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Source Description
This manuscript, completed in the later part of the thirteenth century, contains William of Tyre's Estoire d'Eracles (to 1229), Les Faits des Romains (continuation, Tiberius to Julian), and a letter of Prester John. While the origin of the manuscript is debatable between Acre and Paris, Jaroslav Folda suggests a strong connection with Epinal 45, a manuscript known to have been created in Paris during this same time. Versions of William of Tyre's work were particularly popular in France during the latter part of the thirteenth century. The volume of William de Tyre's history of the Crusades housed at the Walters Art Museum features eighteen historiated initials, completed by four different artists' hands, of varying competence. What sets this particular manuscript apart from its contemporaries is the two unusual appended texts and its selective pictorial style.
Scholar Source Context
Document identity
localId
8971
label
William of Tyre's ""Histoire d'Outre Mer""
core
obj
dtoType
object
citationUrl
pageCount
4
Source metadata
id
8971
sourceUrl
contentType
object
stage
normalized
title
William of Tyre's ""Histoire d'Outre Mer""
description
This manuscript, completed in the later part of the thirteenth century, contains William of Tyre's Estoire d'Eracles (to 1229), Les Faits des Romains (continuation, Tiberius to Julian), and a letter of Prester John. While the origin of the manuscript is debatable between Acre and Paris, Jaroslav Folda suggests a strong connection with Epinal 45, a manuscript known to have been created in Paris during this same time. Versions of William of Tyre's work were particularly popular in France during the latter part of the thirteenth century. The volume of William de Tyre's history of the Crusades housed at the Walters Art Museum features eighteen historiated initials, completed by four different artists' hands, of varying competence. What sets this particular manuscript apart from its contemporaries is the two unusual appended texts and its selective pictorial style.
provenance
Gordon of Buthlaw, mid 19th century; Bertram, 4th Earl of Ashburnham, London, 1861, no. CLIV; Sale, Sotheby's, London, March 16, 1903, lot 689; purchased by Léon Gruel, Paris, March 16, 1903 [1]; puchased by Henry Walters, Baltimore, 1903; by bequest to Walters Art Museum, 1931.[1] Gruel and Engelmann bookplate 'No 138'
date
4th quarter 13th century
citationUrl
rightsUri
CC0
language
en
genreSpecific
illuminated manuscripts
imageCount
4
pageCount
4
source
import
dimensions
units
cm
width
34.1
height
24.5
dimensionsRaw
Folio H: 13 7/16 × W: 9 5/8 in. (34.1 × 24.5 cm)
Source extras
style
Gothic
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med
ink and pigments on medium-weight parchment bound between boards covered with velvet
creator_ids
7967
104
6229
collection_ids
MSS
MED
exhibition_ids
2829
2339
3314
249
Page inventory
seq
1
type
photo
mediaId
488d13fe7e98b116
hasOcr
no
hasDescription
no
seq
2
type
photo
mediaId
87b0b8a6e4297288
hasOcr
no
hasDescription
no
seq
3
type
photo
mediaId
c82d7767fbbed62e
hasOcr
no
hasDescription
no
seq
4
type
photo
mediaId
a6eaeb4024ca3ba2
hasOcr
no
hasDescription
no