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This Huari textile, quite likely a panel from a tunic or cushma (extra-long tunic), includes a motif frequently found in Huari art, that of a standing figure with outstretched arms, reflected by a corresponding, upside-down figure below. In keeping with the Huari love of distortion in their textiles, there is a vertical and horizontal mirroring of the colors and forms of this figure, such that the top right and bottom left quarters of each square within the textile pattern are interchangeable, simply inverted and oriented facing the other way. This type of reflection, and the use of large-scale figures, may be more characteristic of a fusion of the Huari style with Nazca influences, as the Huari empire expanded in the south coast of Peru ca. 700-1000 CE.
Page data
- Page
- 2
- Source index
- 0
- Type
- photo
- Media ID
- 2442f33d402ef8b0
- Size
- unknown
Document data
- ID
- 85452
- Core
- obj
- Type
- object
DTO data
{
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"sourceUrl": "https://purl.thewalters.org/art/2011.20.2",
"contentType": "object",
"stage": "normalized",
"title": "Tunic or Panel Fragment",
"description": "This Huari textile, quite likely a panel from a tunic or cushma (extra-long tunic), includes a motif frequently found in Huari art, that of a standing figure with outstretched arms, reflected by a corresponding, upside-down figure below. In keeping with the Huari love of distortion in their textiles, there is a vertical and horizontal mirroring of the colors and forms of this figure, such that the top right and bottom left quarters of each square within the textile pattern are interchangeable, simply inverted and oriented facing the other way. This type of reflection, and the use of large-scale figures, may be more characteristic of a fusion of the Huari style with Nazca influences, as the Huari empire expanded in the south coast of Peru ca. 700-1000 CE.",
"provenance": "Purchased by Georgia de Havenon, New York; given to Walters Art Museum, 2016.",
"date": "600-900 CE",
"citationUrl": "https://purl.thewalters.org/art/2011.20.2",
"rightsUri": "CC0",
"language": "en",
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"source": "import",
"dimensions": [
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"width": 49.2,
"height": 22.2
}
],
"dimensionsRaw": "H: 19 3/8 x W: 8 3/4 in. (49.21 x 22.23 cm)"
}
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Document identity
{
"localId": "85452",
"label": "Tunic or Panel Fragment",
"core": "obj",
"dtoType": "object",
"citationUrl": "https://purl.thewalters.org/art/2011.20.2"
}
Document source metadata
{
"id": "85452",
"sourceUrl": "https://purl.thewalters.org/art/2011.20.2",
"contentType": "object",
"stage": "normalized",
"title": "Tunic or Panel Fragment",
"description": "This Huari textile, quite likely a panel from a tunic or cushma (extra-long tunic), includes a motif frequently found in Huari art, that of a standing figure with outstretched arms, reflected by a corresponding, upside-down figure below. In keeping with the Huari love of distortion in their textiles, there is a vertical and horizontal mirroring of the colors and forms of this figure, such that the top right and bottom left quarters of each square within the textile pattern are interchangeable, simply inverted and oriented facing the other way. This type of reflection, and the use of large-scale figures, may be more characteristic of a fusion of the Huari style with Nazca influences, as the Huari empire expanded in the south coast of Peru ca. 700-1000 CE.",
"provenance": "Purchased by Georgia de Havenon, New York; given to Walters Art Museum, 2016.",
"date": "600-900 CE",
"citationUrl": "https://purl.thewalters.org/art/2011.20.2",
"rightsUri": "CC0",
"language": "en",
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],
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"thumbnailUrl": "https://art.thewalters.org/images/art/PS1_TL.2011.20.2_Det_DD_T11.jpg",
"largeImageUrl": "https://art.thewalters.org/images/art/PS1_TL.2011.20.2_Det_DD_T11.jpg",
"imageCount": 2,
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"source": "import",
"dimensions": [
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],
"dimensionsRaw": "H: 19 3/8 x W: 8 3/4 in. (49.21 x 22.23 cm)"
}
Document source extras
{
"cul": "Huari",
"med": "camelid fibers",
"creator_ids": [
"31448"
],
"collection_ids": [
"AME"
],
"exhibition_ids": []
}
Page context
{
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