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Source Description
The Master K.I.P. is known to us only by his signed initials, his actual identity remaining unclear. His work reveals the direct influence of Italian models-this composition being copied after an engraving by Marcantonio Raimondi, who in turn copied a painting by Raphael. A pax was a liturgical object which was kissed by the celebrating priest and then passed among the congregation during the Mass.
Scholar Source Context
Document identity
localId
9644
label
Pax: The Madonna of Foligno
core
obj
dtoType
object
citationUrl
pageCount
1
Source metadata
id
9644
sourceUrl
contentType
object
stage
normalized
title
Pax: The Madonna of Foligno
description
The Master K.I.P. is known to us only by his signed initials, his actual identity remaining unclear. His work reveals the direct influence of Italian models-this composition being copied after an engraving by Marcantonio Raimondi, who in turn copied a painting by Raphael. A pax was a liturgical object which was kissed by the celebrating priest and then passed among the congregation during the Mass.
provenance
Henry Walters, Baltimore [date and mode of acquisition unknown]; Walters Art Museum, 1931, by bequest.
date
mid 16th century (Renaissance)
citationUrl
rightsUri
CC0
language
en
genreSpecific
Enamels
plaques
paxes
imageCount
1
pageCount
1
source
import
dimensions
units
cm
width
19.8
height
11.5
dimensionsRaw
Pax H: 7 13/16 x W: 4 1/2 in. (19.8 x 11.5 cm); Plaque H: 3 9/16 x W: 2 9/16 in. (9 x 6.5 cm)
Source extras
med
painted enamels on copper
creator_ids
5908
collection_ids
REN
exhibition_ids
none
Single page context
seq
1
pageIndex
0
type
photo
mediaId
f84645311f136ad2