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The Gospel of John relates the story of a Samaritan woman who is asked by Jesus for a drink of water. After talking with him, she realizes that he is the Messiah. Rinehart represents the woman, standing with her water vase. A native of Maryland, the artist, with the financial help of William T. Walters, settled in Rome in 1858. There, he sculpted idealized figures as well as portraits of visiting Americans. He worked in a neoclassical style but was also influenced by the emerging naturalistic trends in sculpture.Two large marbles of this subject were cut (the original order for William T. Walters and one for Governor Edward D. Morgan of New York in 1874) and eight reductions.
Page data
- Page
- 2
- Source index
- 0
- Type
- photo
- Media ID
- 62ac654fc77ef325
- Size
- unknown
Document data
- ID
- 39110
- Core
- obj
- Type
- sculpture
DTO data
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"contentType": "sculpture",
"stage": "normalized",
"title": "The Woman of Samaria",
"description": "The Gospel of John relates the story of a Samaritan woman who is asked by Jesus for a drink of water. After talking with him, she realizes that he is the Messiah. Rinehart represents the woman, standing with her water vase. A native of Maryland, the artist, with the financial help of William T. Walters, settled in Rome in 1858. There, he sculpted idealized figures as well as portraits of visiting Americans. He worked in a neoclassical style but was also influenced by the emerging naturalistic trends in sculpture.Two large marbles of this subject were cut (the original order for William T. Walters and one for Governor Edward D. Morgan of New York in 1874) and eight reductions.",
"provenance": "Commissioned by William T. Walters, Baltimore, 1862 [commissioned in 1859, completed in 1862]; inherited by Henry Walters, Baltimore, 1894; by bequest to Walters Art Museum, 1931.",
"date": "1859-1862 (Modern)",
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"imageCount": 4,
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"source": "import",
"dimensionsRaw": "H: 65 in. (165.1 cm); H including base: 91 9/16 in. (232.6 cm)"
}
Context sent to Scholar
Document identity
{
"localId": "39110",
"label": "The Woman of Samaria",
"core": "obj",
"dtoType": "sculpture",
"citationUrl": "https://purl.thewalters.org/art/28.10"
}
Document source metadata
{
"id": "39110",
"sourceUrl": "https://purl.thewalters.org/art/28.10",
"contentType": "sculpture",
"stage": "normalized",
"title": "The Woman of Samaria",
"description": "The Gospel of John relates the story of a Samaritan woman who is asked by Jesus for a drink of water. After talking with him, she realizes that he is the Messiah. Rinehart represents the woman, standing with her water vase. A native of Maryland, the artist, with the financial help of William T. Walters, settled in Rome in 1858. There, he sculpted idealized figures as well as portraits of visiting Americans. He worked in a neoclassical style but was also influenced by the emerging naturalistic trends in sculpture.Two large marbles of this subject were cut (the original order for William T. Walters and one for Governor Edward D. Morgan of New York in 1874) and eight reductions.",
"provenance": "Commissioned by William T. Walters, Baltimore, 1862 [commissioned in 1859, completed in 1862]; inherited by Henry Walters, Baltimore, 1894; by bequest to Walters Art Museum, 1931.",
"date": "1859-1862 (Modern)",
"citationUrl": "https://purl.thewalters.org/art/28.10",
"rightsUri": "CC0",
"language": "en",
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"largeImageUrl": "https://art.thewalters.org/images/art/PL9_28.10_Fnt_BW.jpg",
"imageCount": 4,
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"source": "import",
"dimensionsRaw": "H: 65 in. (165.1 cm); H including base: 91 9/16 in. (232.6 cm)"
}
Document source extras
{
"inscriptions": "[Signature] W.H.Rinehart/sculpt",
"med": "marble",
"creator_ids": [
"4721"
],
"collection_ids": [
"EAN"
],
"exhibition_ids": [
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}
Page context
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