a supernatural pathway for religious practioners' spiritual journeys among the three realms.
Scholar Source Context
Document identity
localId
80439
label
Incense Burner Stand
core
obj
dtoType
object
citationUrl
pageCount
3
Source metadata
id
80439
contentType
object
stage
normalized
title
Incense Burner Stand
description
Large incense burner stands are a hallmark of the Postclassic period in Colima. The stands likely were placed on altars or the exteriors of temples, a low dish with burning coals and incense being placed either atop the columnar stand or underneath it; the smoke rose through the column and issued from openings in the face. The rounded eyes recall the Central Mexican rain deity Tlaloc, this distinctive representational style perhaps having been appropriated from Central Mexico and adapted by the peoples of Colima as part of socioeconomic interaction. During the Postclassic Period, West Mexican peoples increasingly were in contact with highland Mexico, trading marine resources (especially shells), coveted green stones and other lithic materials, and copper objects made in West Mexico. The spikes and flanges on this stand not only served to dissipate heat absorbed from the burning coals; they also may symbolize the spikes of the ceiba, the tallest tree in the Mesoamerican forest. Among the Maya and other Mesoamerican societies, the ceiba was the model for the World Tree at the center of the cosmos, which maintained the universe's tripartite structure (heavens, earth, and underworld). The ceiba-World Tree also provided a supernatural pathway for religious practioners' spiritual journeys among the three realms.
provenance
Ron Messick Fine Arts, Santa Fe, New Mexico [date and mode of acquisition unknown]; John G. Bourne, 1990s, by purchase; by bequest to Walters Art Museum, 2017.
date
AD 900-1200 (Early Postclassic)
citationUrl
rightsUri
CC0
language
en
genreSpecific
Ceramics
sculpture (visual works)
incense burners
stands
imageCount
3
pageCount
3
source
import
dimensions
units
cm
width
23.9
height
21.5
depth
23.5
dimensionsRaw
H: 9 7/16 x W: 8 7/16 x D: 9 1/4 in. (23.9 x 21.5 x 23.5 cm)
Source extras
cul
Colima
med
earthenware, white paint
creator_ids
16368
collection_ids
AME
exhibition_ids
none
Page inventory
seq
1
type
photo
mediaId
792f009f274175f9
hasOcr
no
hasDescription
no
seq
2
type
photo
mediaId
ee8a2ac0039313d7
hasOcr
no
hasDescription
no
seq
3
type
photo
mediaId
4a7eb9281e69b6b3
hasOcr
no
hasDescription
no