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Garden and grove set the stage for men and women whose amorous encounters illustrate the labors of the months of April and May. The garden on the left celebrates courtly, or unattainable, love: lovers exchange furtive glances before a flowery bower woven through a willow fence, while three court ladies weave garlands of roses. The scene to the right illustrates a more carnal love: the horse's toothy grin reflects the playful mood of the lovers' escapade in the woods.

Page data

Page
1
Source index
0
Type
photo
Media ID
4a8901d58b8581f9
Size
unknown

Document data

ID
85645
Core
obj
Type
object
DTO data
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    "contentType": "object",
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    "title": "Labors of the Months of April and May",
    "description": "Garden and grove set the stage for men and women whose amorous encounters illustrate the labors of the months of April and May. The garden on the left celebrates courtly, or unattainable, love: lovers exchange furtive glances before a flowery bower woven through a willow fence, while three court ladies weave garlands of roses. The scene to the right illustrates a more carnal love: the horse's toothy grin reflects the playful mood of the lovers' escapade in the woods.",
    "provenance": "Jean Lallemant the Younger (d. 1548) [date and mode of acquisition unknown]; Gruel [date and mode of acquisition unknown]; Henry Walters, Baltimore [date and mode of acquisition unknown]; Walters Art Museum, 1931, by bequest.",
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Context sent to Scholar

Document identity
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    "label": "Labors of the Months of April and May",
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Document source metadata
{
    "id": "85645",
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    "contentType": "object",
    "stage": "normalized",
    "title": "Labors of the Months of April and May",
    "description": "Garden and grove set the stage for men and women whose amorous encounters illustrate the labors of the months of April and May. The garden on the left celebrates courtly, or unattainable, love: lovers exchange furtive glances before a flowery bower woven through a willow fence, while three court ladies weave garlands of roses. The scene to the right illustrates a more carnal love: the horse's toothy grin reflects the playful mood of the lovers' escapade in the woods.",
    "provenance": "Jean Lallemant the Younger (d. 1548) [date and mode of acquisition unknown]; Gruel [date and mode of acquisition unknown]; Henry Walters, Baltimore [date and mode of acquisition unknown]; Walters Art Museum, 1931, by bequest.",
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Document source extras
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Page context
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