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Source Description

Edmonia Lewis was the first African American sculptor to receive international recognition. Born in Greenbush, New York, to a Haitian father of African descent and a mother of Native American and African American descent, Lewis spent a brief time in Boston studying with the sculptor Edward Brackett. In 1866, she moved from Boston to Rome, Italy, to study sculpture and to escape racial discrimination. . Lewis later stated inan 1878 New York Times article, titled “Seeking Equality Abroad,” “I was practically driven to Rome in order to obtain the opportunities for art culture, and to find a social atmosphere where I was not constantly reminded of my color.” Lewis adopted the prevailing Neoclassical style of sculpture but softened it with a degree of naturalism. She had a successful career specializing in biblical subjects, themes recalling her Native American and African American ancestry, and portrait busts of important people.This portrait bust of Diocletian Lewis (1823–86), was made in the artist's Rome studio. Dio Lewis (no relation) who trained in medicine at Harvard College's medical department and practiced briefly in Buffalo, New York, is remembered chiefly for lectures and publications dealing with preventive medicine and physical hygiene, as well as for his support of liberal causes, including women's rights.

Scholar Source Context

Document identity
localId
6301
label
Bust of Dr. Dio Lewis
core
obj
dtoType
sculpture
pageCount
7
Source metadata
id
6301
contentType
sculpture
stage
normalized
title
Bust of Dr. Dio Lewis
description
Edmonia Lewis was the first African American sculptor to receive international recognition. Born in Greenbush, New York, to a Haitian father of African descent and a mother of Native American and African American descent, Lewis spent a brief time in Boston studying with the sculptor Edward Brackett. In 1866, she moved from Boston to Rome, Italy, to study sculpture and to escape racial discrimination. . Lewis later stated inan 1878 New York Times article, titled “Seeking Equality Abroad,” “I was practically driven to Rome in order to obtain the opportunities for art culture, and to find a social atmosphere where I was not constantly reminded of my color.” Lewis adopted the prevailing Neoclassical style of sculpture but softened it with a degree of naturalism. She had a successful career specializing in biblical subjects, themes recalling her Native American and African American ancestry, and portrait busts of important people.This portrait bust of Diocletian Lewis (1823–86), was made in the artist's Rome studio. Dio Lewis (no relation) who trained in medicine at Harvard College's medical department and practiced briefly in Buffalo, New York, is remembered chiefly for lectures and publications dealing with preventive medicine and physical hygiene, as well as for his support of liberal causes, including women's rights.
provenance
A. A. Child's and Co., Boston, January 1868; New York City, February 1868; Steven L. Jones, Philadelphia, 2002 [mode of acquisition unknown]; Walters Art Museum, 2002, by purchase.
date
1868
rightsUri
CC0
language
en
genreSpecific
Sculpture
portraits
busts
imageCount
7
pageCount
7
source
import
dimensions
units
cm
width
57.2
height
36.2
depth
22
dimensionsRaw
H: 22 1/2 × W: 14 1/4 × D: 8 11/16 in. (57.15 × 36.2 × 22 cm)
Source extras
inscriptions
[Signature] Edmonia Lewis fecit a Roma 1868
med
marble
creator_ids
8550
collection_ids
EAN
exhibition_ids
3300
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