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Source Description

This stunning work of art, a pagoda in miniature, was shown at the Panama-Pacific Exposition, a World’s Fair held in San Francisco in 1915. Pagodas are tall multi-roofed buildings that originally housed relics of the Buddha or another venerated person. This stunning model of one, however, is far removed from this sacred function and made solely as a showcase of craftsmanship. This pagoda evokes a five-story 7th-century example (the world’s oldest wooden structure) at Horyu-ji near the southern Japanese city of Nara. The work is a virtuosic display of craftsmanship. Every wall of the structure is decorated with scenic images, including spectacles such as Mt. Fuji, the Itsukushima Shrine, and the Kiyomizu Temple, while the roofs are embellished with figures of butterflies and birds in flight. The design is created using a textured inlay technique called nunome-zogan (cloth inlay), for which the Komai Workshop is renowned. The technique involves hammering gold, silver, and copper sheets and wires onto a roughened steel surface, covering the compositions with successive thin coats of opaque black lacquer, and polishing the lacquer to expose the raised metal beneath.

Scholar Source Context

Document identity
localId
9499
label
Model of a Pagoda with Famous Scenes
core
obj
dtoType
sculpture
pageCount
10
Source metadata
id
9499
contentType
sculpture
stage
normalized
title
Model of a Pagoda with Famous Scenes
description
This stunning work of art, a pagoda in miniature, was shown at the Panama-Pacific Exposition, a World’s Fair held in San Francisco in 1915. Pagodas are tall multi-roofed buildings that originally housed relics of the Buddha or another venerated person. This stunning model of one, however, is far removed from this sacred function and made solely as a showcase of craftsmanship. This pagoda evokes a five-story 7th-century example (the world’s oldest wooden structure) at Horyu-ji near the southern Japanese city of Nara. The work is a virtuosic display of craftsmanship. Every wall of the structure is decorated with scenic images, including spectacles such as Mt. Fuji, the Itsukushima Shrine, and the Kiyomizu Temple, while the roofs are embellished with figures of butterflies and birds in flight. The design is created using a textured inlay technique called nunome-zogan (cloth inlay), for which the Komai Workshop is renowned. The technique involves hammering gold, silver, and copper sheets and wires onto a roughened steel surface, covering the compositions with successive thin coats of opaque black lacquer, and polishing the lacquer to expose the raised metal beneath.
provenance
The Panama-Pacific International Exposition, San Francisco, 1915; purchased by Henry Walters, Baltimore, 1915; by bequest to Walters Art Museum, 1931.
date
ca. 1915 (Taisho period)
rightsUri
CC0
language
en
genreSpecific
Gold, Silver & Jewelry
reliefs
okimono
figurines
imageCount
10
pageCount
10
source
import
dimensions
units
cm
width
111.1
height
31.5
depth
31.5
dimensionsRaw
H: 43 3/4 × W: 12 3/8 × D: 12 3/8 in. (111.1 × 31.5 × 31.5 cm)
Source extras
cul
Japanese
inscriptions
[Transcription] Nihon kuni Kyoto ju Komai sei; [Translation] Made by Komai
Kyoto
Japan
dynasty
Taisho period
med
Steel, silver, copper, copper alloy, gold, gilding, enamel, lacquer
creator_ids
7090
collection_ids
JPK
exhibition_ids
3300
Page inventory
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