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Source Description

St. Catherine of Alexandria was a noblewoman in early 4th-century Egypt, who, according to Christian legend, challenged the pagan Roman emperor with her faith in Christ. Ordered by the emperor to be executed on a spiked wheel, Catherine was initially saved by the wheel miraculously breaking, but he then had her beheaded. She is identified here by the broken wheel with iron spikes.Ferrucci, master sculptor of the cathedral of Florence, left the back of the statue unfinished, indicating that it was to be placed in a niche or in front of a wall as part of an architectural setting. The drapery covers Catherine’s body in a way that reveals its underlying form. The gracefully elongated proportions reflect a characteristically 16th-century European artistic ideal of female beauty. The orange stain on her chest is possibly iron staining from a now-lost (but not contemporary) necklace.

Scholar Source Context

Document identity
localId
28977
label
Saint Catherine of Alexandria
core
obj
dtoType
sculpture
pageCount
19
Source metadata
id
28977
contentType
sculpture
stage
normalized
title
Saint Catherine of Alexandria
description
St. Catherine of Alexandria was a noblewoman in early 4th-century Egypt, who, according to Christian legend, challenged the pagan Roman emperor with her faith in Christ. Ordered by the emperor to be executed on a spiked wheel, Catherine was initially saved by the wheel miraculously breaking, but he then had her beheaded. She is identified here by the broken wheel with iron spikes.Ferrucci, master sculptor of the cathedral of Florence, left the back of the statue unfinished, indicating that it was to be placed in a niche or in front of a wall as part of an architectural setting. The drapery covers Catherine’s body in a way that reveals its underlying form. The gracefully elongated proportions reflect a characteristically 16th-century European artistic ideal of female beauty. The orange stain on her chest is possibly iron staining from a now-lost (but not contemporary) necklace.
provenance
Heim Gallery, Ltd., London [date and mode of acquisition unknown] [no. 16as Venetian, late 16th century, attributed to Girolamo Lombardo, 1505/06-1590 ]; Walters Art Museum, September 1970, by purchase.
date
ca. 1515 (Renaissance)
rightsUri
CC0
language
en
genreSpecific
Sculpture
statues
imageCount
19
pageCount
19
source
import
dimensions
units
cm
width
118.1
height
34.3
depth
17.8
dimensionsRaw
H: 46 1/2 × W: 13 1/2 × D: 7 in. (118.11 × 34.29 × 17.78 cm)
Source extras
med
marble, iron, lead, and traces of paint
creator_ids
7371
collection_ids
REN
exhibition_ids
none
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