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Source Description

The remarkable preservation of this carrying bag suggests that it might have been an offering placed in a grave or tomb. While bags used for carrying coca leaves (see below) are an important part of ritual as well as practical life in the Andes, this larger bag, with elaborate decoration, could have served a dual purpose, not only to carry objects, but also to advertise the user’s identity from afar. These large bags are one of the characteristic creations of the Sihuas culture. The bag’s decoration, which mirrors opposite colors across a central horizontal midline, shows an abstracted, stepped diamond pattern. The use of geometric patterns, including step frets, stripes, and quadripartite designs, seems to have been a shorthand to express conceptions of the divine. In this case, the pattern may reference an abstract rayed deity that is shown more fully fleshed out on the other Sihuas piece that is included in the gift. The Sihuas culture, slightly preceding the better-known Nazca in various river valleys near Arequipa, has only begun to be differentiated and defined over approximately the past 30 years.

Scholar Source Context

Document identity
localId
85453
label
Carrying Bag
core
obj
dtoType
object
pageCount
3
Source metadata
id
85453
contentType
object
stage
normalized
title
Carrying Bag
description
The remarkable preservation of this carrying bag suggests that it might have been an offering placed in a grave or tomb. While bags used for carrying coca leaves (see below) are an important part of ritual as well as practical life in the Andes, this larger bag, with elaborate decoration, could have served a dual purpose, not only to carry objects, but also to advertise the user’s identity from afar. These large bags are one of the characteristic creations of the Sihuas culture. The bag’s decoration, which mirrors opposite colors across a central horizontal midline, shows an abstracted, stepped diamond pattern. The use of geometric patterns, including step frets, stripes, and quadripartite designs, seems to have been a shorthand to express conceptions of the divine. In this case, the pattern may reference an abstract rayed deity that is shown more fully fleshed out on the other Sihuas piece that is included in the gift. The Sihuas culture, slightly preceding the better-known Nazca in various river valleys near Arequipa, has only begun to be differentiated and defined over approximately the past 30 years.
provenance
Purchased by Georgia de Havenon, New York; given to Walters Art Museum, 2016.
date
100 BCE-300 CE
rightsUri
CC0
language
en
genreSpecific
bags (containers)
imageCount
3
pageCount
3
source
import
dimensions
units
cm
width
43.5
height
17
dimensionsRaw
Bag H: 17 1/8 × W: 6 11/16 in. (43.5 × 17 cm); Bag with handles H: 25 9/16 in. (65 cm)
Source extras
cul
Sihuas
med
camelid fibers
creator_ids
2768
collection_ids
AME
exhibition_ids
none
Page inventory
seq
1
type
photo
mediaId
48c385358bc2ba17
hasOcr
no
hasDescription
no
seq
2
type
photo
mediaId
f10f9223c1e55b85
hasOcr
no
hasDescription
no
seq
3
type
photo
mediaId
12008de48b562428
hasOcr
no
hasDescription
no