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Source Description
In a marginal illumination framing the Annunciation (the angel Gabriel's announcement to the Virgin Mary that she will give birth to the son of God), lovers play musical instruments and backgammon in a garden of love. The profane pleasure garden is contrasted with the purity and sanctity of Mary's garden, the enclosed garden suggested by the gilded leaf pattern in the background.This Book of Hours was completed for Use of Reims ca. 1450-1475 in northeastern France. The book was first owned by Collette, who is portrayed on fol. 76r with the Virgin and Child. An inscription from 1559 on the back pastedown records later ownership by female owner G. Marlot, as well as by her aunt, née Labourgue, wife of the merchant Jean Bourguet, followed by G. Marlot's daughter, Martine Marlot. There is a large amount of unusual and specifically female content in the book, including a heightened amount of prayers to the Virgin, virgins listed in the calendar and litany, as well as the unusual inclusion of the Hours of St. Catherine.
Scholar Source Context
Document identity
localId
80986
label
Annunciation
core
obj
dtoType
object
citationUrl
pageCount
5
Source metadata
id
80986
contentType
object
stage
normalized
title
Annunciation
description
In a marginal illumination framing the Annunciation (the angel Gabriel's announcement to the Virgin Mary that she will give birth to the son of God), lovers play musical instruments and backgammon in a garden of love. The profane pleasure garden is contrasted with the purity and sanctity of Mary's garden, the enclosed garden suggested by the gilded leaf pattern in the background.This Book of Hours was completed for Use of Reims ca. 1450-1475 in northeastern France. The book was first owned by Collette, who is portrayed on fol. 76r with the Virgin and Child. An inscription from 1559 on the back pastedown records later ownership by female owner G. Marlot, as well as by her aunt, née Labourgue, wife of the merchant Jean Bourguet, followed by G. Marlot's daughter, Martine Marlot. There is a large amount of unusual and specifically female content in the book, including a heightened amount of prayers to the Virgin, virgins listed in the calendar and litany, as well as the unusual inclusion of the Hours of St. Catherine.
provenance
Created for Collette, northeast France, ca. 1460 [1]. Acquired by Labourgue [2], early-mid 16th century; given to G. Marlot [3], ca. 1559; given to Martine Marlot [4]. Acquired by Léon Gruel, Paris, late 19th-early 20th century; purchased by Henry Walters, Baltimore; by bequest to Walters Art Museum, 1931.[1] Portrayed on fol. 76r[2] Wife of Jean Bourguet[3] Niece of previous owner[4] Daughter of previous owner and wife of Claude Armilhon
date
ca. 1460
citationUrl
rightsUri
CC0
language
en
genreSpecific
illuminated manuscripts
folios (leaves)
imageCount
5
pageCount
5
source
import
dimensions
units
cm
width
18.4
height
13.5
dimensionsRaw
H: 7 1/4 × W: 5 5/16 in. (18.4 × 13.5 cm)
Source extras
med
ink, paint, and gold on parchment
creator_ids
6505
collection_ids
MSS
exhibition_ids
2829
106
109
2314
3089
3171
3310
Page inventory
seq
1
type
photo
mediaId
686e97c7df1119a2
hasOcr
no
hasDescription
no
seq
2
type
photo
mediaId
2a253523a3fe2132
hasOcr
no
hasDescription
no
seq
3
type
photo
mediaId
9aca080851cf4f8d
hasOcr
no
hasDescription
no
seq
4
type
photo
mediaId
0e9b8aa91cfff80c
hasOcr
no
hasDescription
no
seq
5
type
photo
mediaId
0d82175a01d99f64
hasOcr
no
hasDescription
no