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Psalters were the primary prayerbooks used during the early medieval period. King David was commonly believed to have composed the psalms of the Old Testament that make up the Psalter. Here, David is seated within the initial “B” of Psalm 1, which begins “Beatus vir” (Blessed is the man). He is depicted as a musician plucking his psaltery, a stringed instrument after which the “Psalter” is named.This late twelfth- or early thirteenth-century Psalter was made for a woman, and is of Premonstratensian use. Created and used in Rhineland, Germany, it remained there until the French Revolution, after which it was eventually acquired by the English book collector Sir Thomas Phillipps. The Psalter is liturgical, and therefore has eight divisions for the liturgical week, as well as the more typical three-part divisions. Each of these major psalms is marked by large and lively initials. Early added prayers on the first and last blank pages, as well as occasional marginal prayers and notes in a variety of hands, attest to the manuscript's use through time.
Page data
- Page
- 1
- Source index
- 0
- Type
- photo
- Media ID
- 4b40fbe308939bf3
- Size
- unknown
Document data
- ID
- 8364
- Core
- obj
- Type
- object
DTO data
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"title": "Leaf from Psalter: Initial B (Beatus vir)",
"description": "Psalters were the primary prayerbooks used during the early medieval period. King David was commonly believed to have composed the psalms of the Old Testament that make up the Psalter. Here, David is seated within the initial “B” of Psalm 1, which begins “Beatus vir” (Blessed is the man). He is depicted as a musician plucking his psaltery, a stringed instrument after which the “Psalter” is named.This late twelfth- or early thirteenth-century Psalter was made for a woman, and is of Premonstratensian use. Created and used in Rhineland, Germany, it remained there until the French Revolution, after which it was eventually acquired by the English book collector Sir Thomas Phillipps. The Psalter is liturgical, and therefore has eight divisions for the liturgical week, as well as the more typical three-part divisions. Each of these major psalms is marked by large and lively initials. Early added prayers on the first and last blank pages, as well as occasional marginal prayers and notes in a variety of hands, attest to the manuscript's use through time.",
"provenance": "Created for Augustinian or Premonstratensian use (?), likely Rheinland, late 12th or early 13th century. Leander van Ess, Darmstadt, after 1800. Purchased by Sir Thomas Phillipps [1792-1872], 1824 [1]; Phillipps' Sale, London, either 1911, no. 868, or 1913, no. 1021. Léon Gruel, Paris [2]; purchased by Henry Walters, Baltimore; by bequest to Walters Art Museum, 1931.[1] fol. 1r - rampant lion stamp and inscription: \"\"Sir T.P./Middle Hill 441\"\"[2] no. 924 on front pastedown",
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Context sent to Scholar
Document identity
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Document source metadata
{
"id": "8364",
"sourceUrl": "https://purl.thewalters.org/art/W.25.1V",
"contentType": "object",
"stage": "normalized",
"title": "Leaf from Psalter: Initial B (Beatus vir)",
"description": "Psalters were the primary prayerbooks used during the early medieval period. King David was commonly believed to have composed the psalms of the Old Testament that make up the Psalter. Here, David is seated within the initial “B” of Psalm 1, which begins “Beatus vir” (Blessed is the man). He is depicted as a musician plucking his psaltery, a stringed instrument after which the “Psalter” is named.This late twelfth- or early thirteenth-century Psalter was made for a woman, and is of Premonstratensian use. Created and used in Rhineland, Germany, it remained there until the French Revolution, after which it was eventually acquired by the English book collector Sir Thomas Phillipps. The Psalter is liturgical, and therefore has eight divisions for the liturgical week, as well as the more typical three-part divisions. Each of these major psalms is marked by large and lively initials. Early added prayers on the first and last blank pages, as well as occasional marginal prayers and notes in a variety of hands, attest to the manuscript's use through time.",
"provenance": "Created for Augustinian or Premonstratensian use (?), likely Rheinland, late 12th or early 13th century. Leander van Ess, Darmstadt, after 1800. Purchased by Sir Thomas Phillipps [1792-1872], 1824 [1]; Phillipps' Sale, London, either 1911, no. 868, or 1913, no. 1021. Léon Gruel, Paris [2]; purchased by Henry Walters, Baltimore; by bequest to Walters Art Museum, 1931.[1] fol. 1r - rampant lion stamp and inscription: \"\"Sir T.P./Middle Hill 441\"\"[2] no. 924 on front pastedown",
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Document source extras
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"creator_ids": [
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Page context
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