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Before devoting himself to glass, Lalique was an important jewelry designer. Combining such materials as ivory, horn, glass, and semiprecious stones, all chosen for their visual appeal, with gold and diamonds, he created flamboyant masterpieces of Art Nouveau jewelry. In 1909, Lalique rented a glass factory at Combes-la-Ville, near Paris, where he made perfume bottles. The following year, he acquired another factory in Alsace, which he used for the mass-production of glass using a press-molding technique. Working in a balanced, highly stylized manner that anticipated the Art Deco movement of the 1920s, Lalique designed a diverse range of products that included car hood ornaments, lamps, bottles, vases, ashtrays, and room fittings, as well as jewelry.This brooch of amber colored glass was likely a button or stickpin orginally, as the brass mount is a later addition. The molded glass shows three frogs arranged equally around the center point of the brooch.

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Page
1
Source index
0
Type
photo
Media ID
bfe0dce1b8c1be76
Size
unknown

Document data

ID
9054
Core
obj
Type
object
DTO data
{
    "id": "9054",
    "sourceUrl": "https://purl.thewalters.org/art/47.727",
    "contentType": "object",
    "stage": "normalized",
    "title": "Frog Brooch",
    "description": "Before devoting himself to glass, Lalique was an important jewelry designer. Combining such materials as ivory, horn, glass, and semiprecious stones, all chosen for their visual appeal, with gold and diamonds, he created flamboyant masterpieces of Art Nouveau jewelry. In 1909, Lalique rented a glass factory at Combes-la-Ville, near Paris, where he made perfume bottles. The following year, he acquired another factory in Alsace, which he used for the mass-production of glass using a press-molding technique. Working in a balanced, highly stylized manner that anticipated the Art Deco movement of the 1920s, Lalique designed a diverse range of products that included car hood ornaments, lamps, bottles, vases, ashtrays, and room fittings, as well as jewelry.This brooch of amber colored glass was likely a button or stickpin orginally, as the brass mount is a later addition. The molded glass shows three frogs arranged equally around the center point of the brooch.",
    "provenance": "Jean-François Marniers, Marché Biron, Stand 133, Paris; purchased by Dr. and Mrs. Edward F. Lewison, Baltimore, 1998; given to Walters Art Museum, 2002.",
    "date": "1911",
    "citationUrl": "https://purl.thewalters.org/art/47.727",
    "rightsUri": "CC0",
    "language": "en",
    "genreSpecific": [
        "Glasswares",
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    ],
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    "imageCount": 1,
    "pageCount": 1,
    "source": "import",
    "dimensionsRaw": "Diam: 1 3/4 in. (4.4 cm)"
}

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Document identity
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    "localId": "9054",
    "label": "Frog Brooch",
    "core": "obj",
    "dtoType": "object",
    "citationUrl": "https://purl.thewalters.org/art/47.727"
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Document source metadata
{
    "id": "9054",
    "sourceUrl": "https://purl.thewalters.org/art/47.727",
    "contentType": "object",
    "stage": "normalized",
    "title": "Frog Brooch",
    "description": "Before devoting himself to glass, Lalique was an important jewelry designer. Combining such materials as ivory, horn, glass, and semiprecious stones, all chosen for their visual appeal, with gold and diamonds, he created flamboyant masterpieces of Art Nouveau jewelry. In 1909, Lalique rented a glass factory at Combes-la-Ville, near Paris, where he made perfume bottles. The following year, he acquired another factory in Alsace, which he used for the mass-production of glass using a press-molding technique. Working in a balanced, highly stylized manner that anticipated the Art Deco movement of the 1920s, Lalique designed a diverse range of products that included car hood ornaments, lamps, bottles, vases, ashtrays, and room fittings, as well as jewelry.This brooch of amber colored glass was likely a button or stickpin orginally, as the brass mount is a later addition. The molded glass shows three frogs arranged equally around the center point of the brooch.",
    "provenance": "Jean-François Marniers, Marché Biron, Stand 133, Paris; purchased by Dr. and Mrs. Edward F. Lewison, Baltimore, 1998; given to Walters Art Museum, 2002.",
    "date": "1911",
    "citationUrl": "https://purl.thewalters.org/art/47.727",
    "rightsUri": "CC0",
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    "largeImageUrl": "https://art.thewalters.org/images/art/PL1_47.727_Fnt_TR_T02IV.jpg",
    "imageCount": 1,
    "pageCount": 1,
    "source": "import",
    "dimensionsRaw": "Diam: 1 3/4 in. (4.4 cm)"
}
Document source extras
{
    "style": "Art Nouveau",
    "med": "amber colored glass, gilded brass (copper and zinc)",
    "creator_ids": [
        "2972"
    ],
    "collection_ids": [
        "EAN",
        "JWL"
    ],
    "exhibition_ids": [
        "902",
        "3246"
    ]
}
Page context
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