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Source Description

The woman stands frontally with her hands clasped calmly in front of her. Her face is slightly raised, and she wears a serene expression. Her mantle wraps around her torso and is tucked under her left arm. Under the mantle, she wears a long peplos or chiton, the vertical folds of which contrast to the horizontal and diagonal folds of the mantle. Extensive traces of white paint are visible. The statuette stands on a square base. Although generally referred to as Tanagra figurines after the most famous findspot, Tanagra (modern Schimatari) in Boeotia, Greece, statuettes of this type have been found at other sites in the ancient world, including Myrina and Smyrna (modern Izmir) in Asia Minor. The most common forms of the statuettes depict young women sitting, standing, or in the process of graceful movement, but there are also examples showing men or children. The statuettes were used as grave offerings, votives, decorative objects, and perhaps toys. The hair, clothing, skin, and jewelry of the pieces were originally painted, although most of the colors are presently faded.

Scholar Source Context

Document identity
localId
3540
label
Standing Draped Woman with Clasped Hands
core
obj
dtoType
sculpture
pageCount
7
Source metadata
id
3540
contentType
sculpture
stage
normalized
title
Standing Draped Woman with Clasped Hands
description
The woman stands frontally with her hands clasped calmly in front of her. Her face is slightly raised, and she wears a serene expression. Her mantle wraps around her torso and is tucked under her left arm. Under the mantle, she wears a long peplos or chiton, the vertical folds of which contrast to the horizontal and diagonal folds of the mantle. Extensive traces of white paint are visible. The statuette stands on a square base. Although generally referred to as Tanagra figurines after the most famous findspot, Tanagra (modern Schimatari) in Boeotia, Greece, statuettes of this type have been found at other sites in the ancient world, including Myrina and Smyrna (modern Izmir) in Asia Minor. The most common forms of the statuettes depict young women sitting, standing, or in the process of graceful movement, but there are also examples showing men or children. The statuettes were used as grave offerings, votives, decorative objects, and perhaps toys. The hair, clothing, skin, and jewelry of the pieces were originally painted, although most of the colors are presently faded.
provenance
Joseph Brummer, New York, [date and mode of acquisition unknown]; Henry Walters, Baltimore, 1927, by purchase; Walters Art Museum, 1931, by bequest.
date
ca. 300 BCE (Hellenistic)
rightsUri
CC0
language
en
genreSpecific
Ceramics
statuettes
imageCount
7
pageCount
7
source
import
dimensions
units
cm
width
20
height
6.6
depth
4.7
dimensionsRaw
7 7/8 x 2 5/8 x 1 7/8 in. (20 x 6.6 x 4.7 cm)
style
Hellenistic
Source extras
cul
Greek
med
terracotta, mold made; traces of paint
creator_ids
6256
collection_ids
GRC
exhibition_ids
2237
Page inventory
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1
type
photo
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a8b9ca3bf92563a2
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no
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seq
2
type
photo
mediaId
1184d22dc073518c
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no
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seq
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type
photo
mediaId
fe3bbd2b80c1283d
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no
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seq
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type
photo
mediaId
c7636b284f22a176
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no
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no
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type
photo
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cc87243c2073b7c6
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no
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type
photo
mediaId
395489de61df7ae1
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no
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no
seq
7
type
photo
mediaId
0f8fd83183116959
hasOcr
no
hasDescription
no