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The Virgin supports the standing Child, who playfully pulls on her veil. Their poses represent the Child taking his first step, a warm, natural subject popular in Swiss and German regions, but less often portrayed in France. The statuette has a flat back for attachment to a larger object, such as a shrine or diptych (two hinged panels). Traces of polychromy still visible by the traces of red in the Virgin's hair and in the hem of Christ's robe.
Page data
- Page
- 1
- Source index
- 0
- Type
- photo
- Media ID
- bbb97503a0e1f5fd
- Size
- unknown
Document data
- ID
- 8656
- Core
- obj
- Type
- object
DTO data
{
"id": "8656",
"sourceUrl": "https://purl.thewalters.org/art/71.90",
"contentType": "object",
"stage": "normalized",
"title": "Virgin and Child",
"description": "The Virgin supports the standing Child, who playfully pulls on her veil. Their poses represent the Child taking his first step, a warm, natural subject popular in Swiss and German regions, but less often portrayed in France. The statuette has a flat back for attachment to a larger object, such as a shrine or diptych (two hinged panels). Traces of polychromy still visible by the traces of red in the Virgin's hair and in the hem of Christ's robe.",
"provenance": "Léon Gruel, Paris, by purchase; Henry Walters, Baltimore, 1914, by purchase; Walters Art Museum, 1931, by bequest.",
"date": "1350-1360 (Medieval)",
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"source": "import",
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"units": "cm",
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}
],
"dimensionsRaw": "6 3/8 x 2 9/16 x 7/8 in. (16.2 x 6.5 x 2.2 cm)"
}
Context sent to Scholar
Document identity
{
"localId": "8656",
"label": "Virgin and Child",
"core": "obj",
"dtoType": "object",
"citationUrl": "https://purl.thewalters.org/art/71.90"
}
Document source metadata
{
"id": "8656",
"sourceUrl": "https://purl.thewalters.org/art/71.90",
"contentType": "object",
"stage": "normalized",
"title": "Virgin and Child",
"description": "The Virgin supports the standing Child, who playfully pulls on her veil. Their poses represent the Child taking his first step, a warm, natural subject popular in Swiss and German regions, but less often portrayed in France. The statuette has a flat back for attachment to a larger object, such as a shrine or diptych (two hinged panels). Traces of polychromy still visible by the traces of red in the Virgin's hair and in the hem of Christ's robe.",
"provenance": "Léon Gruel, Paris, by purchase; Henry Walters, Baltimore, 1914, by purchase; Walters Art Museum, 1931, by bequest.",
"date": "1350-1360 (Medieval)",
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],
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}
Document source extras
{
"cul": "French",
"style": "Gothic",
"med": "ivory with traces of paint",
"creator_ids": [
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],
"collection_ids": [
"MED"
],
"exhibition_ids": [
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]
}
Page context
{
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