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Source Description

The Buglioni workshop specialized in glazed terracotta reliefs made popular by the Della Robbia workshop in Florence, and they made a number of these altarpieces for eminent Florentine patrons in the late 15th and early 16th centuries. The Walters' Nativity altarpiece (27.212), attributed to Andrea Della Robbia (1435-1525), shares obvious characteristics with this piece-its arched frame, decorative garlands of fruit and flowers, and prominent display of family heraldry.The large scale and choice of subject in this example created further challenges. It is hard to fire such a large piece. The seams from firing the different sections separately are evident, as are faults in the glaze in some areas. The challenge of depicting a drama set in a landscape has been unevenly met. The exhaustion of the apostles and the despair of Christ are brilliantly brought out by the naturalism that can be achieved in modeled clay. However, there is a reason that naturalistic landscape settings with receding spaces and clouds are almost never attempted in glazed terracotta relief: this is a medium for bold effects, but it is difficult to control for nuanced details.

Scholar Source Context

Document identity
localId
19906
label
The Agony in the Garden of Gethsemane
core
obj
dtoType
sculpture
pageCount
1
Source metadata
id
19906
contentType
sculpture
stage
normalized
title
The Agony in the Garden of Gethsemane
description
The Buglioni workshop specialized in glazed terracotta reliefs made popular by the Della Robbia workshop in Florence, and they made a number of these altarpieces for eminent Florentine patrons in the late 15th and early 16th centuries. The Walters' Nativity altarpiece (27.212), attributed to Andrea Della Robbia (1435-1525), shares obvious characteristics with this piece-its arched frame, decorative garlands of fruit and flowers, and prominent display of family heraldry.The large scale and choice of subject in this example created further challenges. It is hard to fire such a large piece. The seams from firing the different sections separately are evident, as are faults in the glaze in some areas. The challenge of depicting a drama set in a landscape has been unevenly met. The exhaustion of the apostles and the despair of Christ are brilliantly brought out by the naturalism that can be achieved in modeled clay. However, there is a reason that naturalistic landscape settings with receding spaces and clouds are almost never attempted in glazed terracotta relief: this is a medium for bold effects, but it is difficult to control for nuanced details.
provenance
Palazzo Bourtourlin, Florence; Raoul Heilbroner [date and mode of acquisition unknown]; Henry Walters, Baltimore [date and mode of acquisition unknown]; Henry Walters Auction, American Art Association, New York, January 11-13, 1934, no. 538; Walters Art Museum, 1934, by purchase.
date
ca. 1525-1535 (Renaissance)
rightsUri
CC0
language
en
genreSpecific
Sculpture
sculpture (visual works)
altarpieces
imageCount
1
pageCount
1
source
import
dimensions
units
cm
width
247.5
height
183
dimensionsRaw
97 7/16 x 72 1/16 in. (247.5 x 183 cm)
Source extras
cul
Italian
med
terracotta with glaze
creator_ids
4795
collection_ids
REN
exhibition_ids
none
Single page context
seq
1
pageIndex
0
type
photo
mediaId
32514e061ac3061a