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Source Description
This relief was excavated in northern Syria at the site of Tell Halaf, the capital of a small independent city-state known as Guzana to the Assyrians, who conquered it in the late 9th century BCE. More than two hundred such stone reliefs (so-called orthostates) decorated the façade of a temple-palace built in the 10th century BCE by a local ruler named Kapara, son of Khadiânu. He reused the blocks from one or more pre-existing structures and carved an inscription in cuneiform on each one that states, "Palace of Kapara, son of Khadiânu." The blocks were placed so that limestone ones painted red alternated with others of black basalt. While the human images have been depicted in the less sophisticated, local style, many of the animal reliefs, such as the goat, may have been modeled on finely carved ivories imported from northern Syria and Phoenicia that were found at the site. This rearing goat, looking back over its shoulder, was part of a traditional composition in which two goats flanked a sacred tree- a very old Mesopotamian motif. The rendering of the animal is relatively sophisticated, with even its muscles and fur indicated. King Kapara's full inscription appears in two neat lines to the right of the goat's head.
Scholar Source Context
Document identity
localId
23972
label
Relief with Goat
core
obj
dtoType
sculpture
citationUrl
pageCount
1
Source metadata
id
23972
sourceUrl
contentType
sculpture
stage
normalized
title
Relief with Goat
description
This relief was excavated in northern Syria at the site of Tell Halaf, the capital of a small independent city-state known as Guzana to the Assyrians, who conquered it in the late 9th century BCE. More than two hundred such stone reliefs (so-called orthostates) decorated the façade of a temple-palace built in the 10th century BCE by a local ruler named Kapara, son of Khadiânu. He reused the blocks from one or more pre-existing structures and carved an inscription in cuneiform on each one that states, "Palace of Kapara, son of Khadiânu." The blocks were placed so that limestone ones painted red alternated with others of black basalt. While the human images have been depicted in the less sophisticated, local style, many of the animal reliefs, such as the goat, may have been modeled on finely carved ivories imported from northern Syria and Phoenicia that were found at the site. This rearing goat, looking back over its shoulder, was part of a traditional composition in which two goats flanked a sacred tree- a very old Mesopotamian motif. The rendering of the animal is relatively sophisticated, with even its muscles and fur indicated. King Kapara's full inscription appears in two neat lines to the right of the goat's head.
provenance
Max von Oppenheim, 1911-1913 [excavated at the lower course of the exterior wall of the temple of King Kapara at Guzana, Tell Halaf, Syria and sent to the United States for sale]; Alien Property Custodian of the United States, by 1943; Walters Art Museum, 1944, by purchase [with the assistance of the Metropolitan Museum of Art, New York].
date
10th-9th century BCE (Neo-Hittite/Hurritic)
citationUrl
rightsUri
CC0
language
en
genreSpecific
Sculpture
reliefs
orthostats
imageCount
1
pageCount
1
source
import
dimensions
units
cm
width
63.5
height
40.5
depth
22.5
dimensionsRaw
25 x 15 15/16 x 8 7/8 in. (63.5 x 40.5 x 22.5 cm)
Source extras
cul
Aramean
inscriptions
[Translation] To the right of the goat's head: Palace of Kapara
son of Khadiânu
dynasty
Bît Bakhâni Dynasty
reign
Kapara
RelatedObjects
26585
37529
7441
med
limestone
creator_ids
3930
collection_ids
ANE
exhibition_ids
2507
Single page context
seq
1
pageIndex
0
type
photo
mediaId
622b639799e66054