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Source Description

This figure of Sant Sebastian, the saint being by legend a third-century soldier who was martyred for his faith, exemplifies the mass poduction of simple, durable devotional figures in the later 15th and erly 16th centuries in the region of the Meuse valley in present-day Belgium where there were significant deposits of copper. The cast is extremely crude and may have been made from wood sculptures of the period that are of the same scale, much more finely worked, and perfect for models. The same makers produced kitchen hardware in brass. Indeed this figure may have been part of a chandelier. It is rather surprising to see a depiction of this piece on the table next to the collector Henry Walters in a posthuous portrait from 1938 by Thomas Cromwell Corner (Walters 37.1682). It's not clear who chose these objects for inclusion. In any case the other medieval pieces shown in the portrait are objects of considerable refinement.

Scholar Source Context

Document identity
localId
36055
label
St. Sebastian
core
obj
dtoType
sculpture
pageCount
1
Source metadata
id
36055
contentType
sculpture
stage
normalized
title
St. Sebastian
description
This figure of Sant Sebastian, the saint being by legend a third-century soldier who was martyred for his faith, exemplifies the mass poduction of simple, durable devotional figures in the later 15th and erly 16th centuries in the region of the Meuse valley in present-day Belgium where there were significant deposits of copper. The cast is extremely crude and may have been made from wood sculptures of the period that are of the same scale, much more finely worked, and perfect for models. The same makers produced kitchen hardware in brass. Indeed this figure may have been part of a chandelier. It is rather surprising to see a depiction of this piece on the table next to the collector Henry Walters in a posthuous portrait from 1938 by Thomas Cromwell Corner (Walters 37.1682). It's not clear who chose these objects for inclusion. In any case the other medieval pieces shown in the portrait are objects of considerable refinement.
provenance
Lucien Demotte, Paris [1]; Purchased by Henry Walters, 1925, Paris; by bequest to Walters Art Museum, 1931.[1] Likely inherited from his father, George Joseph Demotte
date
early 16th century (Renaissance)
rightsUri
CC0
language
en
genreSpecific
sculpture (visual works)
statuettes
imageCount
1
pageCount
1
source
import
dimensionsRaw
H: 7 11/16 in. (19.5 cm)
Source extras
cul
Medieval European
inscriptions
[Inscription] On base: G. A.
med
brass
creator_ids
6262
collection_ids
REN
exhibition_ids
none
Single page context
seq
1
pageIndex
0
type
photo
mediaId
8b52cda8157b151d