Freer Gallery of Art and Arthur M. Sackler Gallery Search

painting

Dragon and Clouds

2 pp

[1] See Original Kakemono Reserved List, R. 561, pg. 16, Freer Gallery of Art and Arthur M. Sackler Gallery Archives, as well as Accession List, Collections Management Office.

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painting

Dragon and clouds

2 pp

[1] See Original Kakemono List, L. 434, pg. 115, Freer Gallery of Art and Arthur M. Sackler Gallery Archives.

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painting

[1] A note within the Purchase Details of the Accession List states: "Purchased by S. Bing for Mr. Freer's account at the Barboutau sale. June 17, 1904" (see Accession List, Collections Management office). See also, Reserved Screen List, R. 5, pg. 1, Freer Gallery of Art and Arthur M. Sackler Gallery Archives.

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painting

Dragon and waves

2 pp

[1] See Original Kakemono Reserved List, R. 561, pg. 16, Freer Gallery of Art and Arthur M. Sackler Gallery Archives, as well as Accession List, Collections Management Office.

#ld1-1643390182193-1643390185879-1

painting

Dragon emerging from clouds

[1] See Original Album List, pg. 1, Sketches by Hokusai, S.I. 4, Freer Gallery of Art and Arthur M. Sackler Gallery Archives.

#ld1-1643390182193-1643390184781-0

object

Dragon plaque

2 pp

[1] See Original Miscellaneous List, S.I. 1110, pg. 246, Freer Gallery of Art and Arthur M. Sackler Gallery Archives. See also, Voucher No. 18, December 1916.

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painting

Dragon, waves and clouds

Kobayashi Bunshichi 小林文七 (ca. 1861-1923) (C.L. Freer source)

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object

Dragon-head handle and ring (fragment)

[1] See Original Bronze List, S.I. 707, Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Abel William Bahr (1877-1959) was a collector and dealer born in Shanghai, China. After he left Shanghai in 1910, he lived, at various points in time, in London, Montreal, and Ridgefield, Connecticut. He established a gallery in New York City in 1920.

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object

Dragonfly and lotus plants

Strong graphic designs with vibrant colors are among the best tapestries of the Ming dynasty (1368-1644). The use of large blocks of color to create a bold design corresponds to a similar visual effect in fahua ceramics and in cloisonne. This composition of lotuses features one of the most respected and beloved flowers in Chinese lore. Rising fragrant and unsoiled out of muddy water, the lotus sym

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painting

Dragons and Clouds 雲龍図屏風（右隻）

[1] See Voucher No. 34, September 1905, as well as Original Screen List, S.I. 78, L. 105, Freer Gallery of Art and Arthur M. Sackler Gallery Archives.

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painting

Dragons and Clouds 雲龍図屏風（左隻）

[1] Undated folder sheet. See Voucher No. 34, September 1905, S.I. 78, Freer Gallery of Art and Arthur M. Sackler Gallery Archives.

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painting

Dragons in clouds

9 pp

[1] See Reserved Album List, pg. 1, Freer Gallery of Art and Arthur M. Sackler Gallery Archives. According to Ingrid Larsen, "'Don’t Send Ming or Later Pictures': Charles Lang Freer and the First Major Collection of Chinese Painting in an American Museum," Ars Orientalis vol. 40 (2011), Loon Gu Sai was possibly Lunguzhai, a store in the antiques district of Liulichang.

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Freer Gallery of Art and Arthur M. Sackler Gallery

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Dragon and Clouds

Dragon and clouds

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Dragon and waves

Dragon emerging from clouds

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Dragon, waves and clouds

Dragon-head handle and ring (fragment)

Dragonfly and lotus plants

Dragons and Clouds 雲龍図屏風（右隻）

Dragons and Clouds 雲龍図屏風（左隻）

Dragons in clouds