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Film Institute - Washington, D.C. 9/26/89 [OA 4390]
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Film Institute - Washington, D.C. 9/26/89 [OA 4390]
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2011-2184-F
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This is not a textual record. This is used as an
administrative marker by the George Bush Presidential
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George H.W. Bush Presidential Records
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Speechwriting, White House Office of
Series:
Speech File Draft Files
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Chron File, 1989-1993
OA/ID Number:
13504
Folder ID Number:
13504-004
Folder Title:
Film Institute - Washington, D.C. 9/26/89 [OA 4390]
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074696SS
Document No.
WHITE HOUSE STAFFING MEMORANDUM
9/25/89
DATE:
ACTION/CONCURRENCE/COMMENT DUE BY:
PRESIDENTIAL REMARKS: FILM INSTITUTE
WASHINGTON, DC
SUBJECT:
TUESDAY, SEPTEMBER 26, 1989
(9/22 draft seven)
ACTION FYI
ACTION FYI
VICE PRESIDENT
MCCLURE
SUNUNU
NEWMAN
SCOWCROFT
PORTER
DARMAN
STUDDERT
BATES
UNTERMEYER
ROGERS
BREEDEN
WINSTON
CARD
CICCONI
PINKERTON
PORTER ROSE
DEMAREST
FIRESTONE
FITZWATER
GRAY
HAGIN
REMARKS:
The attached has been forwarded to the President.
RESPONSE:
James W. Cicconi
Assistant to the President
and Deputy to the Chief of Staff
Ext. 2702
THE WHITE HOUSE
9/26
WASHINGTON
September 22, 1989
MEMORANDUM TO THE PRESIDENT
THROUGH:
CHRISS WINSTON cw
FROM:
CURT SMITH Of
89 SEP22 P4: 58
SUBJECT:
SEPTEMBER 26 AMERICAN FILM INSTITUTE DINNER
I. SUMMARY
On Tuesday evening, September 26, you will address the
American Film Institute's upcoming 25th anniversary of the
legislation creating the organization. There will be about 800
people at this dinner in the Pension Building.
II. DISCUSSION
The attached remarks (8 minutes) discuss the importance of
film to American culture. There is also mention of the influence
the film industry can have on the drug scourge.
Your speech mentions George Lucas, Steven Spielberg, Martin
Scorsese, and Cicely Tyson, all of whom will be there. A
sampling of other stars attending includes Walter Cronkite,
Douglas Fairbanks Jr., Charlton Heston, Celeste Holm, Steve
Martin, Harry Reasoner, and Marlo Thomas.
Note: On page three two paragraphs are bracketed because we
are waiting for final NSC approval.
(Smith/Blessey)
Draft Seven
September 22, 1989
FILM
PRESIDENTIAL REMARKS: FILM INSTITUTE
WASHINGTON, D.C.
TUESDAY, SEPTEMBER 26, 1989
Chairman Jankowski, Director Firstenberg, Mr. Stevens, Mr.
Wolper, Mr. Valenti, Other Trustees of the American Film
Institute, Distinguished Guests, Friends and Fans of the American
Film.
Thank you for your warm reception. I've looked forward to
this night for quite awhile. ( (In fact, to put us in a movie
mode, we arranged to come over here in a special car. It was a
tight squeeze getting me, Barbara, the driver and three Secret
Service men into the Batmobile.) ) ((PAUSE))
((First, I'd like to say a word, in particular, about this
distinguished audience. I don't think I've seen so many well-
dressed people since the Beverly Hills Court began jury selection
for Zsa Zsa Gabor's trial.)) ((PAUSE))
I also appreciate that kind introduction. And the
magnificent program by tonight's performers. And let me say how
pleased I am to see so many notables in this evening's crowd.
Artists from Lucas to Spielberg to Tyson to Scorsese [SCOR say
zee]. Surrounded by all these household names, I wish I'd
brought along my autograph book.
( (We meet at the end of quite a summer for movies -- with
Ghostbusters Two, Karate Kid Three, Lethal Weapon Two, Indiana
2
Jones Two, and Startrek Five. With all those numbers, I wasn't
sure if I was at a movie or a budget meeting.) ) ( (PAUSE))
( (And it was a summer, too, when as you may have read, I had
a rough vacation. The way things were going, it was starting to
look like A Fish Called Wanda was as close to a fish as I was
going to get.) ) ( (PAUSE) )
But thankfully, that's all behind me. And I'm pleased to
join you at an event which salutes the upcoming 25th anniversary
of legislation creating the American Film Institute. For almost
a quarter-century, the AFI has nurtured and celebrated the art of
the moving image. In doing so, it has nourished the mind and
soul of America.
For the moving image is not merely entertainment -- in a
darkened theatre, or on a TV set. It is also a part of America's
rich inheritance. The American film is not only the mirror of
America. It is also the conscience of America.
Who can forget how Grapes of Wrath immortalized the dignity
of America's impoverished? Or how Gentleman's Agreement exposed
anti-Semitism? or on a personal note, the courage amid
adversity embodied in Knute Rockne--All-American. Embodied by a
friend of ours. Yes, Ronald Reagan as the Gipper.
When President Johnson signed the bill almost 25 years ago
to found the National Foundation for the Arts and Humanities,
which created the American Film Institute, he was talking about
such works. And those who make them, past and present.
3
He was referring to actors and actresses. Producers and
writers, directors, craftsmen, artisans. For this Institute, he
said, would bring "together leading artists of the film industry,
outstanding educators, and young men and women, who wish to
pursue the 20th century art form as their life's work."
It did, and does today. Helping to spur the art form so
uniquely American. The art form invented in America. And which,
in turn, America has expanded to the world -- allowing peoples on
every continent to freely see film's diversity. And to inspire
those peoples to build on what America has begun.
[[That is the major reason why this Administration has
conveyed to the governments of the European community our
steadfast belief in mutual access to movie and TV program
markets. Artistic feeedom must be expanded, not reduced. ]]
[[Secretary of State Baker, Secretary of Commerce Mosbacher,
and U.S. Trade Representative Carla Hills have made our position
quite clear. No enterprise achieves creativity when competitors
are locked out. Good trading partners have neighborly access to
each other's territory. ]]
In short, let the consumer decide and prosper through
competition. We need more movies -- foreign and domestic -- like
many made since AFI was born. Movies, for example, like Coal
Miner's Daughter. or Hoosiers, that brilliant portrayal of
small-town America. or movies which assault the scourge of
drugs. Like Lean on Me, Clean and Sober, and I'm Dancing As Fast
4
As I Can. And let me thank you in the film industry who are
helping to stop this assassin of our kids.
These movies -- like thousands of others -- have been
America's Ambassador to the World. And by boosting the health of
the industry as a whole, AFI has helped make them possible.
First, AFI trains young filmmakers. Allowing them to
apprentice under the tutelage of masters. Second, it has worked
to find -- and save -- historic and classic films of yesteryear
-- inspiring countless Americans to a career in film.
The third way AFI spurs the film industry is through
advocacy. Teaching our generation the beauty and value of the
moving image. And finally, AFI will teach future generations.
About how we lived. What we valued. Through the art of
Michelangelo and da Vinci, we see today the world of Renaissance
Italy. The motion picture can be part of our legacy.
In a sense, of course, it already is. Helping us smile
-- as Shirley Temple did in the depths of the Depression. or
sing -- as Gene Kelly did -- in the immortal Singing In the Rain.
or dream dreams that no longer seem impossible. As the wondrous
cast of The Wizard of Oz did in that magical movie year of 1939.
Movies have made us laugh. They have made us think.
They've helped get us through the bad times. And made the good
times even better.
For the American moving picture is our mirror, and our
conscience. In the White House theatre, in theatres around the
world. So I ask you: Help AFI celebrate America. And this
5
magnificent inheritance. So that you and I can always say: To
understand the heart of America, just look at the American film.
Thank you for this wonderful occasion. God bless you, and
God bless the United States of America.
# # # #
THE WHITE HOUSE
WASHINGTON
7515
89 SEP 23 P2: 58
September 22, 1989
9/22 capyse given
MEMORANDUM FOR JAMES W. CICCONI
7.
FROM:
BRENT SCOWCROFT
SUBJECT:
Presidential Remarks for the Film Institute
on September 26, 1989
NSC concurs with the remarks for the President to be given at the
Film Institute on September 26 with the change noted.
89 9 SEP 23 A 9 : 09
Attachment
Tab A
Annotated Remarks
7515
(Smith/Blessey)
Draft Five
09 SEP21 P2:42
September 21, 1989
FILM
PRESIDENTIAL REMARKS: FILM INSTITUTE
WASHINGTON, D.C.
TUESDAY, SEPTEMBER 26, 1989
Chairman Jankowski, Director Stevens, Director Firstenberg,
Mr. wolper, Mr. Valenti, Other Trustees of the American Film
Institute, Distinguished Guests, Friends and Fans of the American
Film.
Thank you for your warm reception. I've looked forward to
this night for quite awhile. ( (In fact, to put US in a movie
mode, we arranged to come over here in a special car. It was a
tight squeeze getting me, Barbara, the driv M and three Secret
Service men into the Batmobile. )) ( (PAUSE)
(First, I'd like to say a word, in particular, about this
distinguished audience. I don't think I've seen 30 many well-
dressed people since the Beverly Hills Court began jury selection
for Isa Zsa Gabor's trial.) ) ! (PAUSE) )
= also appreciate that kind introduction. And let me say
how pleased I am to see so many notables in this evening's crowd.
Artil ITS from Spacek to Spielberg to Stallone. Surrounded by all
these household names, : wish I'd brought along my autograph
ook.
Parbara and I are delighted to be here. (But I'm obliged to
extend regrets from what some have called the most charismatic
2
speaker in the Bush family. Yes, our springer spaniel, Millie.) )
( (PAUSE) )
( (Nothing personal, you understand. It's just that Millic
doesn't often get the White House theatre to herself. Well,
tonight she's making up for lost time. Holding a private
screening of her own.
Now, make no mistake: I can't argue with Millie's
selection, For The Love of Denji. It's just that I'm afraid all
this good press is going to her head. Last night, we got to
talking about what Millie should serve her guests. Barbara
picked milk bones [PAUSE]
I chose Alpo [PAUSE]
Millie ashed to see the wine list.) )) ( (PAUSE) )
Well, this evening, Millie, eat your heart out. For there's
no place that Barbara and I would rather b. than here, with you.
( (We meet at the end of quite a summer for movies --- with
Ghostbusters Two, Karate Kid Three, Lethal Weapon Two, Indiana
Jones Two, and Startrek Five. With all those numbers, I wasn't
sure if I was at a movie or a budget meeting. )) ( (PAUSE) )
( (And it was a summer, too, when as you may have read, I had
a rough vacation. The way things were going, it vas starting to
look like A Fish Called Wanda was as close to a fish as I was
going to get. )) ( (PAUSE) )
But thankfully, that's all behind me. And I'm pleased to
join you at an event which salutes the 24th anniversary of the
American Film Institute. For almost a quarter-century, the AFI
3
has nurtured and celebrated the art of the moving image. In
doing so, it has nourished the mind and soul of America.
For the MC ing image is net meroly entertainment --- in a
darkened theatre, or on a TV set. It is also a part of America's
rich inheritance. The American film is not only the mirror of
America. It is also the conscience of America.
Who can forget how Grape: of Wrath immortalized the digrity
of America's impoverished? Or how Gentleman's Agreement exposed
enti-Semitism? Or on a personal note, the courage amid
adversity embodied in Knute Rockne -- All-American. Embodied by
a friend of ours. Yes, Ronald Reagan as the Gipper.
When President Johnson signed the bill 24 years ago to
create the National Endowment for the Arts. which created the
American Film Institute, he was talking about such works. And
those who make them, past and present.
He was referring to actors and actresses. Producers and
writers, directors, craftsmen, artisans. And this Institute, he
said, would bring them "together
these artists, outstanding
educators, and young men and women, who wish to pursue the 20th
century art form as their life's work."
It did, and does today. Helping to spur the art form SO
uniquely American. The art form invonted in America. And which,
in turn, America has expanded to the world -- allowing peoples on
overy continent to freely see film's diversity. And to inspire
those peoples to build on what America has begun.
4
That is the major reasor why this Administiation has
conveyed to the governments of the European communi / our
It does:
steadfast belief in mutual access to movie and TV program
rave Retions There
markets.
Quotas of any kind are unacceptable. Our government
does not intrude on private decisions and public choices in- It
programming
on
programming. Neither should theirs. Consumer choice must b-
expanded, not reduced.
Secretary of State Baker, Secretary of Commerce Mosbach i,
and U.S. Trade Representative Carla Hills have made our position
quite clear. No enterprise achieves creativity when competitors
are locked out. Good trading partners have neighborly access to
each other's territory.
In short, let the consumer decide and prosper through
competition. We need more movies -- foreign and domestic like
many made since AFI was born. Movies, for example, like Coal
Miner's Daughter. Or Hoosiers, that brilliant portrayal of
small-town America. Or movies which assault the scourge of
drugs. Like Lean on Me, Clean and Sober, and I'm Dancing As Fast
As I Can. And let me thank you in the film industry who are
helping to stop this assassin of our kids.
These movies -- like thousands of others -- have been
America's Ambassador to the World. And by boosting the health of
the industry as a whole, AFI has helped make them possible.
First, AFI trains young filmmakers. Allowing them to
apprentice under the tutelage of masters. Second, it has worked
5
to find -- and save -- historic and classic films of yesteryear
-- leading countless Americans to a career in film.
The third way AFI spurs the film is through advocacy.
Teaching our generation the beauty and value of the moving image.
And finally, AFI will teach fv ure generations. About how we
lived. What we valued. Through the art of Michelangelo and da
Vinci, we see today the world of Renaissance Italy. The motion
picture can be ou legacy.
In a sense, of course, it already is. Helping us smile
-- as Shirley Temple did in the depths of the Depression. Or
sing -- as Gene Kelly -- Gene, take a bow -- did in the immortal
Singing In the Rain. Or dream dreams that no longer seem
impossible. As the wondrous cast of The W zard of Oz did in that
magical movie year of 1939.
Movies have made us laugh. They have made us think.
They 've helped get us though the bad times. And made the good
times even better.
For the American moving picture is our mirror, and our
conscience. In the White House theatre, in theatres around the
world. So I ask you: Help AFI celebrate America, And this
magnificent inheritance. So that you and I can always say: To
feel the heart of America, just look at the American film.
Thank you for this wonderful occasion. God bless you, and
God bless the United States of America.
#
#
#
:
Document No.
074696SS
WHITE HOUSE STAFFING MEMORANDUM
9/21/89
ACTION/CONCURRENCE/COMMENT DUE BY:
9/22/89 NOON
DATE:
PRESIDENTIAL REMARKS: FILM INSTITUTE
SUBJECT:
ACTION FYI
ACTION FYI
VICE PRESIDENT
MCCLURE
SUNUNU
NEWMAN
SCOWCROFT
PORTER
DARMAN
STUDDERT C President
BATES
N/C
UNTERMEYER
ROGERS
BREEDEN
CARD
WINSTON
CICCONI
PINKERTON
DEMAREST took c him
C Presid.
PORTER ROSE N/C
FIRESTONE
FITZWATER
N/C
GRAY
N/C
HAGIN
REMARKS:
Please forward any comments directly to Chriss Winston, Rm. 122,
x2930, no later than NOON, Friday, September 21, with a copy to
my office. Thank you.
RESPONSE:
OS :Ed 12 PEP 68
James W. Cicconi
Assistant to the President
and Deputy to the Chief of Staff
Ext. 2702
(Smith/Blessey)
Draft Five
September 21, 1989
P21 P2: 4?
FILM
PRESIDENTIAL REMARKS: FILM INSTITUTE
WASHINGTON, D.C.
TUESDAY, SEPTEMBER 26, 1989
Chairman Jankowski, Director Stevens, Director Firstenberg,
Mr. Wolper, Mr. Valenti, Other Trustees of the American Film
Institute, Distinguished Guests, Friends and Fans of the American
Film.
Thank you for your warm reception. I've looked forward to
this night for quite awhile. ((In fact, to put us in a movie
mode, we arranged to come over here in a special car. It was a
tight squeeze getting me, Barbara, the driver and three Secret
Service men into the Batmobile.) ) ( (PAUSE))
( (First, I'd like to say a word, in particular, about this
distinguished audience. I don't think I've seen so many well-
dressed people since the Beverly Hills Court began jury selection
for Zsa Zsa Gabor's trial.) ) ( (PAUSE) )
I also appreciate that kind introduction. And let me say
how pleased I am to see so many notables in this evening's crowd.
Artists from Spacek to Spielberg to Stallone. Surrounded by all
these household names, I wish I'd brought along my autograph
book.
Barbara and I are delighted to be here. ((But I'm obliged to
extend regrets from what some have called the most charismatic
2
speaker in the Bush family. Yes, our springer spaniel Millie.) )
( (PAUSE) )
( (Nothing personal, you understand. It's just that Millie
doesn't often get the White House theatre to herself. Well,
tonight she's making up for lost time. Holding a private
screening of her own.
Now, make no mistake: I can't argue with Millie's
selection, For The Love of Benji. It's just that I'm afraid all
this good press is going to her head. Last night, we got to
talking about what Millie should serve her guests. Barbara
picked milk bones [PAUSE]
I chose Alpo [PAUSE]
...
Millie asked to see the wine list.) ( (PAUSE) )
Well, this evening, Millie, eat your heart out. For there's
no place that Barbara and I would rather be than here, with you.
( (We meet at the end of quite a summer for movies -- with
Ghostbusters Two, Karate Kid Three, Lethal Weapon Two, Indiana
Jones Two, and Startrek Five. With all those numbers, I wasn't
sure if I was at a movie or a budget meeting. )) ( (PAUSE) )
( (And it was a summer, too, when as you may have read, I had
a rough vacation. The way things were going, it was starting to
look like A Fish Called Wanda was as close to a fish as I was
going to get.) ) ( (PAUSE) )
But thankfully, that's all behind me. And I'm pleased to
join you at an event which salutes the 24th anniversary of the
American Film Institute. For almost a quarter-century, the AFI
3
has nurtured and celebrated the art of the moving image. In
doing so, it has nourished the mind and soul of America.
For the moving image is not merely entertainment -- in a
darkened theatre, or on a TV set. It is also a part of America's
rich inheritance. The American film is not only the mirror of
America. It is also the conscience of America.
Who can forget how Grapes of Wrath immortalized the dignity
of America's impoverished? Or how Gentleman's Agreement exposed
anti-Semitism? Or on a personal note, the courage amid
adversity embodied in Knute Rockne -- All-American. Embodied by
a friend of ours. Yes, Ronald Reagan as the Gipper.
When President Johnson signed the bill 24 years ago to
create the National Endowment for the Arts, which created the
American Film Institute, he was talking about such works. And
those who make them, past and present.
He was referring to actors and actresses. Producers and
writers, directors, craftsmen, artisans. And this Institute, he
said, would bring them "together
these artists, outstanding
educators, and young men and women, who wish to pursue the 20th.
century art form as their life's work."
It did, and does today. Helping to spur the art form SO
uniquely American. The art form invented in America. And which,
in turn, America has expanded to the world -- allowing peoples on
every continent to freely see film's diversity. And to inspire
those peoples to build on what America has begun.
4
That is the major reason why this Administration has
conveyed to the governments of the European community our
steadfast belief in mutual access to movie and TV program
markets. Quotas of any kind are unacceptable. Our government
does not intrude on private decisions and public choices in TV
antistic freedom
programming. Neither should theirs.
Consumer choice must be
expanded, not reduced.
Secretary of State Baker, Secretary of Commerce Mosbacher,
and U.S. Trade Representative Carla Hills have made our position
quite clear. No enterprise achieves creativity when competitors
are locked out. Good trading partners have neighborly access to
each other's territory.
In short, let the consumer decide and prosper through
competition. We need more movies -- foreign and domestic -- like
many made since AFI was born. Movies, for example, like Coal
Miner's Daughter. Or Hoosiers, that brilliant portrayal of
small-town America. Or movies which assault the scourge of
drugs. Like Lean on Me, Clean and Sober, and I'm Dancing As Fast
As I Can. And let me thank you in the film industry who are
helping to stop this assassin of our kids.
These movies -- like thousands of others -- have been
America's Ambassador to the World. And by boosting the health of
the industry as a whole, AFI has helped make them possible.
First, AFI trains young filmmakers. Allowing them to
apprentice under the tutelage of masters. Second, it has worked
5
to find -- and save -- historic and classic films of yesteryear
-- leading countless Americans to a career in film.
industry
The third way AFI spurs the film is through advocacy.
Teaching our generation the beauty and value of the moving image.
And finally, AFI will teach future generations. About how we
lived. What we valued. Through the art of Michelangelo and da
Vinci, we see today the world of Renaissance Italy. The motion
picture can be our legacy.
In a sense, of course, it already is. Helping us smile
-- as Shirley Temple did in the depths of the Depression. Or
sing -- as Gene Kelly -- Gene, take a bow -- did in the immortal
Singing In the Rain. Or dream dreams that no longer seem
impossible. As the wondrous cast of The Wizard of Oz did in that
magical movie year of 1939.
Movies have made us laugh. They have made us think.
They've helped get us though the bad times. And made the good
times even better.
For the American moving picture is our mirror, and our
conscience. In the White House theatre, in theatres around the
world. So I ask you: Help AFI celebrate America. And this
magnificent inheritance. So that you and I can always say: To
understand
feel the heart of America, just look at the American film.
Thank you for this wonderful occasion. God bless you, and
God bless the United States of America.
#
#
#
#
Document No.
074696SS
WHITE HOUSE STAFFING MEMORANDUM
9/21/89
DATE:
ACTION/CONCURRENCE/COMMENT DUE BY:
9/22/89 NOON
PRESIDENTIAL REMARKS: FILM INSTITUTE
SUBJECT:
ACTION FYI
ACTION FYI
VICE PRESIDENT
MCCLURE
SUNUNU
NEWMAN
SCOWCROFT
PORTER
DARMAN
STUDDERT
BATES
UNTERMEYER
ROGERS
BREEDEN
CARD
WINSTON
CICCONI
PINKERTON
DEMAREST
PORTER ROSE
FIRESTONE
FITZWATER
GRAY
HAGIN
REMARKS:
Please forward any comments directly to Chriss Winston, Rm. 122,
x2930, no later than NOON, Friday, September 21, with a copy to
my office. Thank you.
RESPONSE:
no comments.
26 : 11v 25 SEP 68
James W. Cicconi
Assistant to the President
and Deputy to the Chief of Staff
Ext. 2702
Sornj Ididn't
Document No.
074696SS
get these to
MEMORANDUM
DATE:
9 you Dooner. For
MENT DUE BY:
9/22/89 NOON
your files.
STITUTE
SUBJECT:
Manie
ACTION FYI
VICE PRESIDENT
MCCLURE
SUNUNU
NEWMAN
SCOWCROFT
PORTER
DARMAN
STUDDERT
BATES
UNTERMEYER
ROGERS
BREEDEN
CARD
WINSTON
CICCONI
PINKERTON
DEMAREST
PORTER ROSE
FIRESTONE
FITZWATER
GRAY
HAGIN
REMARKS:
Please forward any comments directly to Chriss Winston, Rm. 122,
x2930, no later than NOON, Friday, September 21, with a copy to
my office. Thank you.
RESPONSE:
No st
changes 68
9/22
James W. Cicconi
Assistant to the President
and Deputy to the Chief of Staff
Ext. 2702
THE WHITE HOUSE
WASHINGTON
September 22, 1989
MEMORANDUM FOR CHRISS WINSTON
DEPUTY ASSISTANT TO THE PRESIDENT FOR
COMMUNICATIONS
FROM:
NELSON ASSOCIATE LUND of
COUNSEL TO THE PRESIDENT
SUBJECT:
Presidential Remarks: Film Institute
At the request of James W. Cicconi, Counsel's office has reviewed
the captioned draft remarks. We have no legal objections.
Counsel's office appreciates having had the opportunity to review
these remarks.
CC: James W. Cicconi
Document No.
074696SS
WHITE HOUSE STAFFING MEMORANDUM
9/21/89
ACTION/CONCURRENCE/COMMENT DUE BY:
9/22/89 NOON
DATE:
PRESIDENTIAL REMARKS: FILM INSTITUTE
SUBJECT:
ACTION FYI
ACTION FYI
VICE PRESIDENT
MCCLURE
SUNUNU
NEWMAN
SCOWCROFT
PORTER
DARMAN
STUDDERT
BATES
UNTERMEYER
ROGERS
BREEDEN
CARD
WINSTON
CICCONI
PINKERTON
DEMAREST
PORTER ROSE
FITZWATER
FIRESTONE
GRAY
HAGIN
REMARKS:
Please forward any comments directly to Chriss Winston, Rm. 122,
x2930, no later than NOON, Friday, September 21, with a copy to
my office. Thank you.
RESPONSE:
James W. Cicconi
Assistant to the President
and Deputy to the Chief of Staff
Ext. 2702
(Smith/Blessey)
Draft Five
September 21, 1989
P21 P.2 : 42
FILM
PRESIDENTIAL REMARKS: FILM INSTITUTE
WASHINGTON, D.C.
TUESDAY, SEPTEMBER 26, 1989
Chairman Jankowski, Director Stevens, Director Firstenberg,
Mr. Wolper, Mr. Valenti, Other Trustees of the American Film
Institute, Distinguished Guests, Friends and Fans of the American
Film.
Thank you for your warm reception. I've looked forward to
this night for quite awhile. ( (In fact, to put us in a movie
mode, we arranged to come over here in a special car. It was a
tight squeeze getting me, Barbara, the driver and three Secret
Service men into the Batmobile.) ) ( (PAUSE))
( (First, I'd like to say a word, in particular, about this
distinguished audience. I don't think I've seen so many well-
dressed people since the Beverly Hills Court began jury selection
for Zsa Zsa Gabor's trial.) )) ( (PAUSE) )
I also appreciate that kind introduction. And let me say
how pleased I am to see so many notables in this evening's crowd.
Artists from Spacek to Spielberg to Stallone. Surrounded by all
these household names, I wish I'd brought along my autograph
book.
Barbara and I are delighted to be here. ( (But I'm obliged to
extend regrets from what some have called the most charismatic
2
speaker in the Bush family. Yes, our springer spaniel, Millie.) )
( (PAUSE) )
( (Nothing personal, you understand. It's just that Millie
doesn't often get the White House theatre to herself. Well,
tonight she's making up for lost time. Holding a private
screening of her own.
Now, make no mistake: I can't argue with Millie's
selection, For The Love of Benji. It's just that I'm afraid all
this good press is going to her head. Last night, we got to
talking about what Millie should serve her guests. Barbara
picked milk bones [PAUSE]
...
I chose Alpo [PAUSE]
Millie asked to see the wine list. )) ( (PAUSE) )
Well, this evening, Millie, eat your heart out. For there's
no place that Barbara and I would rather be than here, with you.
( (We meet at the end of quite a summer for movies -- with
Ghostbusters Two, Karate Kid Three, Lethal Weapon Two, Indiana
Jones Two, and Startrek Five. With all those numbers, I wasn't
sure if I was at a movie or a budget meeting.) ) ( (PAUSE) )
( (And it was a summer, too, when as you may have read, I had
a rough vacation. The way things were going, it was starting to
look like A Fish Called Wanda was as close to a fish as I was
going to get. )) ( (PAUSE) )
But thankfully, that's all behind me. And I'm pleased to
join you at an event which salutes the 24th anniversary of the
American Film Institute. For almost a quarter-century, the AFI
3
has nurtured and celebrated the art of the moving image. In
doing so, it has nourished the mind and soul of America.
For the moving image is not merely entertainment -- in a
darkened theatre, or on a TV set. It is also a part of America's
rich inheritance. The American film is not only the mirror of
America. It is also the conscience of America.
Who can forget how Grapes of Wrath immortalized the dignity
of America's impoverished? Or how Gentleman's Agreement exposed
anti-Semitism? Or on a personal note, the courage amid
adversity embodied in Knute Rockne -- All-American. Embodied by
a friend of ours. Yes, Ronald Reagan as the Gipper.
When President Johnson signed the bill 24 years ago to
create the National Endowment for the Arts, which created the
American Film Institute, he was talking about such works. And
those who make them, past and present.
He was referring to actors and actresses. Producers and
writers, directors, craftsmen, artisans. And this Institute, he
said, would bring them "together
these artists, outstanding
educators, and young men and women, who wish to pursue the 20th
century art form as their life's work. "
It did, and does today. Helping to spur the art form so
uniquely American. The art form invented in America. And which,
in turn, America has expanded to the world -- allowing peoples on
every continent to freely see film's diversity. And to inspire
those peoples to build on what America has begun.
4
That is the major reason why this Administration has
conveyed to the governments of the European community our
steadfast belief in mutual access to movie and TV program
markets. Quotas of any kind are unacceptable. Our government
does not intrude on private decisions and public choices in TV
programming. Neither should theirs. Consumer choice must be
expanded, not reduced.
Secretary of State Baker, Secretary of Commerce Mosbacher,
and U.S. Trade Representative Carla Hills have made our position
quite clear. No enterprise achieves creativity when competitors
are locked out. Good trading partners have neighborly access to
each other's territory.
In short, let the consumer decide and prosper through
competition. We need more movies -- foreign and domestic -- like
many made since AFI was born. Movies, for example, like Coal
Miner's Daughter. Or Hoosiers, that brilliant portrayal of
small-town America. Or movies which assault the scourge of
drugs. Like Lean on Me, Clean and Sober, and I'm Dancing As Fast
As I Can. And let me thank you in the film industry who are
helping to stop this assassin of our kids.
These movies -- like thousands of others -- have been
America's Ambassador to the World. And by boosting the health of
the industry as a whole, AFI has helped make them possible.
First, AFI trains young filmmakers. Allowing them to
apprentice under the tutelage of masters. Second, it has worked
5
to find -- and save -- historic and classic films of yesteryear
-- leading countless Americans to a career in film.
The third way AFI spurs the film is through advocacy.
Teaching our generation the beauty and value of the moving image.
And finally, AFI will teach future generations. About how we
lived. What we valued. Through the art of Michelangelo and da
Vinci, we see today the world of Renaissance Italy. The motion
picture can be our legacy.
In a sense, of course, it already is. Helping us smile
-- as Shirley Temple did in the depths of the Depression. Or
sing -- as Gene Kelly -- Gene, take a bow -- did in the immortal
Singing In the Rain. Or dream dreams that no longer seem
impossible. As the wondrous cast of The Wizard of Oz did in that
magical movie year of 1939.
Movies have made us laugh. They have made us think.
They've helped get us though the bad times. And made the good
times even better.
For the American moving picture is our mirror, and our
conscience. In the White House theatre, in theatres around the
world. So I ask you: Help AFI celebrate America. And this
magnificent inheritance. So that you and I can always say: To
feel the heart of America, just look at the American film.
Thank you for this wonderful occasion. God bless you, and
God bless the United States of America.
#
#
#
#
Document No.
074696SS
WHITE HOUSE STAFFING MEMORANDUM
9/21/89
ACTION/CONCURRENCE/COMMENT DUE BY:
9/22/89 NOON
DATE:
PRESIDENTIAL REMARKS: FILM INSTITUTE
SUBJECT:
ACTION FYI
ACTION FYI
VICE PRESIDENT
MCCLURE
SUNUNU
NEWMAN
SCOWCROFT
PORTER
DARMAN
/
STUDDERT
BATES
UNTERMEYER
ROGERS
BREEDEN
CARD
WINSTON
CICCONI
PINKERTON
PORTER ROSE
DEMAREST
FIRESTONE
FITZWATER
GRAY
HAGIN
REMARKS:
Please forward any comments directly to Chriss Winston, Rm. 122,
x2930, no later than NOON, Friday, September 21, with a copy to
my office. Thank you.
RESPONSE:
No comments upt as noted on pp. 1-2.
9/22/89
James W. Cicconi
Assistant to the President
and Deputy to the Chief of Staff
Ext. 2702
(Smith/Blessey)
Draft Five
September 21, 1989
P21 P2: 42
FILM
PRESIDENTIAL REMARKS: FILM INSTITUTE
WASHINGTON, D.C.
TUESDAY, SEPTEMBER 26, 1989
Chairman Jankowski, Director Stevens, Director Firstenberg,
Mr. Wolper, Mr. Valenti, Other Trustees of the American Film
Institute, Distinguished Guests, Friends and Fans of the American
Film.
Thank you for your warm reception. I've looked forward to
this night for quite awhile. ( (In fact, to put us in a movie
questionalish
mode, we arranged to come over here in a special car. It was a
tight squeeze getting me, Barbara, the driver and three Secret
Service men into the Batmobile.) ) ( (PAUSE) )
( (First, I'd like to say a word, in particular, about this
distinguished audience. I don't think I've seen so many well-
dressed people since the Beverly Hills Court began jury selection
for Zsa Zsa Gabor's trial.) ) ( (PAUSE))
I also appreciate that kind introduction. And let me say
how pleased I am to see so many notables in this evening's crowd.
Artists from Spacek to Spielberg to Stallone. Surrounded by all
these household names, I wish I'd brought along my autograph
book.
Barbara and I are delighted to be here. ( (But I'm obliged to
jone?
extend regrets from what some have called the most charismatic
2
speaker in the Bush family. Yes, our springer spaniel, Millie.) )
( (PAUSE) )
( (Nothing personal, you understand. It's just that Millie
doesn't often get the White House theatre to herself. Well,
tonight she's making up for lost time. Holding a private
screening of her own.
Now, make no mistake: I can't argue with Millie's
selection, For The Love of Benji. It's just that I'm afraid all
this good press is going to her head. Last night, we got to
talking about what Millie should serve her guests. Barbara
picked milk bones [PAUSE]
I chose Alpo [PAUSE]
Millie asked to see the wine list.) ) ( (PAUSE) )
Well, this evening, Millie, eat your heart out. For there's
no place that Barbara and I would rather be than here, with you.
( (We meet at the end of quite a summer for movies -- with
Ghostbusters Two, Karate Kid Three, Lethal Weapon Two, Indiana
Jones Two, and Startrek Five. With all those numbers, I wasn't
sure if I was at a movie or a budget meeting. )) ( (PAUSE) )
( (And it was a summer, too, when as you may have read, I had
a rough vacation. The way things were going, it was starting to
look like A Fish Called Wanda was as close to a fish as I was
going to get.) ) ( (PAUSE) )
But thankfully, that's all behind me. And I'm pleased to
join you at an event which salutes the 24th anniversary of the
American Film Institute. For almost a quarter-century, the AFI
3
has nurtured and celebrated the art of the moving image. In
doing so, it has nourished the mind and soul of America.
For the moving image is not merely entertainment -- in a
darkened theatre, or on a TV set. It is also a part of America's
rich inheritance. The American film is not only the mirror of
America. It is also the conscience of America.
Who can forget how Grapes of Wrath immortalized the dignity
of America's impoverished? Or how Gentleman's Agreement exposed
anti-Semitism? Or on a personal note, the courage amid
adversity embodied in Knute Rockne -- All-American. Embodied by
a friend of ours. Yes, Ronald Reagan as the Gipper.
When President Johnson signed the bill 24 years ago to
create the National Endowment for the Arts, which created the
American Film Institute, he was talking about such works. And
those who make them, past and present.
He was referring to actors and actresses. Producers and
writers, directors, craftsmen, artisans. And this Institute, he
said, would bring them "together
these artists, outstanding
educators, and young men and women, who wish to pursue the 20th
century art form as their life's work."
It did, and does today. Helping to spur the art form so
uniquely American. The art form invented in America. And which,
in turn, America has expanded to the world -- allowing peoples on
every continent to freely see film's diversity. And to inspire
those peoples to build on what America has begun.
4
That is the major reason why this Administration has
conveyed to the governments of the European community our
steadfast belief in mutual access to movie and TV program
markets. Quotas of any kind are unacceptable. Our government
does not intrude on private decisions and public choices in TV
programming. Neither should theirs. Consumer choice must be
expanded, not reduced.
Secretary of State Baker, Secretary of Commerce Mosbacher,
and U.S. Trade Representative Carla Hills have made our position
quite clear. No enterprise achieves creativity when competitors
are locked out. Good trading partners have neighborly access to
each other's territory.
In short, let the consumer decide and prosper through
competition. We need more movies -- foreign and domestic -- like
many made since AFI was born. Movies, for example, like Coal
Miner's Daughter. Or Hoosiers, that brilliant portrayal of
small-town America. Or movies which assault the scourge of
drugs. Like Lean on Me, Clean and Sober, and I'm Dancing As Fast
As I Can. And let me thank you in the film industry who are
helping to stop this assassin of our kids.
These movies -- like thousands of others -- have been
America's Ambassador to the World. And by boosting the health of
the industry as a whole, AFI has helped make them possible.
First, AFI trains young filmmakers. Allowing them to
apprentice under the tutelage of masters. Second, it has worked
5
to find -- and save -- historic and classic films of yesteryear
-- leading countless Americans to a career in film.
The third way AFI spurs the film is through advocacy.
Teaching our generation the beauty and value of the moving image.
And finally, AFI will teach future generations. About how we
lived. What we valued. Through the art of Michelangelo and da
Vinci, we see today the world of Renaissance Italy. The motion
picture can be our legacy.
In a sense, of course, it already is. Helping us smile
-- as Shirley Temple did in the depths of the Depression. Or
sing -- as Gene Kelly -- Gene, take a bow -- did in the immortal
Singing In the Rain. Or dream dreams that no longer seem
impossible. As the wondrous cast of The Wizard of Oz did in that
magical movie year of 1939.
Movies have made us laugh. They have made us think.
They've helped get us though the bad times. And made the good
times even better.
For the American moving picture is our mirror, and our
conscience. In the White House theatre, in theatres around the
world. So I ask you: Help AFI celebrate America. And this
magnificent inheritance. So that you and I can always say: To
feel the heart of America, just look at the American film.
Thank you for this wonderful occasion. God bless you, and
God bless the United States of America.
#
#
#
#
THE WHITE HOUSE
WASHINGTON
September 22, 1989
Memorandum to Chriss Winston
From:
Jim Pinkerton of
Subject:
American Film Institute Draft Speech
2,2,2
The jokes seem to stretch a bit thin at this point. We
would argue for cutting the Millie grafs. More importantly the
word "theatre" should be spelled American-style, theatER,
throughout the draft.
4,1,6
"Consumer choice must be expanded, not reduced.' " This
graf ably makes a strong statement on cultural quotas. We
suggest that using "artistic freedom" instead of "consumer
choice" will make this sentence even stronger.
5,5,5
"To feel the heart of America.... "
This has a rather distateful operating room connotation --
reminiscent of movies ranging from All That Jazz to Angel Heart.
We suggest either the usual "pulse" (but not "heartbeat" which
has, unfortunately, been captured by the Chevrolet commercials)
or some visual metaphor to go with the word "look" in the second
clause and with the idea of film as a visual medium. Another
suggestion: "To see how the points of light that make up America
come together -- focused as a single beam -- just look at the
American film."
###
89 SEP 22 Pl: 00
(Smith/Blessey)
Draft Five
September 21, 1989
FILM
PRESIDENTIAL REMARKS: FILM INSTITUTE
WASHINGTON, D.C.
TUESDAY, SEPTEMBER 26, 1989
Chairman Jankowski, Director Stevens, Director Firstenberg,
Mr. Wolper, Mr. Valenti, Other Trustees of the American Film
Institute, Distinguished Guests, Friends and Fans of the American
Film.
Thank you for your warm reception. I've looked forward to
this night for quite awhile. ( (In fact, to put us in a movie
mode, we arranged to come over here in a special car. It was a
tight squeeze getting me, Barbara, the driver and three Secret
Service men into the Batmobile.) ) ( (PAUSE) )
( (First, I'd like to say a word, in particular, about this
distinguished audience. I don't think I've seen so many well-
dressed people since the Beverly Hills Court began jury selection
for Zsa Zsa Gabor's trial.) ) ( (PAUSE) )
I also appreciate that kind introduction. And let me say
how pleased I am to see SO many notables in this evening's crowd.
Artists from Spacek to Spielberg to Stallone. Surrounded by all
these household names, I wish I'd brought along my autograph
book.
Barbara and I are delighted to be here. ( (But I'm obliged to
extend regrets from what some have called the most charismatic
2
speaker in the Bush family. Yes, our springer spaniel, Millie. ))
( (PAUSE) )
( (Nothing personal, you understand. It's just that Millie
doesn't often get the White House theatre to herself. Well,
tonight she's making up for lost time. Holding a private
screening of her own.
Now, make no mistake: I can't argue with Millie's
selection, For The Love of Benji. It's just that I'm afraid all
this good press is going to her head. Last night, we got to
talking about what Millie should serve her guests. Barbara
picked milk bones [PAUSE]
I chose Alpo [PAUSE]
Millie asked to see the wine list. )) ( (PAUSE) )
Well, this evening, Millie, eat your heart out. For there's
no place that Barbara and I would rather be than here, with you.
( (We meet at the end of quite a summer for movies -- with
Ghostbusters Two, Karate Kid Three, Lethal Weapon Two, Indiana
Jones Two, and Startrek Five. With all those numbers, I wasn't
sure if I was at a movie or a budget meeting. )) ( (PAUSE) )
( (And it was a summer, too, when as you may have read, I had
a rough vacation. The way things were going, it was starting to
look like A Fish Called Wanda was as close to a fish as I was
going to get. )) ( (PAUSE) )
But thankfully, that's all behind me. And I'm pleased to
join you at an event which salutes the 24th anniversary of the
American Film Institute. For almost a quarter-century, the AFI
3
has nurtured and celebrated the art of the moving image. In
doing so, it has nourished the mind and soul of America.
For the moving image is not merely entertainment -- in a
darkened theatre, or on a TV set. It is also a part of America's
rich inheritance. The American film is not only the mirror of
America. It is also the conscience of America.
Who can forget how Grapes of Wrath immortalized the dignity
of America's impoverished? Or how Gentleman's Agreement exposed
anti-Semitism? Or on a personal note, the courage amid
adversity embodied in Knute Rockne -- All-American. Embodied by
a friend of ours. Yes, Ronald Reagan as the Gipper.
When President Johnson signed the bill 24 years ago to
create the National Endowment for the Arts, which created the
American Film Institute, he was talking about such works. And
those who make them, past and present.
He was referring to actors and actresses. Producers and
writers, directors, craftsmen, artisans. And this Institute, he
said, would bring them "together
these artists, outstanding
educators, and young men and women, who wish to pursue the 20th
century art form as their life's work."
It did, and does today. Helping to spur the art form so
uniquely American. The art form invented in America. And which,
in turn, America has expanded to the world -- allowing peoples on
every continent to freely see film's diversity. And to inspire
those peoples to build on what America has begun.
4
That is the major reason why this Administration has
conveyed to the governments of the European community our
steadfast belief in mutual access to movie and TV program
markets. Quotas of any kind are unacceptable. Our government
does not intrude on private decisions and public choices in TV
programming. Neither should theirs. Consumer choice must be
expanded, not reduced.
Secretary of State Baker, Secretary of Commerce Mosbacher,
and U.S. Trade Representative Carla Hills have made our position
quite clear. No enterprise achieves creativity when competitors
are locked out. Good trading partners have neighborly access to
each other's territory.
In short, let the consumer decide and prosper through
competition. We need more movies -- foreign and domestic -- like
many made since AFI was born. Movies, for example, like Coal
Miner's Daughter. Or Hoosiers, that brilliant portrayal of
small-town America. Or movies which assault the scourge of
drugs. Like Lean on Me, Clean and Sober, and I'm Dancing As Fast
As I Can. And let me thank you in the film industry who are
helping to stop this assassin of our kids.
These movies -- like thousands of others -- have been
America's Ambassador to the World. And by boosting the health of
the industry as a whole, AFI has helped make them possible.
First, AFI trains young filmmakers. Allowing them to
apprentice under the tutelage of masters. Second, it has worked
5
to find -- and save -- historic and classic films of yesteryear
-- leading countless Americans to a career in film.
The third way AFI spurs the film is through advocacy.
Teaching our generation the beauty and value of the moving image.
And finally, AFI will teach future generations. About how we
lived. What we valued. Through the art of Michelangelo and da
Vinci, we see today the world of Renaissance Italy. The motion
picture can be our legacy.
In a sense, of course, it already is. Helping us smile
-- as Shirley Temple did in the depths of the Depression. Or
sing -- as Gene Kelly -- Gene, take a bow -- did in the immortal
Singing In the Rain. Or dream dreams that no longer seem
impossible. As the wondrous cast of The Wizard of Oz did in that
magical movie year of 1939.
Movies have made us laugh. They have made us think.
They 've helped get us though the bad times. And made the good
times even better.
For the American moving picture is our mirror, and our
conscience. In the White House theatre, in theatres around the
world. So I ask you: Help AFI celebrate America. And this
magnificent inheritance. So that you and I can always say: To
feel the heart of America, just look at the American film.
Thank you for this wonderful occasion. God bless you, and
God bless the United States of America.
#
#
#
#
THE WHITE HOUSE
WASHINGTON
September 21, 1989
MEMORANDUM FOR CHRISS WINSTON
FROM:
ROGER B. PORTER
RBP
SUBJECT:
Presidential Remarks: Film Institute
The speech has many good jokes and should go over well the
audience. We do suggest striking the joke about Zsa Zsa Gabor.
It really isn't necessary to take a shot at her. We have no
suggested changes from a policy standpoint.
CC: James W. Cicconi
Document No.
074696SS
WHITE HOUSE STAFFING MEMORANDUM
9/21/89
ACTION/CONCURRENCE/COMMENT DUE BY:
9/22/89 NOON
DATE:
PRESIDENTIAL REMARKS: FILM INSTITUTE
SUBJECT:
ACTION FYI
ACTION FYI
VICE PRESIDENT
MCCLURE
SUNUNU
NEWMAN
SCOWCROFT
PORTER
DARMAN
STUDDERT
BATES
UNTERMEYER
ROGERS
BREEDEN
CARD
WINSTON
CICCONI
PINKERTON
PORTER ROSE
DEMAREST
FIRESTONE
FITZWATER
GRAY
HAGIN
REMARKS:
Please forward any comments directly to Chriss Winston, Rm. 122,
x2930, no later than NOON, Friday, September 21, with a copy to
my office. Thank you.
RESPONSE:
James W. Cicconi
Assistant to the President
and Deputy to the Chief of Staff
Ext. 2702
(Smith/Blessey)
Draft Five
September 21, 1989
]
FILM
P21 P2: 42
PRESIDENTIAL REMARKS: FILM INSTITUTE
WASHINGTON, D.C.
TUESDAY, SEPTEMBER 26, 1989
Chairman Jankowski, Director Stevens, Director Firstenberg,
Mr. Wolper, Mr. Valenti, Other Trustees of the American Film
Institute, Distinguished Guests, Friends and Fans of the American
Film.
Thank you for your warm reception. I've looked forward to
this night for quite awhile. ( (In fact, to put us in a movie
mode, we arranged to come over here in a special car. It was a
tight squeeze getting me, Barbara, the driver and three Secret
Service men into the Batmobile.) ) ( (PAUSE) )
( (First, I'd like to say a word, in particular, about this
distinguished audience. I don't think I've seen SO many well-
dressed people since the Beverly Hills Court began jury selection
for Zsa Zsa Gabor's trial.) ) ( (PAUSE) )
I also appreciate that kind introduction. And let me say
how pleased I am to see so many notables in this evening's crowd.
Artists from Spacek to Spielberg to Stallone. Surrounded by all
these household names, I wish I'd brought along my autograph
book.
Barbara and I are delighted to be here. ( (But I'm obliged to
extend regrets from what some have called the most charismatic
2
speaker in the Bush family. Yes, our springer spaniel, Millie.) )
( (PAUSE) )
( (Nothing personal, you understand. It's just that Millie
doesn't often get the White House theatre to herself. Well,
tonight she's making up for lost time. Holding a private
screening of her own.
Now, make no mistake: I can't argue with Millie's
selection, For The Love of Benji. It's just that I'm afraid all
this good press is going to her head. Last night, we got to
talking about what Millie should serve her guests. Barbara
picked milk bones [PAUSE]
I chose Alpo [PAUSE]
Millie asked to see the wine list. )) ( (PAUSE) )
Well, this evening, Millie, eat your heart out. For there's
no place that Barbara and I would rather be than here, with you.
( (We meet at the end of quite a summer for movies -- with
Ghostbusters Two, Karate Kid Three, Lethal Weapon Two, Indiana
Jones Two, and Startrek Five. With all those numbers, I wasn't
sure if I was at a movie or a budget meeting.) ) ( (PAUSE) )
( (And it was a summer, too, when as you may have read, I had
a rough vacation. The way things were going, it was starting to
look like A Fish Called Wanda was as close to a fish as I was
going to get. )) ( (PAUSE) )
But thankfully, that's all behind me. And I'm pleased to
join you at an event which salutes the 24th anniversary of the
American Film Institute. For almost a quarter-century, the AFI
3
has nurtured and celebrated the art of the moving image. In
doing so, it has nourished the mind and soul of America.
For the moving image is not merely entertainment -- in a
darkened theatre, or on a TV set. It is also a part of America's
rich inheritance. The American film is not only the mirror of
America. It is also the conscience of America.
Who can forget how Grapes of Wrath immortalized the dignity
of America's impoverished? Or how Gentleman's Agreement exposed
anti-Semitism? Or on a personal note, the courage amid
adversity embodied in Knute Rockne -- All-American. Embodied by
a friend of ours. Yes, Ronald Reagan as the Gipper.
When President Johnson signed the bill 24 years ago to
create the National Endowment for the Arts, which created the
American Film Institute, he was talking about such works. And
those who make them, past and present.
He was referring to actors and actresses. Producers and
writers, directors, craftsmen, artisans. And this Institute, he
said, would bring them "together
these artists, outstanding
educators, and young men and women, who wish to pursue the 20th
century art form as their life's work. "
It did, and does today. Helping to spur the art form so
uniquely American. The art form invented in America. And which,
in turn, America has expanded to the world -- allowing peoples on
every continent to freely see film's diversity. And to inspire
those peoples to build on what America has begun.
4
That is the major reason why this Administration has
conveyed to the governments of the European community our
steadfast belief in mutual access to movie and TV program
markets. Quotas of any kind are unacceptable. Our government
does not intrude on private decisions and public choices in TV
programming. Neither should theirs. Consumer choice must be
expanded, not reduced.
Secretary of State Baker, Secretary of Commerce Mosbacher,
and U.S. Trade Representative Carla Hills have made our position
quite clear. No enterprise achieves creativity when competitors
are locked out. Good trading partners have neighborly access to
each other's territory.
In short, let the consumer decide and prosper through
competition. We need more movies -- foreign and domestic -- like
many made since AFI was born. Movies, for example, like Coal
Miner's Daughter. Or Hoosiers, that brilliant portrayal of
small-town America. Or movies which assault the scourge of
drugs. Like Lean on Me, Clean and Sober, and I'm Dancing As Fast
As I Can. And let me thank you in the film industry who are
helping to stop this assassin of our kids.
These movies -- like thousands of others -- have been
America's Ambassador to the World. And by boosting the health of
the industry as a whole, AFI has helped make them possible.
First, AFI trains young filmmakers. Allowing them to
apprentice under the tutelage of masters. Second, it has worked
5
to find -- and save -- historic and classic films of yesteryear
-- leading countless Americans to a career in film.
The third way AFI spurs the film is through advocacy.
Teaching our generation the beauty and value of the moving image.
And finally, AFI will teach future generations. About how we
lived. What we valued. Through the art of Michelangelo and da
Vinci, we see today the world of Renaissance Italy. The motion
picture can be our legacy.
In a sense, of course, it already is. Helping us smile
-- as Shirley Temple did in the depths of the Depression. Or
sing -- as Gene Kelly -- Gene, take a bow -- did in the immortal
Singing In the Rain. Or dream dreams that no longer seem
impossible. As the wondrous cast of The Wizard of Oz did in that
magical movie year of 1939.
Movies have made us laugh. They have made us think.
They've helped get us though the bad times. And made the good
times even better.
For the American moving picture is our mirror, and our
conscience. In the White House theatre, in theatres around the
world. So I ask you: Help AFI celebrate America. And this
magnificent inheritance. So that you and I can always say: To
feel the heart of America, just look at the American film.
Thank you for this wonderful occasion. God bless you, and
God bless the United States of America.
#
#
#
#
OFFICE DF THE PRESIDENT STATES UNITED
EXECUTIVE OFFICE OF THE PRESIDENT
OFFICE OF MANAGEMENT AND BUDGET
WASHINGTON, D.C. 20503
o
NOTICE:
Enclosed are comments from staff members of the Office of
Management and Budget (OMB) . Such comments do not necessarily
represent the official position of the Director of OMB or of the
Office of Management and Budget. If you wish to have the
Director's personal comments, please let me know -- and contact
me if you have any questions.
David J. Haun
Executive Assistant
to the Director
EE : 11v 22 SEP 68
Document No.
074696SS
WHITE HOUSE STAFFING MEMORANDUM
9/21/89
ACTION/CONCURRENCE/COMMENT DUE BY:
9/22/89 NOON
DATE:
PRESIDENTIAL REMARKS: FILM INSTITUTE
SUBJECT:
ACTION FYI
ACTION FYI
VICE PRESIDENT
MCCLURE
SUNUNU
NEWMAN
SCOWCROFT
PORTER
DARMAN
STUDDERT
BATES
UNTERMEYER
ROGERS
BREEDEN
CARD
WINSTON
CICCONI
PINKERTON
PORTER ROSE
DEMAREST
FIRESTONE
FITZWATER
GRAY
HAGIN
REMARKS:
Please forward any comments directly to Chriss Winston, Rm. 122,
x2930, no later than NOON, Friday, September 21, with a copy to
my office. Thank you.
RESPONSE: See comments
James W. Cicconi
Assistant to the President
and Deputy to the Chief of Staff
Ext. 2702
(Smith/Blessey)
Draft Five
September 21, 1989
C.
P21 P2: 42
FILM
PRESIDENTIAL REMARKS: FILM INSTITUTE
WASHINGTON, D.C.
TUESDAY, SEPTEMBER 26, 1989
Chairman Jankowski, Director Stevens, Director Firstenberg,
Mr. Wolper, Mr. Valenti, Other Trustees of the American Film
Institute, Distinguished Guests, Friends and Fans of the American
Film.
Thank you for your warm reception. I've looked forward to
this night for quite awhile. ( (In fact, to put us in a movie
mode, we arranged to come over here in a special car. It was a
tight squeeze getting me, Barbara, the driver and three Secret
Service men into the Batmobile.) ) ( (PAUSE) )
( (First, I'd like to say a word, in particular, about this
distinguished audience. I don't think I've seen so many well-
dressed people since the Beverly Hills Court began jury selection
for Zsa Zsa Gabor's trial.) ) ( (PAUSE) )
I also appreciate that kind introduction. And let me say
how pleased I am to see so many notables in this evening's crowd.
Artists from Spacek to Spielberg to Stallone. Surrounded by all
these household names, I wish I'd brought along my autograph
book.
Barbara and I are delighted to be here. ( (But I'm obliged to
extend regrets from what some have called the most charismatic
2
speaker in the Bush family. Yes, our springer spaniel, Millie. ))
( (PAUSE) )
( (Nothing personal, you understand. It's just that Millie
doesn't often get the White House theatre to herself. Well,
tonight she's making up for lost time. Holding a private
screening of her own.
Now, make no mistake: I can't argue with Millie's
selection, For The Love of Benji. It's just that I'm afraid all
this good press is going to her head. Last night, we got to
talking about what Millie should serve her guests. Barbara
picked milk bones [PAUSE]
I chose Alpo [PAUSE]
Millie asked to see the wine list.) ) ( (PAUSE) )
Well, this evening, Millie, eat your heart out. For there's
no place that Barbara and I would rather be than here, with you.
( (We meet at the end of quite a summer for movies -- with
Ghostbusters Two, Karate Kid Three, Lethal Weapon Two, Indiana
Jones Two, and Startrek Five. With all those numbers, I wasn't
sure if I was at a movie or a budget meeting.) ) ( (PAUSE) )
( (And it was a summer, too, when as you may have read, I had
a rough vacation. The way things were going, it was starting to
look like A Fish Called Wanda was as close to a fish as I was
going to get.) ) ( (PAUSE) )
But thankfully, that's all behind me. And I'm pleased to
join you at an event which salutes the 24th anniversary of the
American Film Institute. For almost a quarter-century, the AFI
3
has nurtured and celebrated the art of the moving image. In
doing so, it has nourished the mind and soul of America.
For the moving image is not merely entertainment -- in a
darkened theatre, or on a TV set. It is also a part of America's
rich inheritance. The American film is not only the mirror of
America. It is also the conscience of America.
Who can forget how Grapes of Wrath immortalized the dignity
of America's impoverished? Or how Gentleman's Agreement exposed
anti-Semitism? Or on a personal note, the courage amid
adversity embodied in Knute Rockne -- All-American. Embodied by
a friend of ours. Yes, Ronald Reagan as the Gipper.
When President Johnson signed the bill 24 years ago to
create the National Endowment for the Arts, which created the
American Film Institute, he was talking about such works. And
those who make them, past and present.
He was referring to actors and actresses. Producers and
writers, directors, craftsmen, artisans. And this Institute, he
said, would bring them "together
these artists, outstanding
educators, and young men and women, who wish to pursue the 20th
century art form as their life's work."
It did, and does today. Helping to spur the art form so
uniquely American. The art form invented in America. And which,
in turn, America has expanded to the world -- allowing peoples on
every continent to freely see film's diversity. And to inspire
those peoples to build on what America has begun.
4
That is the major reason why this Administration has
conveyed to the governments of the European community our
steadfast belief in mutual access to movie and TV program
markets. Quotas of any kind are unacceptable. Our government
does not intrude on private decisions and public choices in TV
programming. Neither should theirs. Consumer choice must be
expanded, not reduced.
Secretary of State Baker, Secretary of Commerce Mosbacher,
and U.S. Trade Representative Carla Hills have made our position
quite clear. No enterprise achieves creativity when competitors
are locked out. Good trading partners have neighborly access to
each other's territory.
In short, let the consumer decide and prosper through
competition. We need more movies -- foreign and domestic -- like
many made since AFI was born. Movies, for example, like Coal
Miner's Daughter. Or Hoosiers, that brilliant portrayal of
small-town America. Or movies which assault the scourge of
drugs. Like Lean on Me, Clean and Sober, and I'm Dancing As Fast
As I Can. And let me thank you in the film industry who are
helping to stop this assassin of our kids.
These movies -- like thousands of others -- have been
America's Ambassador to the World. And by boosting the health of
the industry as a whole, AFI has helped make them possible.
First, AFI trains young filmmakers. Allowing them to
apprentice under the tutelage of masters. Second, it has worked
5
to find -- and save -- historic and classic films of yesteryear
-- leading countless Americans to a career in film.
The third way AFI spurs the film industry? is through advocacy.
Teaching our generation the beauty and value of the moving image.
And finally, AFI will teach future generations. About how we
lived. What we valued. Through the art of Michelangelo and da
Vinci, we see today the world of Renaissance Italy. The motion
picture can be our legacy.
In a sense, of course, it already is. Helping us smile
-- as Shirley Temple did in the depths of the Depression. Or
sing -- as Gene Kelly -- Gene, take a bow -- did in the immortal
Singing In the Rain. Or dream dreams that no longer seem
impossible. As the wondrous cast of The Wizard of Oz did in that
magical movie year of 1939.
Movies have made us laugh. They have made us think.
They've helped get us though the bad times. And made the good
times even better.
For the American moving picture is our mirror, and our
conscience. In the White House theatre, in theatres around the
world. So I ask you: Help AFI celebrate America. And this
magnificent inheritance. So that you and I can always say: To
feel the heart of America, just look at the American film.
Thank you for this wonderful occasion. God bless you, and
God bless the United States of America.
#
#
#
#
Lone
(Smith/Blessey)
Draft Five
September 21, 1989
FILM
PRESIDENTIAL REMARKS: FILM INSTITUTE
WASHINGTON, D.C.
TUESDAY, SEPTEMBER 26, 1989
Chairman Jankowski, Director Stevens, Director Firstenberg,
Mr. Wolper, Mr. Valenti, Other Trustees of the American Film
Institute, Distinguished Guests, Friends and Fans of the American
Film.
Thank you for your warm reception.
I've looked forward to
this night for quite awhile. ( (In fact, to put us in a movie
mode, we arranged to come over here in a special car. It was a
tight squeeze getting me, Barbara, the driver and three Secret
Service men into the Batmobile.) ) ( (PAUSE) )
( (First, I'd like to say a word, in particular, about this
I've seen
distinguished audience. I don't think so many well-dressed
people have gathered together since the Beverly Hills Court began
jury selection for Zsa Zsa Gabor's trial.) ) ( (PAUSE) )
I also appreciate that kind introduction. And let me say
how pleased I am to see so many notables in this evening's crowd.
Artists from Spacek to Spielberg to Stallone. Surrounded by all
these household names, I wish I'd brought along my autograph
book.
GArd deagnised polices program bystonique sperkames.
Barbara and I are delighted to be here. ( (But I'm obliged to
extend regrets from what some have called the most charismatic
2
speaker in the Bush family. Yes, our springer spaniel, Millie.) ))
( (PAUSE) )
( (Nothing personal, you understand. It's just that Millie
doesn't often get the White House theatre to herself. Well,
privar screenus
tonight she's making up for lost time.
Holding
a
party
of
her
own.
Now, make no mistake: I can't argue with Millie's
selection, For The Love of Benji. It's just that I'm afraid all
this good press is going to her head. Last night, we got to
talking about what Millie should serve her guests. Barbara
picked milk bones [PAUSE]
I chose Alpo [PAUSE]
Millie asked to see the wine list. )) ( (PAUSE) )
Well, this evening, Millie, eat your heart out. For there's
no place that Barbara and I would rather be than here, with you.
( (We meet at the end of quite a summer for movies -- with
Ghostbusters Two, Karate Kid Three, Lethal Weapon Two, Indiana
Jones Two, and Startrek Five. With all those numbers, I wasn't
sure if I was at a movie or a budget meeting.) ) ( (PAUSE) )
( (And it was a summer, too, when as you may have read, I had
a rough vacation. The way things were going, it was starting to
look like A Fish Called Wanda was as close to a fish as I was
going to get.) ) ( (PAUSE) )
But thankfully, that's all behind me. And I'm pleased to
join you at an event which salutes the 24th anniversary of the
American Film Institute. For almost a quarter-century, the AFI
has nurtured and celebrated the art of the moving image. In
doing so, it has nourished the mind and soul of America.
will
3
For the moving image is not merely entertainment -- in a
darkened theatre, or on a TV set. It is also a part of America's
rich inheritance. The American film is not only the mirror of
America. It is also the conscience of America.
Who can forget how Grapes of Wrath immortalized the dignity
of America's impoverished? Or how Gentleman's Agreement exposed
anti-Semitism? Or on a personal note, the courage amid
adversity embodied in Knute Rockne -- All-American. Embodied by
a friend of ours. Yes, Ronald Reagan as the Gipper.
When President Johnson signed the bill 24 years ago to
create the National Endowment for the Arts, which created the
American Film Institute, he was talking about such works. And
those who make them, past and present.
He was referring to actors and actresses. Producers and
writers, directors, craftsmen, artisans. And this Institute, he
said, would bring them "together
these artists, outstanding
educators, and young men and women, who wish to pursue the 20th
century art form as their life's work."
It did, and does today. Helping to spur the art form so
uniquely American. The art form invented in America. And which,
in turn, America has expanded to the world -- allowing peoples on
every continent to freely see film's diversity. And to inspire
those peoples to build on what America has begun.
That is the major reason why this Administration has
conveyed to the governments of the European community our
steadfast belief in mutual access to movie and TV program
4
markets. Quotas of any kind are unacceptable. Our government
does not intrude on private decisions and public choices in TV
programming. Neither should theirs. Consumer choice must be
expanded, not reduced.
Secretary of State Baker, Secretary of Commerce Mosbacher,
and U.S. Trade Representative Carla Hills have made our position
quite clear. No enterprise achieves creativity when competitors
are locked out. Good trading partners have neighborly access to
each other's territory.
In short, let the consumer decide. And let him prosper
through competition. We need more movies -- foreign and domestic
-- like many made since AFI was born. Movies, for example, like
Coal Miner's Daughter. Or Hoosiers, that brilliant portrayal of
small-town America. Or movies which assault the scourge of
drugs. Like Lean on Me, Clean and Sober, and I'm Dancing As Fast
As I Can. And let me thank you in the film industry who are
helping to stop this assassin of our kids.
These movies -- like thousands of others -- have been
America's Ambassador to the World. And by boosting the health of
the industry as a whole, AFI has helped make them possible.
First, AFI trains young filmmakers. Allowing them to
apprentice under the tutelage of masters. Second, it has worked
to find -- and save --- historic and classic films of yesteryear
-- leading countless Americans to a career in film.
The third way AFI spurs the film is through advocacy.
Teaching our generation the beauty and value of the moving image.
5
And finally, AFI will teach future generations. About how we
lived. What we valued. Through the art of Michelangelo and da
Vinci, we see today the world of Renaissance Italy. The motion
picture can be our legacy.
In a sense, of course, it already is. Helping us smile
-- as Shirley Temple did in the depths of the Depression. Or
sing -- as Gene Kelly -- Gene, take a bow -- did in the immortal
Singing In the Rain. Or dream dreams that no longer seem
impossible. As the wondrous cast of The Wizard of Oz did in that
magical movie year of 1939.
Movies have made us laugh. They have made us think.
They've helped get us though the bad times. And made the good
times even better.
For the American moving picture is our mirror, and our
conscience. In the White House theatre, in theatres around the
world. So I ask you: Help AFI celebrate America. And this
magnificent inheritance. So that you and I can always say: To
feel the heart of America, just look at the American film.
Thank you for this wonderful occasion. God bless you, and
God bless the United States of America.
#
#
#
#
Document No.
074696SS
WHITE HOUSE STAFFING MEMORANDUM
9/21/89
ACTION/CONCURRENCE/COMMENT DUE BY:
9/22/89 NOON
DATE:
PRESIDENTIAL REMARKS: FILM INSTITUTE
SUBJECT:
ACTION FYI
ACTION FYI
VICE PRESIDENT
MCCLURE
SUNUNU
NEWMAN
SCOWCROFT
PORTER
DARMAN
STUDDERT
BATES
UNTERMEYER
ROGERS
BREEDEN
CARD
WINSTON
CICCONI
PINKERTON
PORTER ROSE
DEMAREST
FIRESTONE
FITZWATER
GRAY
HAGIN
REMARKS:
Please forward any comments directly to Chriss Winston, Rm. 122,
x2930, no later than NOON, Friday, September 21, with a copy to
my office. Thank you.
sur
RESPONSE:
6th : 6v
James W. Cicconi
Assistant to the President
and Deputy to the Chief of Staff
Ext. 2702
(Smith/Blessey)
Draft Five
September 21, 1989
FILM
P21 P2: 42
PRESIDENTIAL REMARKS: FILM INSTITUTE
WASHINGTON, D.C.
TUESDAY, SEPTEMBER 26, 1989
Chairman Jankowski, Director Stevens, Director Firstenberg,
Mr. Wolper, Mr. Valenti, Other Trustees of the American Film
Institute, Distinguished Guests, Friends and Fans of the American
Film.
Thank you for your warm reception. I've looked forward to
this night for quite awhile. ( (In fact, to put us in a movie
mode, we arranged to come over here in a special car. It was a
tight squeeze getting me, Barbara, the driver and three Secret
Service men into the Batmobile.) ) ((PAUSE) )
( (First, I'd like to say a word, in particular, about this
distinguished audience. I don't think I've seen so many well-
dressed people since the Beverly Hills Court began jury selection
for Zsa Zsa Gabor's trial.) ) ( (PAUSE) )
I also appreciate that kind introduction. And let me say
how pleased I am to see so many notables in this evening's crowd.
Artists from Spacek to Spielberg to Stallone. Surrounded by all
these household names, I wish I'd brought along my autograph
book.
Barbara and I are delighted to be here. ( (But I'm obliged to
extend regrets from what some have called the most charismatic
2
speaker in the Bush family. Yes, our springer spaniel, Millie.) )
( (PAUSE) )
( (Nothing personal, you understand. It's just that Millie
doesn't often get the White House theatre to herself. Well,
tonight she's making up for lost time. Holding a private
screening of her own.
Now, make no mistake: I can't argue with Millie's
selection, For The Love of Benji. It's just that I'm afraid all
this good press is going to her head. Last night, we got to
talking about what Millie should serve her guests. Barbara
picked milk bones [PAUSE]
...
I chose Alpo [PAUSE]
Millie asked to see the wine list.) ) ( (PAUSE) )
Well, this evening, Millie, eat your heart out. For there's
no place that Barbara and I would rather be than here, with you.
( (We meet at the end of quite a summer for movies -- with
Ghostbusters Two, Karate Kid Three, Lethal Weapon Two, Indiana
Jones Two, and Startrek Five. With all those numbers, I wasn't
sure if I was at a movie or a budget meeting.) )) ( (PAUSE) )
( (And it was a summer, too, when as you may have read, I had
a rough vacation. The way things were going, it was starting to
look like A Fish Called Wanda was as close to a fish as I was
going to get.) ) ( (PAUSE) )
But thankfully, that's all behind me. And I'm pleased to
join you at an event which salutes the 24th anniversary of the
American Film Institute. For almost a quarter-century, the AFI
3
has nurtured and celebrated the art of the moving image. In
doing so, it has nourished the mind and soul of America.
For the moving image is not merely entertainment -- in a
darkened theatre, or on a TV set. It is also a part of America's
rich inheritance. The American film is not only the mirror of
America. It is also the conscience of America.
Who can forget how Grapes of Wrath immortalized the dignity
of America's impoverished? Or how Gentleman's Agreement exposed
anti-Semitism? Or on a personal note, the courage amid
adversity embodied in Knute Rockne -- All-American. Embodied by
a friend of ours. Yes, Ronald Reagan as the Gipper.
When President Johnson signed the bill 24 years ago to
create the National Endowment for the Arts, which created the
American Film Institute, he was talking about such works. And
those who make them, past and present.
He was referring to actors and actresses. Producers and
writers, directors, craftsmen, artisans. And this Institute, he
said, would bring them "together
these artists, outstanding
educators, and young men and women, who wish to pursue the 20th
century art form as their life's work."
It did, and does today. Helping to spur the art form so
uniquely American. The art form invented in America. And which,
in turn, America has expanded to the world -- allowing peoples on
every continent to freely see film's diversity. And to inspire
those peoples to build on what America has begun.
4
That is the major reason why this Administration has
conveyed to the governments of the European community our
steadfast belief in mutual access to movie and TV program
markets. Quotas of any kind are unacceptable. Our government
does not intrude on private decisions and public choices in TV
programming. Neither should theirs. Consumer choice must be
expanded, not reduced.
Secretary of State Baker, Secretary of Commerce Mosbacher,
and U.S. Trade Representative Carla Hills have made our position
quite clear. No enterprise achieves creativity when competitors
are locked out. Good trading partners have neighborly access to
each other's territory.
In short, let the consumer decide and prosper through
competition. We need more movies -- foreign and domestic -- like
many made since AFI was born. Movies, for example, like Coal
Miner's Daughter. Or Hoosiers, that brilliant portrayal of
small-town America. Or movies which assault the scourge of
drugs. Like Lean on Me, Clean and Sober, and I'm Dancing As Fast
As I Can. And let me thank you in the film industry who are
helping to stop this assassin of our kids.
These movies -- like thousands of others -- have been
America's Ambassador to the World. And by boosting the health of
the industry as a whole, AFI has helped make them possible.
First, AFI trains young filmmakers. Allowing them to
apprentice under the tutelage of masters. Second, it has worked
5
to find -- and save -- historic and classic films of yesteryear
-- leading countless Americans to a career in film.
The third way AFI spurs the film is through advocacy.
Teaching our generation the beauty and value of the moving image.
And finally, AFI will teach future generations. About how we
lived. What we valued. Through the art of Michelangelo and da
Vinci, we see today the world of Renaissance Italy. The motion
picture can be our legacy.
In a sense, of course, it already is. Helping us smile
-- as Shirley Temple did in the depths of the Depression. Or
sing -- as Gene Kelly -- Gene, take a bow -- did in the immortal
Singing In the Rain. Or dream dreams that no longer seem
impossible. As the wondrous cast of The Wizard of Oz did in that
magical movie year of 1939.
Movies have made us laugh. They have made us think.
They've helped get us though the bad times. And made the good
times even better.
For the American moving picture is our mirror, and our
conscience. In the White House theatre, in theatres around the
world. So I ask you: Help AFI celebrate America. And this
magnificent inheritance. So that you and I can always say: To
feel the heart of America, just look at the American film.
Thank you for this wonderful occasion. God bless you, and
God bless the United States of America.
#
#
#
#
Document No.
074696SS
WHITE HOUSE STAFFING MEMORANDUM
9/21/89
ACTION/CONCURRENCE/COMMENT DUE BY:
9/22/89 NOON
DATE:
PRESIDENTIAL REMARKS: FILM INSTITUTE
SUBJECT:
ACTION FYI
ACTION FYI
VICE PRESIDENT
MCCLURE
SUNUNU
NEWMAN
SCOWCROFT
PORTER
DARMAN
STUDDERT
BATES
UNTERMEYER
ROGERS
BREEDEN
CARD
WINSTON
CICCONI
PINKERTON
PORTER ROSE
DEMAREST
FIRESTONE
FITZWATER
GRAY
HAGIN
REMARKS:
Please forward any comments directly to Chriss Winston, Rm. 122,
x2930, no later than NOON, Friday, September 21, with a copy to
my office. Thank you.
RESPONSE:
Choise- -
Be sure cover gmemo notes who will be in andience
among people he mentions (e.g. Gene kelly?). OK?
Thanks
James W. Cicconi
Assistant to the President
Aim 9/22
and Deputy to the Chief of Staff
Ext. 2702
(Smith/Blessey)
Draft Five
September 21, 1989
P21 P2 : 42
FILM
PRESIDENTIAL REMARKS:
FILM INSTITUTE
WASHINGTON, D.C.
TUESDAY, SEPTEMBER 26, 1989
Chairman Jankowski, Director Stevens, Director Firstenberg,
Mr. Wolper, Mr. Valenti, Other Trustees of the American Film
Institute, Distinguished Guests, Friends and Fans of the American
Film.
Thank you for your warm reception. I've looked forward to
this night for quite awhile. ( (In fact, to put us in a. movie
mode, we arranged to come over here in a special car. It was a
tight squeeze getting me, Barbara, the driver and three Secret
Service men into the Batmobile.) ) ( (PAUSE) )
( (First, I'd like to say a word, in particular, about this
distinguished audience. I don't think I've seen SO many well-
dressed people since the Beverly Hills Court began jury selection
for Zsa Zsa Gabor's trial. )) ( (PAUSE) )
I also appreciate that kind introduction. And let me say
how pleased I am to see so many notables in this evening's crowd.
Artists from Spacek to Spielberg to Stallone. Surrounded by all
these household names, I wish I'd brought along my autograph
book.
Barbara and I are delighted to be here. ( (But I'm obliged to
extend regrets from what some have called the most charismatic
2
speaker in the Bush family. Yes, our springer spaniel, Millie. ))
( (PAUSE) )
( (Nothing personal, you understand. It's just that Millie
doesn't often get the White House theatre to herself. Well,
tonight she's making up for lost time. Holding a private
screening of her own.
Now, make no mistake: I can't argue with Millie's
selection, For The Love of Benji. It's just that I'm afraid all
this good press is going to her head. Last night, we got to
talking about what Millie should serve her guests. Barbara
picked milk bones [PAUSE]
I chose Alpo [PAUSE]
Millie asked to see the wine list.) )) ( (PAUSE) )
Well, this evening, Millie, eat your heart out. For there's
no place that Barbara and I would rather be than here, with you.
( (We meet at the end of quite a summer for movies -- with
Ghostbusters Two, Karate Kid Three, Lethal Weapon Two, Indiana
Jones Two, and Startrek Five. With all those numbers, I wasn't
sure if I was at a movie or a budget meeting.) ) ( (PAUSE) )
( (And it was a summer, too, when as you may have read, I had
a rough vacation. The way things were going, it was starting to
look like A Fish Called Wanda was as close to a fish as I was
going to get.) ) ( (PAUSE) )
But thankfully, that's all behind me. And I'm pleased to
join you at an event which salutes the 24th anniversary of the
American Film Institute. For almost a quarter-century, the AFI
3
has nurtured and celebrated the art of the moving image. In
doing so, it has nourished the mind and soul of America.
For the moving image is not merely entertainment -- in a
darkened theatre, or on a TV set. It is also a part of America's
rich inheritance. The American film is not only the mirror of
America. It is also the conscience of America.
Who can forget how Grapes of Wrath immortalized the dignity
of America's impoverished? Or how Gentleman's Agreement exposed
anti-Semitism? Or on a personal note, the courage amid
adversity embodied in Knute Rockne -- All-American. Embodied by
a friend of ours. Yes, Ronald Reagan as the Gipper.
When President Johnson signed the bill 24 years ago to
create the National Endowment for the Arts, which created the
American Film Institute, he was talking about such works. And
those who make them, past and present.
He was referring to actors and actresses. Producers and
writers, directors, craftsmen, artisans. And this Institute, he
said, would bring them "together
these artists, outstanding
educators, and young men and women, who wish to pursue the 20th
century art form as their life's work.
It did, and does today. Helping to spur the art form so
uniquely American. The art form invented in America. And which,
in turn, America has expanded to the world -- allowing peoples on
every continent to freely see film's diversity. And to inspire
those peoples to build on what America has begun.
4
That is the major reason why this Administration has
conveyed to the governments of the European community our
steadfast belief in mutual access to movie and TV program
markets. Quotas of any kind are unacceptable. Our government
does not intrude on private decisions and public choices in TV
programming. Neither should theirs. Consumer choice must be
expanded, not reduced.
Secretary of State Baker, Secretary of Commerce Mosbacher,
and U.S. Trade Representative Carla Hills have made our position
quite clear. No enterprise achieves creativity when competitors
are locked out. Good trading partners have neighborly access to
each other's territory.
In short, let the consumer decide and prosper through
competition. We need more movies -- foreign and domestic -- like
many made since AFI was born. Movies, for example, like Coal
Miner's Daughter. Or Hoosiers, that brilliant portrayal of
small-town America. Or movies which assault the scourge of
drugs. Like Lean on Me, Clean and Sober, and I'm Dancing As Fast
As I Can. And let me thank you in the film industry who are
helping to stop this assassin of our kids.
These movies -- like thousands of others -- have been
America's Ambassador to the World. And by boosting the health of
the industry as a whole, AFI has helped make them possible.
First, AFI trains young filmmakers. Allowing them to
apprentice under the tutelage of masters. Second, it has worked
5
to find -- and save -- historic and classic films of yesteryear
-- leading countless Americans to a career in film.
The third way AFI spurs the film is through advocacy.
Teaching our generation the beauty and value of the moving image.
And finally, AFI will teach future generations. About how we
lived. What we valued. Through the art of Michelangelo and da
Vinci, we see today the world of Renaissance Italy. The motion
picture can be our legacy.
In a sense, of course, it already is. Helping us smile
-- as Shirley Temple did in the depths of the Depression. Or
sing -- as Gene Kelly -- Gene, take a bow -- did in the immortal
Singing In the Rain. Or dream dreams that no longer seem
impossible. As the wondrous cast of The Wizard of Oz did in that
magical movie year of 1939.
Movies have made us laugh. They have made us think.
They've helped get us though the bad times. And made the good
times even better.
For the American moving picture is our mirror, and our
conscience. In the White House theatre, in theatres around the
world. So I ask you: Help AFI celebrate America. And this
magnificent inheritance. So that you and I can always say: To
feel the heart of America, just look at the American film.
Thank you for this wonderful occasion. God bless you, and
God bless the United States of America.
#
#
#
#
THE WHITE HOUSE
WASHINGTON
September 26, 1989
MR. PRESIDENT:
Per your instructions, a good
deal was taken out of this
draft. It still stands at
around 5 minutes, though.
Jim
Little
1
THE PRESIDENT
SEP 26 A9:20
(Smith/Blessey)
Draft Eight
September 25, 1989
FILM
PRESIDENTIAL REMARKS: FILM INSTITUTE
WASHINGTON, D.C.
TUESDAY, SEPTEMBER 26, 1989
Chairman Jankowski, Director Firstenberg, Mr. Stevens, Mr.
Wolper, Mr. Valenti, Other Trustees of the American Film
Institute, Distinguished Guests, Friends and Fans of the American
Film.
Thank you for your warm reception. I've looked forward to
this night for quite awhile. ( (In fact, to put us in a movie
mode, we arranged to come over here in a special car. It was a
tight squeeze getting me, Barbara, the driver and three Secret
Service men into the Batmobile.) ) ( (PAUSE))
((First, I'd like to say a word, in particular, about this
distinguished audience. I don't think I've seen so many well-
dressed people since the Beverly Hills Court began jury selection
for Zsa Zsa Gabor's trial.) ) ((PAUSE))
I also appreciate that kind introduction. And the
magnificent program by tonight's performers. And I am pleased
to see so many notables in this evening's crowd. Artists from
Lucas to Spielberg to Tyson to Scorsese [SCOR say zeej
Surrounded by all these household names, I wish I'd brought along
my autograph book
( (We meet at the end of quite a summer for movies -- with
Ghostbusters Two, Karate Kid Three, Lethal Weapon Two, Indiana
2
Jones Three, and Startrek Five. With all those numbers, I wasn't
sure if I was at a movie or a budget meeting.) ((PAUSE))
((And it was a summer, too, when as you may have read, I had
a rough vacation. The way things were going, it was starting to
look like A Fish Called Wanda was as close to a fish as I was
going to get.) ) ((PAUSE) )
But thankfully, that's all behind me. And I'm pleased to
join you at an event which salutes the upcoming 25th anniversary
of legislation creating the American Film Institute. For almost
a quarter-century, the AFI has nurtured and celebrated the art of
the moving image. In doing so, it has nourished the mind and
soul of America.
For the moving image is not merely entertainment -- in a
darkened theatre, or on a TV set. It is also a part of America's
rich inheritance. The American film is not only the mirror of
America. It is also the conscience of America.
Who can forget the movies made since AFI was born? Movies,
for example, like Coal Miner's Daughter. Where the human spirit
vanquished poverty. Or Hoosiers, that brilliant portrayal of
small-town America. Or movies which assault the scourge of
drugs. Like Lean on Me, Clean and Sober, and I'm Dancing As Fast
As I Can. And let me thank you in the film industry who are
helping to stop this terrible threat to our kids.
These movies -- like thousands of others -- are, in a way,
America's Ambassadors to the world. And by boosting the health
of the industry as a whole, AFI has helped make them possible.: 1
3
Teaching our generation the beauty and value of the moving image.
And teaching future generations. Through the art of Michelangelo
and da Vinci, we see today the world of Renaissance Italy. Well,
the motion picture can be part of our legacy.
In a sense, of course, it already is. Helping us smile
-- as Shirley Temple did in the depths of the Depression. or
sing -- as Gene Kelly did -- in the immortal singing In the Rain.
or dream dreams that no longer seem impossible. As the wondrous
cast of The Wizard of OZ did in that magical movie year of 1939.
Movies have made us laugh. They have made us think.
They've helped get us through the bad times. And made the good
times even better.
For the American moving picture is our mirror, and our
conscience. In the White House theatre, in theatres around the
world. So I ask you: Help AFI celebrate America. And this
magnificent inheritance. So that you and I can always say: To
understand the heart of America, just look at the American film.
Thank you for this wonderful occasion. God bless you, and
God bless the United States of America.
#
#
#
#
(Smith/Blessey)
Draft Eight
September 25, 1989
FILM
PRESIDENTIAL REMARKS: FILM INSTITUTE
WASHINGTON, D.C.
TUESDAY, SEPTEMBER 26, 1989
Chairman Jankowski, Director Firstenberg, Mr. Stevens, Mr.
Wolper, Mr. Valenti, Other Trustees of the American Film
Institute, Distinguished Guests, Friends and Fans of the American
Film.
Thank you for your warm reception. I've looked forward to
this night for quite awhile. ( (In fact, to put us in a movie
mode, we arranged to come over here in a special car. It was a
tight squeeze getting me, Barbara, the driver and three Secret
Service men into the Batmobile.) ) ( (PAUSE) )
I also appreciate that kind introduction. And the
magnificent program by tonight's performers.
( (We meet at the end of quite a summer for movies -- with
Ghostbusters Two, Karate Kid Three, Lethal Weapon Two, Indiana
Jones Three, and Startrek Five. With all those numbers, I wasn't
sure if I was at a movie or a budget meeting.) ) ( (PAUSE) )
( (And it was a summer, too, when as you may have read, I had
a rough vacation. The way things were going, it was starting to
look like A Fish Called Wanda was as close to a fish as I was
going to get.) ) ( (PAUSE) )
2
But thankfully, that's all behind me. And I'm pleased to
join you at an event which salutes the upcoming 25th anniversary
of legislation creating the American Film Institute.
For almost a quarter-century, the AFI has nourished the art
of the moving image. Helping film educate and entertain. And
become a part of America's rich inheritance. For the American
film is not only the mirror of America. It is also the
conscience of America.
Who can forget the movies made since AFI was born? Movies,
for example, like Coal Miner's Daughter. Where the human spirit
vanquished poverty. Or Hoosiers, that brilliant portrayal of
small-town America. Or movies which assault the scourge of
drugs. Like Lean on Me, Clean and Sober, and I'm Dancing As Fast
As I Can. And let me thank you in the film industry who are
helping to stop this terrible threat to our kids.
These movies -- like thousands of others -- are, in a way,
America's Ambassadors to the world. Teaching our generation the
beauty and value of the moving image. And teaching future
generations. For the motion picture can be part of our legacy.
In a sense, of course, it already is. Helping us smile
-- as Shirley Temple did in the depths of the Depression. Or
sing -- as Gene Kelly did -- in the immortal Singing In the Rain.
Or dream dreams that no longer seem impossible. As the wondrous
cast of The Wizard of Oz did in that magical movie year of 1939.
3
Movies have made us laugh. They have made us think.
They've helped get us through the bad times. And made the good
times even better.
For the American moving picture is our mirror, and our
conscience. In the White House theatre, in theatres around the
world. So I ask you: Help AFI celebrate America. And this
magnificent inheritance. So that you and I can always say: To
understand the heart of America, just look at the American film.
Thank you for this wonderful occasion. God bless you, and
God bless the United States of America.
#
#
#
#
Fill
REMARKS: FILM INSTITUTE
WASHINGTON, D.C.
TUESDAY, SEPTEMBER 26, 1989
8 P.M.
CHAIRMAN JANKOWSKI, DIRECTOR FIRSTENBERG, MR.
STEVENS, MR. WOLPER, MR. VALENTI, OTHER TRUSTEES OF THE
AMERICAN FILM INSTITUTE, DISTINGUISHED GUESTS, FRIENDS
AND FANS OF THE AMERICAN FILM.
THANK YOU FOR YOUR WARM RECEPTION. I'VE LOOKED
FORWARD TO THIS NIGHT FOR QUITE AWHILE.
- 2 -
((IN FACT, TO PUT US IN A MOVIE MODE, WE ARRANGED TO
COME OVER HERE IN A SPECIAL CAR. IT WAS A TIGHT
SQUEEZE GETTING ME, BARBARA, THE DRIVER AND THREE
SECRET SERVICE MEN INTO THE BATMOBILE.)) ((PAUSE))
I ALSO APPRECIATE THAT KIND INTRODUCTION. AND THE
MAGNIFICENT PROGRAM BY TONIGHT'S PERFORMERS.
- 3 -
(WE MEET AT THE END OF QUITE A SUMMER FOR
MOVIES -- WITH GHOSTBUSTERS Two, KARATE KID THREE,
LETHAL WEAPON Two, INDIANA JONES THREE, AND STARTREK
FIVE. WITH ALL THOSE NUMBERS, I WASN'T SURE IF I WAS
AT A MOVIE OR A BUDGET MEETING.)) ((PAUSE))
((AND IT WAS A SUMMER, Too, WHEN AS YOU MAY HAVE
READ, I HAD A ROUGH VACATION.
- 4 -
THE WAY THINGS WERE GOING, IT WAS STARTING TO LOOK LIKE
A FISH CALLED WANDA WAS AS CLOSE TO A FISH AS I WAS
GOING TO GET.)) ((PAUSE))
BUT THANKFULLY, THAT'S ALL BEHIND ME. AND I'M
PLEASED TO JOIN YOU AT AN EVENT WHICH SALUTES THE
UPCOMING 25TH ANNIVERSARY OF LEGISLATION CREATING THE
AMERICAN FILM INSTITUTE.
- 5 -
FOR ALMOST A QUARTER-CENTURY, THE AFI HAS
NOURISHED THE ART OF THE MOVING IMAGE. HELPING FILM
EDUCATE AND ENTERTAIN AND BECOME A PART OF AMERICA'S
RICH INHERITANCE. FOR THE AMERICAN FILM IS NOT ONLY
THE MIRROR OF AMERICA. IT IS ALSO THE CONSCIENCE OF
AMERICA.
- 6 -
WHO CAN FORGET THE MOVIES MADE SINCE AFI WAS BORN?
MOVIES, FOR EXAMPLE, LIKE COAL MINER'S DAUGHTER. WHERE
THE HUMAN SPIRIT VANQUISHED POVERTY. OR HOOSIERS, THAT
BRILLIANT PORTRAYAL OF SMALL-TOWN AMERICA. OR MOVIES
WHICH ASSAULT THE SCOURGE OF DRUGS. LIKE LEAN ON ME,
CLEAN AND SOBER, AND I'M DANCING As FAST As I CAN. AND
LET ME THANK YOU IN THE FILM INDUSTRY WHO ARE HELPING
To STOP THIS TERRIBLE THREAT To OUR KIDS.
- 7 -
THESE MOVIES -- LIKE THOUSANDS OF OTHERS -- ARE, IN
A WAY, AMERICA'S AMBASSADORS TO THE WORLD. TEACHING
OUR GENERATION THE BEAUTY AND VALUE OF THE MOVING
IMAGE. AND TEACHING FUTURE GENERATIONS. FOR THE
MOTION PICTURE CAN BE PART OF OUR LEGACY.
- 8 -
IN A SENSE, OF COURSE, IT ALREADY IS. HELPING US
SMILE -- AS SHIRLEY TEMPLE DID IN THE DEPTHS OF THE
DEPRESSION. OR SING -- AS GENE KELLY DID -- IN THE
IMMORTAL SINGING IN THE RAIN. OR DREAM DREAMS THAT NO
LONGER SEEM IMPOSSIBLE. As THE WONDROUS CAST OF THE
WIZARD OF Oz DID IN THAT MAGICAL MOVIE YEAR OF 1939.
MOVIES HAVE MADE US LAUGH. THEY HAVE MADE US
THINK. THEY'VE HELPED GET US THROUGH THE BAD TIMES.
AND MADE THE GOOD TIMES EVEN BETTER.
- 9 -
FOR THE AMERICAN MOVING PICTURE IS OUR MIRROR, AND
OUR CONSCIENCE. IN THE WHITE HOUSE THEATRE, IN
THEATRES AROUND THE WORLD. So I ASK YOU: HELP AFI
CELEBRATE AMERICA. AND THIS MAGNIFICENT INHERITANCE.
So THAT YOU AND I CAN ALWAYS SAY: To UNDERSTAND THE
HEART OF AMERICA, JUST LOOK AT THE AMERICAN FILM.
THANK YOU FOR THIS WONDERFUL OCCASION. GOD BLESS
YOU, AND GOD BLESS THE UNITED STATES OF AMERICA.
# # # #