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Source Description
A bodhisattva is one who has attained enlightenment, but he or she postpones "nirvana" (the cessation of existence and suffering) in order to help others on their own paths toward this goal. As the bodhisattva of compassion, Avalokiteshvara is especially popular. Often recognized by his lotus attribute, he is also called Padmapani, the one with the lotus ("padma") in his hand ("pani"). This sumptuous bronze sculpture, gilded and inlaid with semiprecious stones, may have been created in Tibet by migrant artists from Nepal, for it bears a stylistic resemblance to Newari works from the Kathmandu Valley.After the artist made this sculpture, an abbot or a lama would have consecrated it through a series of ritual actions that allowed it to be a receptacle for Avalokiteshvara’s divine presence. An “eye-opening” ritual would animate the image and endow it with sense faculties. Offerings such as combs, textiles, gemstones, bone, and sacred scrolls of Buddhist teachings would have been inserted into the rectangular opening in Avalokiteshvara’s back.
Scholar Source Context
Document identity
localId
28081
label
Bodhisattva Avalokiteshvara
core
obj
dtoType
sculpture
citationUrl
pageCount
7
Source metadata
id
28081
sourceUrl
contentType
sculpture
stage
normalized
title
Bodhisattva Avalokiteshvara
description
A bodhisattva is one who has attained enlightenment, but he or she postpones "nirvana" (the cessation of existence and suffering) in order to help others on their own paths toward this goal. As the bodhisattva of compassion, Avalokiteshvara is especially popular. Often recognized by his lotus attribute, he is also called Padmapani, the one with the lotus ("padma") in his hand ("pani"). This sumptuous bronze sculpture, gilded and inlaid with semiprecious stones, may have been created in Tibet by migrant artists from Nepal, for it bears a stylistic resemblance to Newari works from the Kathmandu Valley.After the artist made this sculpture, an abbot or a lama would have consecrated it through a series of ritual actions that allowed it to be a receptacle for Avalokiteshvara’s divine presence. An “eye-opening” ritual would animate the image and endow it with sense faculties. Offerings such as combs, textiles, gemstones, bone, and sacred scrolls of Buddhist teachings would have been inserted into the rectangular opening in Avalokiteshvara’s back.
provenance
Ian Alsop, New York and Santa Fe; purchased by John and Berthe Ford, Baltimore, March 25 1997; given to Walters Art Museum, 2014.
date
ca. 1400
citationUrl
rightsUri
CC0
language
en
genreSpecific
Sculpture
sculpture (visual works)
imageCount
7
pageCount
7
source
import
dimensions
units
cm
width
38.7
height
16.5
depth
8
dimensionsRaw
H: 15 1/4 × W: 6 1/2 × D: 3 1/8 in. (38.7 × 16.51 × 8 cm); Base H: 3 3/8 × W: 4 5/16 × D: 4 5/16 in. (8.5 × 11 × 11 cm)
Source extras
med
gilded copper with traces of paint and semiprecious stones
creator_ids
6868
collection_ids
INT
exhibition_ids
2071
Page inventory
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1
type
photo
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photo
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type
photo
mediaId
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no
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no