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Sculptural innovation of the Gothic period can be seen in this head of an Old Testament monarch, carved for the abbey church of Saint-Denis, outside Paris. The head, from a pier (column) figure on the building's west façade, represents the transition between the abstraction and solidity characteristic of the eleventh and earlier twelfth centuries (often called the "Romanesque" period), and the increased interest in naturalism seen from the later twelfth century through the end of the medieval period. Although this example is by no means a realistic representation of the human figure, the sculptor has incorporated elements based on the observation of nature, such as the softly rounded contours of the face and the wavy curls of hair. This interest in naturalism continued to develop through the later Middle Ages and the early modern period.When this sculpture was in situ, the feet of the full-length figure would have been at about the height of a viewer's head, and the monarch would have stared down at the viewer, his crown, robe and eyes brightly painted and adorned with inset glass and metal. The heads of the jamb figures were removed from the portal in the late eighteenth century, just before the royal burial church became a target of vandalism during the French Revolution.

Page data

Page
7
Source index
0
Type
photo
Media ID
34ae96351d0df506
Size
unknown

Document data

ID
28513
Core
obj
Type
sculpture
DTO data
{
    "id": "28513",
    "sourceUrl": "https://purl.thewalters.org/art/27.21",
    "contentType": "sculpture",
    "stage": "normalized",
    "title": "Head of an Old Testament King",
    "description": "Sculptural innovation of the Gothic period can be seen in this head of an Old Testament monarch, carved for the abbey church of Saint-Denis, outside Paris. The head, from a pier (column) figure on the building's west façade, represents the transition between the abstraction and solidity characteristic of the eleventh and earlier twelfth centuries (often called the \"Romanesque\" period), and the increased interest in naturalism seen from the later twelfth century through the end of the medieval period. Although this example is by no means a realistic representation of the human figure, the sculptor has incorporated elements based on the observation of nature, such as the softly rounded contours of the face and the wavy curls of hair. This interest in naturalism continued to develop through the later Middle Ages and the early modern period.When this sculpture was in situ, the feet of the full-length figure would have been at about the height of a viewer's head, and the monarch would have stared down at the viewer, his crown, robe and eyes brightly painted and adorned with inset glass and metal. The heads of the jamb figures were removed from the portal in the late eighteenth century, just before the royal burial church became a target of vandalism during the French Revolution.",
    "provenance": "Abbey of St. Denis, Paris [said to be a head from a west façade portal jamb statue]; Raoul Heilbronner, Paris [date and mode of acquisition unknown]; Dikran Kelekian, Paris [date and mode of acquisition unknown]; Henry Walters, Baltimore, 1911, by purchase; Walters Art Museum, 1931, by bequest.",
    "date": "ca. 1140 (Medieval)",
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    "dimensionsRaw": "H: 14 3/8 x W: 9 1/16 x D: 8 3/4 in. (36.5 x 23 x 22.3 cm)",
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}

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Document identity
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    "localId": "28513",
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Document source metadata
{
    "id": "28513",
    "sourceUrl": "https://purl.thewalters.org/art/27.21",
    "contentType": "sculpture",
    "stage": "normalized",
    "title": "Head of an Old Testament King",
    "description": "Sculptural innovation of the Gothic period can be seen in this head of an Old Testament monarch, carved for the abbey church of Saint-Denis, outside Paris. The head, from a pier (column) figure on the building's west façade, represents the transition between the abstraction and solidity characteristic of the eleventh and earlier twelfth centuries (often called the \"Romanesque\" period), and the increased interest in naturalism seen from the later twelfth century through the end of the medieval period. Although this example is by no means a realistic representation of the human figure, the sculptor has incorporated elements based on the observation of nature, such as the softly rounded contours of the face and the wavy curls of hair. This interest in naturalism continued to develop through the later Middle Ages and the early modern period.When this sculpture was in situ, the feet of the full-length figure would have been at about the height of a viewer's head, and the monarch would have stared down at the viewer, his crown, robe and eyes brightly painted and adorned with inset glass and metal. The heads of the jamb figures were removed from the portal in the late eighteenth century, just before the royal burial church became a target of vandalism during the French Revolution.",
    "provenance": "Abbey of St. Denis, Paris [said to be a head from a west façade portal jamb statue]; Raoul Heilbronner, Paris [date and mode of acquisition unknown]; Dikran Kelekian, Paris [date and mode of acquisition unknown]; Henry Walters, Baltimore, 1911, by purchase; Walters Art Museum, 1931, by bequest.",
    "date": "ca. 1140 (Medieval)",
    "citationUrl": "https://purl.thewalters.org/art/27.21",
    "rightsUri": "CC0",
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    "style": "Gothic"
}
Document source extras
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    "med": "limestone",
    "creator_ids": [
        "6229"
    ],
    "collection_ids": [
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    "exhibition_ids": [
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    ]
}
Page context
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