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Uesugi Kenshin (1530-1578), on horseback at right, is shown breaking into his enemy's camp on the eve of battle. Taken by surprise, Takeda Shingen (1521-1573) defends himself with his iron war fan. But even a surprise attack did not bring an end to what turned out to be a ten-year war between skilled strategists. This particular episode became a favorite subject for printmakerss and playwrights. Chikashige depicts actors, who assume traditional cross-eyed poses to underscore the psychological intensity of the moment.
Page data
- Page
- 8
- Source index
- 0
- Type
- photo
- Media ID
- 0766c1ee24b66b0f
- Size
- unknown
Document data
- ID
- 18307
- Core
- obj
- Type
DTO data
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"title": "Triptych: Surprise Attack",
"description": "Uesugi Kenshin (1530-1578), on horseback at right, is shown breaking into his enemy's camp on the eve of battle. Taken by surprise, Takeda Shingen (1521-1573) defends himself with his iron war fan. But even a surprise attack did not bring an end to what turned out to be a ten-year war between skilled strategists. This particular episode became a favorite subject for printmakerss and playwrights. Chikashige depicts actors, who assume traditional cross-eyed poses to underscore the psychological intensity of the moment.",
"provenance": "C. Robert Snell, Oriental Arts & Antiques, Timonium, Maryland; purchased by Justine Lewis Keidel, Owings Mills, Maryland, after 1971; given to Walters Art Museum, 1991.",
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Context sent to Scholar
Document identity
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Document source metadata
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"title": "Triptych: Surprise Attack",
"description": "Uesugi Kenshin (1530-1578), on horseback at right, is shown breaking into his enemy's camp on the eve of battle. Taken by surprise, Takeda Shingen (1521-1573) defends himself with his iron war fan. But even a surprise attack did not bring an end to what turned out to be a ten-year war between skilled strategists. This particular episode became a favorite subject for printmakerss and playwrights. Chikashige depicts actors, who assume traditional cross-eyed poses to underscore the psychological intensity of the moment.",
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Document source extras
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"cul": "Japanese",
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