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Source Description
The Virgin holds the Infant erect. Represented as Saviour of the World, he raises his right hand in blessing and holds an orb in his left. In pose and facial features, this statuette exhibits similarities to Chinese renderings of the deity Guanyin [Kuan Yin] (for which see Walters 71.656). There is no direct evidence of Chinese artisans producing Christian devotional objects in China, regardless of the efforts by the Jesuits to establish Christianity there. However, artisans within the Chinese merchant community in the Philippines were very active producing devotional works for Spain's world-wide network of colonies. The fall of the draperies more closely responds to a European sensibility. The figure can be compared and contrasted with Walters 71.322. Bordering the hem of the Virgin's mantle is a double band of gold and a pattern of alternate lozenges and ovals, with dots colored blue and red. Both figures have black hair and similar belts in blue and red. The fold of drapery over the Virgin's left elbow has been carved separately and applied with two pins.The base is drilled with two holes in which pegs would have been inserted to attach the statuette to a lower member, presumably a support of angels and clouds.
Scholar Source Context
Document identity
localId
8183
label
Virgin and Child
core
obj
dtoType
object
citationUrl
pageCount
7
Source metadata
id
8183
sourceUrl
contentType
object
stage
normalized
title
Virgin and Child
description
The Virgin holds the Infant erect. Represented as Saviour of the World, he raises his right hand in blessing and holds an orb in his left. In pose and facial features, this statuette exhibits similarities to Chinese renderings of the deity Guanyin [Kuan Yin] (for which see Walters 71.656). There is no direct evidence of Chinese artisans producing Christian devotional objects in China, regardless of the efforts by the Jesuits to establish Christianity there. However, artisans within the Chinese merchant community in the Philippines were very active producing devotional works for Spain's world-wide network of colonies. The fall of the draperies more closely responds to a European sensibility. The figure can be compared and contrasted with Walters 71.322. Bordering the hem of the Virgin's mantle is a double band of gold and a pattern of alternate lozenges and ovals, with dots colored blue and red. Both figures have black hair and similar belts in blue and red. The fold of drapery over the Virgin's left elbow has been carved separately and applied with two pins.The base is drilled with two holes in which pegs would have been inserted to attach the statuette to a lower member, presumably a support of angels and clouds.
provenance
Purchased by William T. or Henry Walters, Baltimore; by bequest to Walters Art Museum, 1931.
date
1600-1650 (Baroque)
citationUrl
rightsUri
CC0
language
en
genreSpecific
statuettes (statues)
imageCount
7
pageCount
7
source
import
dimensionsRaw
H: 5 1/2 in. (14 cm)
Source extras
med
ivory with gilding and traces of paint
creator_ids
6238
collection_ids
BAR
exhibition_ids
none
Page inventory
seq
1
type
photo
mediaId
cd85b44554b3f8d7
hasOcr
no
hasDescription
no
seq
2
type
photo
mediaId
bc6eb310b6dbbf54
hasOcr
no
hasDescription
no
seq
3
type
photo
mediaId
387d2af44f2eb246
hasOcr
no
hasDescription
no
seq
4
type
photo
mediaId
a28712b1c82dffd7
hasOcr
no
hasDescription
no
seq
5
type
photo
mediaId
5a4cc2825959d15e
hasOcr
no
hasDescription
no
seq
6
type
photo
mediaId
ecb26725a43d6a28
hasOcr
no
hasDescription
no
seq
7
type
photo
mediaId
e88a9d3bb8edba54
hasOcr
no
hasDescription
no