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Michael - call 682-5409 (Presiduct's Commuittee on the Arts I the Humanitus) for more Acts Ed. the NEA mebsite info or look on arts. endow.gov, Clinton Presidential Records Digital Records Marker This is not a presidential record. This is used as an administrative marker by the William J. Clinton Presidential Library Staff. This marker identifies the place of a publication. Publications have not been scanned in their entirety for the purpose of digitization. To see the full publication please search online or visit the Clinton Presidential Library's Research Room. President's Committee on the Arts and the Humanities Flirm Coming Up Taller Arts and Humanities Programs for Children and Youth At Risk WIOLENCE< K TEE ON THE ARTS AND THE a 06/01/1998 17:20 2026825668 PCAH PAGE 01 Eloquent Evidence PRESIDENT'S COMMITTEE ON THE ARTS AND THE HUMANITIES 1100 Pennsylvania Avenue NW Suite 526 Washington, DC 20506 (202)682-5409 (202) 682-5668 Fax [email protected] FACSIMILE COVER SHEET DATE: June 1, 1998 File: TO: Michael O'Mary Art 6 Education FROM: Regina Syquia regina FAX NUMBER: 456-6244 NUMBER OF PAGES TRANSMITTED (including cover sheet): 10 COMMENTS: Eloquent Evidence, per your request. IF THERE ARE PROBLEMS WITH THIS TRANSMISSION, PLEASE CALL (202) 682-5409. PAGE 02 06/01/1998 17:20 2026825668 PCAH Eloquent Evidence: Arts at the Core of Learning » 06/01/1998 17:20 2026825668 PCAH PAGE 03 There is a growing consensus among policy makers and parents that the arts should be an integral ELOQUENT EVIDENCE part of education. Arts at the Core of Learning A dramatic revolution in cognitive understanding began in the 1970's. Research now substantiates what some The National Conference of State Legislatures teachers and parents already knew intuitively - that the arts emphasized the importance of the arts in all are critical to education and learning. aspects of education in its 1992 comprehensive Most of the studies cited here are summarized in the study. Reinventing the Wbeel: A Design for recently completed Schools, Communities and the Arts: A Student Achievement in the 21st Century. Research Compendium, developed by the National Endowment for the Arts in cooperation with the Morrison In Goals 2000: Educate America Act. the arts Institute for Public Policy. Using set selection criteria, this are recognized as part of the core curriculum, compendium focuses on studies published since 1985 which alongside other chaltenging subject matter employed sound methodologies. like English. mathematics. science. foreign languages and history. "During the past quarter century, literally thousands of school-based programs have demon- The Improving America's School Act. strated beyond question that the arts can not only approved by Congress in 1994. reinforced the bring coherence to our fragmented academic importance of the arts in relation to other world, but through the arts, students' performance subjects and as vital subjects in themselves. in other academic disciplines can be enhanced as well Ernest L Boyer, president of the Carnegie Foundation for the Advancement of Teaching Twenty-eight states now require some study of the arts for high school graduation. a dramatic increase since 1980 when only two More than a quarter million Americans serve on nearly states included the arts. In some states. 14,500 independent school boards and approximately study in the arts is 1 requirement for college 40,000 town, city and county councils across the country. entrance and graduation requirements. The evidence presented here is addressed to this key audience. It is also addressed to anyone concerned about National Conference of State Legislatures. 1992 how children learn. Surveys show that a majority of parents think Although the arts remain undervalued in many school that the arts are as important as reading, districts, this is changing as the connection between the arts writing. math. science. history or geography. and learning becomes clear and evident. Well-known and More than half said they favored cuts in respected leaders now advocate the view put forth in 1984 administration or sports in order to pay for by John 1. Goodlad in A Place Called School, when he arts classes. The vast majority of parents want concluded that, "The arts are not an educational option; their children to have more experience with they are basic." the arts than they had when they were young. The value of arts education is now firmly grounded in Americans and the Arts 17. " Louis Harris. 1992 theory and research. Although the hard-nosed, scientific language used in studies is often lacking in literary eloquence, the evidence accumulated Is eloquent testimony to the remarkable relationship between learning, knowing, and the arts. 06/01/1998 17:20 2026825668 PCAH PAGE 04 The arts are serious and rigorous The arts have far-reaching potential to help academic subjects. They are an essential students achieve education goals. aspect of human knowing. The groundbreaking theory of multiple intelligences, developed by Howard Gardner of Harvard University, "Science will. produce the data but never the broadens our view of how humans learn and realize their full meaning. For perceiving real significance, we potentials. It shows that the arts can play a crucial role in shall need most of all the brains of poets, [and] improving students' ability to learn because they draw on also those of artists, musicians, philosophers a range of intelligences and learning styles, not just the distorians writers in general Lewis rhomas Sciential linguistic and logical-mathematical intelligences upon which most schools are based. The arts convey knowledge and meaning not learned Schools that incorporate music, art, drama, dance, and through the study of other subjects. They represent a form of creative writing into the basic curriculum have found that thinking and a way of knowing that is based In human teaching the arts has a significant effect on overall success in imagination and judgment. school. Because the arts are closely associated with important ideas and events in history, students who have a The arts delight students, but they are also intellectual good background in the arts are likely to have a richer disciplines of substance. Like language or mathematics, the source of information and insight to draw upon, compared arts involve the use of complex symbols to communicate. To to those who do not study the arts. attain competence in the arts, it is necessary to gain literacy with these symbol systems. Some, like music and painting, For example, students of the arts continue to use non-verbal symbols; others, like poetry and song, use outperform their non-arts peers on the Scholastic language in particular ways. Assessment Test, according to The College Entrance Examination Board. In 1995, SAT scores for students who Arts teachers daily ask their students to engage in studied the arts more than four years were 59 points higher learning activities which require use of higher-order on the verbal and 44 points higher on the math portion thinking skills like analysis, synthesis and evaluation. than students with no coursework or experience in the arts. Arts education, then, is first of all an activity of the mind. The College Board, Profile of SAT and Acbievement Test Takers, 1995 Creative activity is also a source of joy and wonder, It has also been documented that the arts have the while it bids Its students to touch and taste and hear and see potential to aid learning in specific areas, such as reading, the world. Children are powerfully affected by storytelling, writing, math and creativity. music, dance, and the visual arts. They often construct their understanding of the world around musical games, imaginative dramas and drawing. This view of the arts as important ways of knowing and constructing knowledge finds its roots most notably in the philosophical work of Ernst Cassirer, Susanne Langer and Nelson Goodman and in the theories of many cognitive scientists. Theories and Research That Support Art Instruction for Instrumental Outcomes, by Karen A. Hamblen, 1993 2 3 06/01/1998 17:20 2026825668 PCAH PAGE 05 Reading, Writing and Math Skills Can Be Vocabulary and reading comprehension were Enhanced Through the Arts significantly improved for elementary students in the "Arts Alternatives" program in New Jersey. A strong Many studies document the role of the arts in improving connection between drama skills and literacy was found in basic skills, the 3'Rs. Because of the mounting evidence this program, which involved role-playing, improvisational linking the arts to basic learning, some researchers refer to the arts as "The Fourth R." techniques and story writing activities. The Impact of an Improvisational Dramatics Program on Student Students improved an average of one to two Attitudes and Acbievement, by Annelle F. Courgey, Jason Bosseau, and Juditb Delgado, 1985 months in reading for each month they participated in the "Learning to Read Through the Arts" program The writing quality of elementary students was in New York City. Students' writing also improved, the study consistently and significantly improved by using revealed. "Learning to Read Through the Arts," an intensive, drawing and drama techniques, compared to the control integrated arts curriculum, has been designated a model group, which used only the discussion approach. Drama and program by the National Diffusion Network and has been drawing techniques allowed the student writer to test-out, adopted by numerous schools and districts across evaluate, revise and integrate ideas before writing begins, the country. thus significantly improving the results. Cbapter I Developer/Demonstratton Program: Learning to Read Through the Drama and Drawing for Narrative writing in Primary Grades, by Blaine H. Arts. 1992-93, Office of Educational Research, New York City Board of Moore and Helen Caldwell, 1993 Education, 1993, 1981, 1978 Students made significant gains over the control "Humanitas Program" students in Los Angeles high group in language mechanics, total language and schools wrote higher quality essays, showed more writing on the California Achievement Tests after conceptual understanding of history and made more participating in a special music and poetry program. interdisciplinary references than non-Humanitas Tbe Cognitive and Bebavioral Consequences of Using Music and Poetry In a students. Low-achieving students made gains equivalent Fourth Grade Language Arts Classroom, by Carolyn Carter Hudspetb. 1986 to those made by high-achieving students. The Humanitas program incorporates the arts into a broad humanities curriculum, drawing upon the relationship between literature, social studies and the arts. The program has reached 3,500 students in twenty high schools. The Humanitas Program Evaluation 1990-91, by Pamela Aschbacber and Joan Herman, 1991 The most gains in total reading, reading vocabulary and reading comprehension were made by elementary students in the "Spectra+" arts program in Ohio, compared to the control group. The students also scored better in math comprehension. The Schooled Mind: Do the Arts Mabe a Difference? All Empirical Evaluation of the Hamilton Pairfield SPECTRA Program. 1992-93. by Richard L. cuftig, 1994 4 5 06/01/1998 17:20 2026825668 PCAH PAGE 06 Creativity Is Naturally Developed concrete rewards of hard work. All these factors can Through the Arts encourage higher attendance and decrease drop-out rates. Every child has the innate urge and capacity to be "The process of studying and creating art in all artistically expressive. Arts education requires students to of its distinct forms defines those qualities that are draw upon their creative abilities and to deepen them, as at the heart of education reform in the 1990's - well. The benefit is that creative thinking, once learned early, creativity, perseverance, a sense of standards, lasts for a lifetime and can be applied in other endeavors. and above all, a striving for excellence Total creativity measures were four times higher U.S. Secretary of Education, Richard W. Biley for elementary students in an arts curriculum than for the control groups in two Ohio school districts. Gains were Classes were more interactive, there were more maintained and continued to improve in a second year student-initiated topics and discussions, more time evaluation. was devoted to literacy activities and problem-solving Tbe Schooled Mind: Do the Arts Make a Difference? An Empirical Evaluation of the Hamilton Fairfield SPECTRA+ Program, 1992-93, activities in schools using the arts-based "Different by Richard L. Luftig. 1994 Ways of Knowing" program. The program also produced significant positive effects on student achievement, Originality and imagination scores were motivation and engagement in learning. significantly higher for preschool children with Different ways of Knowing: 1991-94 National Longitudinal Study Final disabilities after participation in a dance program Report, by James S. Catterall. 1995 than for those participating In the adapted physical education program. Students see relationships, question and analyze Effect of a Dance Program on the Creativity of Preschool Handicapped material, and clearly articulate thoughts through the Children, by Danielle Jay, 1991 "Humanitas Program." These students also had significantly higher class attendance and were significantly "Pyramids, cathedrals and rockets exist not less likely to drop out of school. They reported more because of geometry, theories of structures or positive perceptions about their academic abilities than did a thermodynamics, but because they were first comparison group. Teachers reported an overall new a picture - literally a vision in the minds enthusiasm for teaching. of those who built them Historian Eugene Ferguson Tbe Humanisas Program Evaluation 1990-91. by Pamela Ascbbacher and Joan Herman, 1991 The open and exploratory nature of the arts lessons in New York City's "Arts Partners" program allowed students to explore their "regular" subject Student Engagement and Persistence areas more actively. The students drew upon their Improve with an Arts-Based Curriculum learning from the "core" disciplines for much of the content The arts can transform the classroom environment, for their art works, thus reinforcing academic achievement making learning a lively, invigorating experience. With their Arts and Cognition: A Study of the Relationship Between Arts Partners Programs and the Development of Higher Level Thinking Processes in emphasis on creative discovery and their ability to stimulate Elementary and Junior High School Students, by Carol Fineberg, 1991 a variety of learning styles, the arts engender enthusiasm and motivation for learning. The arts also teach discipline, the value of sustained effort to achieve excellence, and the 6 7 06/01/1998 17:20 2026825668 PCAH PAGE 07 9 High-Risk Students Helped Through the Arts Seventy-five percent of Manchester Craftsmen's Guild students go on to college. An after-school program for at-risk high school students at a community arts center "When I examine myself and my method of in Pittsburgh, the Guild's extraordinary success shows how thought, I come to the conclusion that the gift valuable community arts groups can be to school districts. of fantasy has meant more to me than my talent Safe Havens, Portraits of Educational Effectiveness in Community Art Centers for absorbing knowledge Albert Einstein that Focus on Education in Economically Disadvantaged Communities, by Jessica Dauls. 1993 Many students find that the arts help them master Fifth grade remedial readers using creative drama academic skills. Drawing helps writing. Song and poetry as a learning strategy scored consistently higher on make facts memorable. Drama makes history more vivid and the Metropolitan Reading Comprehension Test. The real. Creative movement makes processes understandable. drama readers' scores also showed a steady increase over This is doubly true for the high-risk student, who often the six-week period. The comparative group engaged in the excels for the first time in an arts program. same reading activities, followed by vocabulary lessons and Sometimes, the student who is not doing well in discussion of the story. traditional academics might have an artistic talent that has The Effectiveness of Creative Drama as an Instructional Strategy to not yet flowered. As the writers of The Fourth R point out: Enbance the Reading Comprehension Skills of Fiftb-Grade Remedial Readers, by Sberry DuPont, 1992 "Imagine what might happen to Leonardo da Vinci today If he were placed in the average American public school. This Drama techniques were an effective method for illegitimate son of a poor woman, a left-handed writer who promoting facility in English as a second language loved to draw and challenge conventional thought, would be among young children. The "drama group" exhibited labeled an at-risk special education candidate..." Schools significantly greater improvement than the control group in with an integrated arts curriculum might be better able to total verbal output. address the needs of students like da Vinci. Enbancing the Practice of Drama in Education Through Research, by Lawrence O'Farrell, 1993 High-risk elementary students with one year in the "Different Ways of Knowing" program gained 8 percentile points on standardized language arts tests; students with two years in the program gained Understanding of One's Self and Others 16 percentile points. Non-program students showed no Expands with Arts Education percentile gain in language arts. Students with three years in the program outscored non-program students with Based on what we know, what do students need in order significantly higher report card grades in the core subject to do well in school? Belief that success in school is possible areas of language arts, math, reading and social studies. is one of the most important factors for students. Positive self-perceptions have been shown repeatedly to aid the Participants showed significantly higher levels of engagement development of skills and learning. and increased beliefs that there Is value in personal effort for achievement. In total, 920 elementary students in 52 Related to self-concept is an understanding of others. classrooms were studied in this national longitudinal study Cultural studies challenge students to respond to the world, in Los Angeles, south Boston and Cambridge, Massachusetts. to look beyond themselves and to see the connectedness of Different Ways of Knowing: 1991-94 National Longlsudinal Study Final human society. The arts foster understanding of other Report, by James S. Catterall, 1995 cultures, their histories, symbols, myths, values and beliefs. 8 9 06/01/1998 17:20 2026825668 PCAH PAGE 08 Projections about the demographic composition of the The Arts Prepare Students for Jobs nited States in the next 40 years show that the "minority" opulation will soon be the majority population. These Skill requirements for all workers are going up, rejections have profound implications for educators, as including those in production and support jobs. In the ley prepare our children for tomorrow's world. modern business environment, the ability to communicate, adapt, diagnose problems and find creative solutions is more Students reported significantly improved attitudes important than ever before. These attributes can be nurtured elating to self-expression. trust, self-acceptance and honed through studying the arts. nd acceptance of others in the "Arts Alternatives" rogram in New Jersey. Arts education also plays a role in improving and be Impact of an Improvisational Dramatics Program on Student Attitudes maintaining a community's business climate. In a study of nd Achievement, by Annalte F. Gourgey, Jason Bosseau and Judith Delgado, 142 businesses, most agreed that cultural amenities, 985 including arts education, were important "quality of life" factors in their location decisions. Businesses say that I Attitudes and perceptions toward Native Americans schools are the most important vehicle for enhancing vere changed through arts instruction. In Arizona, awareness of and interest in the arts. nusic and cultural experiences were effective in diminishing A Study of the Perceptions of Business and Community Leaders Regarding ourth grade students' stereotypical views toward minority the Economic Importance of the Arts and Arts Education in Mississippi, cultures. by Jorja Pound Turnipseed, Giacamo M. Oliva, Charles A. Campbell and Steven C. Hardin, 1991 (orth American Indian Music Instruction: Influences upon Attitudes. Cultural Perceptions, and Acbievement, by Kay Louise Edwards. 1994 Communications skills were ranked as the second Self-concept is positively enhanced through the most important factor In hiring, a national employer arts, according to a review of 57 studies, as are study reveals. Employers look at educational levels and language acquisition, cognitive development, critical- certificates, but what is more important to employers is how thinking ability and social skills. The authors examined the applicant presents himself or herself, in terms of attitude studies of measurable results in the emotional and social and communication skills. development of children. The relationship between music Educational Quality of the Workforce National Employer Survey: First Findings, by Lisa Lynch and Robert Zemsby, 1995 participation and self-concept was strongly in evidence. The Effects of Arts and Music Education on Students' Self-Concept, Arts education aids achievement of "core by Jerry Trusty and Giacomo M. Olive, 1994 competencies" needed for employment, according to a U.S. Fifth grade students derived satisfaction from Labor Department's report (Secretary's Commission on their band experience regardless of their perception Achieving Necessary Skills, SCANS). The arts are cited as of their talents. In a study of six elementary schools in a important for certain "foundation" skills which include large suburban school district, students viewed their role as thinking creatively, problem solving, exercising individual band members as part of their identity and benefited from responsibility, sociability and self-esteem. both peer and adult recognition. The Elementary Band Experience as Viewed by Students, Parents, Teachers and Administrators. by Cyntbia Anne Leblanc, 1990 10 II 06/01/1998 17:20 2026825668 PCAH PAGE 09 RESOURCES FOR EDUCATORS AND PARENTS The $36 Billion Nonprofit Arts Industry Is A Source of Future Employment for Students Eloquent Evidence: Arts at the Core of Learning, by There are jobs in the arts! It is an industry that provides Elizabeth Murfee. We encourage broad distribution of this substantial employment opportunities, about 1.3 million jobs guide. Feel free to reproduce it and make it available to per year, a fact sometimes overlooked by educators. The anyone who would benefit from it. Each study has its own economic dimensions of the nonprofit arts sector are context and complexities that cannot be presented in this extensive at $36 billion. It jumps to $314 billion when the brief format. Additional coples can be obtained from the commercial arts sector is added. National Assembly of State Arts Agencies, 1010 Vermont Arts in the Local Economy, National Assembly of Local Arts Agencies, 1994 Avenue NW, Suite 920, Washington, DC 20005. 1992 State of the Arts Report. National Endowment for the Arts Schools, Communities, and the Arts: A Research "Out of a classroom of 30 children, maybe 10 will be Compendium, developed by the National Endowment for the employed in an arts-related occupation someday," says Arts in cooperation with the Morrison Institute for Public Rexford Brown of the Education Commission of the States. Policy, can be purchased in print and diskette versions by This factor alone shows the necessity of arts education in contacting the Kennedy Center Alliance for Arts Education each and every one of our nation's schools. Network, Education Department, the John F. Kennedy Center for the Performing Arts, Washington, DC 20566-0001, 202- 416-8845. Arts Education in Public Elementary and Secondary Schools, the most current survey of the conditions of arts education, can be obtained from the National Center for Education Statistics, U.S. Department of Education, Rm. 418, 555 New Jersey Avenue NW, Washington, DC 20208; or Goals 2000 Art: Partnership contact Judi Carpenter 202-219-1333. More than 100 national organizations From the The Basic School, A Community for Learning, by education, arts, corporate and private foundation, and Ernest Boyer, In which the arts are considered an essential government sectors have formed the Goals 2000 Arts understanding for all elementary school students, can be Education Partnership to ensure that the arts become purchased from California Princeton Fulfillment Services, a vital component of every child's education Chances 1445 Lower Ferry Road, Ewing, NJ 08618, 800-777-4726. are this booklet has found its way to you thanks to 2 Be Smart, Include Art: A Planning Kit for PTAs, member organization of this unique Partnership. can be obtained from The National PTA, 330 North Wabash For more information about the Goals 2000 Avenue, Suite 2100, Chicago, IL 60611. Partnership, including copies of The Arts and State and local arts agencies and state alliances for arts Education: Partners in Achieving Our National education are important, useful resources. They often have Education Goals, contact the Partnership's national abundant materials, resources, and expertise in arts office, c/o the Council of Chief State School Officers, education. One Massachusetts Avenue, NW, Suite 700, Washington, DC 20001. 12 2026825668 PCAH PAGE 10 PRESIDENT'S COMMITTEE ON THE ARTS AND THE HUMANITIES Hillary Rodham Clinton, Honorary Chair John Brademas, Chairman Peggy Cooper Cafritz, Vice Chair Cynthia Perrin Schneider, Vice Chair Terry Semel, Vice Chair Susan Barnes-Gelt Quincy Jones Lerone Bennett, Jr. Emily Malino Madeleine Harris Berman Robert Menschel Curt Bradbury Rita Moreno John H. Bryan Jaroslav Pelikan Hilario Candela Anthony Podesta Anne Cox Chambers Phyllis Rosen Margaret Corbett Daley Marvin Sadik Everett Fly Ann Sheffer David P. Gardner Raymond Smith Harvey Golub Isaac Stern Richard S. Gurin Dave Warren Irene Y. Hirano Shirley Wilhite David Henry Hwang Harold Williams William Ivey Federal Members: Jane Alexander Roger Kennedy James H. Billington Barl A. Powell III Joseph D. Duffey Richard W. Riley Diane B. Frankel Leslie Samuels Sheldon Hackney Lawrence Wilker 1. Michael Heyman Timothy Wirth Roger Johnson Ellen McCulloch-Lovell, Executive Director This publication is a joint project of the President's Committee on the Arts and the Humanitles and the National Assembly of State Arts Agencies, using material published by the National Endowment for the Arts. 11 is made possible through the generosity of the General Electric Fund. NATIONAL JASM ENDOWMENT GE NATIONAL Assembly FOR THE of STATE ARTS AGENCIES ARTS Written by Elizabeth Murfee First printing October 1995 Design by Cummings Advertising/Art, Inc. Second princing April 1996 Printed on recycled paper