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Source Description

The style of this "tondo," or medallion, was developed by Luca della Robbia (ca. 1400-82) who invented this type of brightly colored glazed terracotta (baked or fired clay) relief-inspired by maiolica-and it shows the continued admiration of his works long after his death. Such medallions were intended for placement in an architectural setting like this.The lilies placed behind the Virgin Mary and the Christ Child symbolize her purity. She offers Christ her breast for nursing, emphasizing Christ's humanity.

Scholar Source Context

Document identity
localId
38292
label
The Virgin of the Lilies
core
obj
dtoType
sculpture
pageCount
1
Source metadata
id
38292
contentType
sculpture
stage
normalized
title
The Virgin of the Lilies
description
The style of this "tondo," or medallion, was developed by Luca della Robbia (ca. 1400-82) who invented this type of brightly colored glazed terracotta (baked or fired clay) relief-inspired by maiolica-and it shows the continued admiration of his works long after his death. Such medallions were intended for placement in an architectural setting like this.The lilies placed behind the Virgin Mary and the Christ Child symbolize her purity. She offers Christ her breast for nursing, emphasizing Christ's humanity.
provenance
Raoul Heilbronner, Paris; Henry Walters, Baltimore, 1902, by purchase; Walters Art Museum, 1931, by bequest.
date
ca. 1500-1550 (Renaissance)
rightsUri
CC0
language
en
genreSpecific
Sculpture
sculpture (visual works)
roundels
imageCount
1
pageCount
1
source
import
dimensionsRaw
52 3/8 in. (133 cm)
Source extras
cul
Italian
med
terracotta with glaze
creator_ids
5015
collection_ids
REN
exhibition_ids
none
Single page context
seq
1
pageIndex
0
type
photo
mediaId
84e278d073d5b75d