Freer Gallery of Art and Arthur M. Sackler Gallery Search

painting

Drunken poets

10 pp

[1] See Original Kakemono and Makimono List, L. 768, Freer Gallery of Art and Arthur M. Sackler Gallery Archives. This object exhibits seals, colophons, or inscriptions that could provide additional information regarding the object’s history; see Curatorial Remarks in the object record for further details.

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Dry Docks, Southampton

Whistler etchings are identified by "G" numbers as assigned in "James McNeill Whistler: The Etchings, a catalogue raisonne," by Margaret F. McDonald, Grischka Petri, Meg Hausberg, and Joanna Meacock (University of Glasgow, 2012), http://etchings.arts.gla.ac.uk. This print is G302 state 1 of 2.

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painting

Duanwu Festival painting of flowers and zongzi dumplings

[1] See Original Kakemono and Makimono List, L. 794, Freer Gallery of Art and Arthur M. Sackler Gallery Archives. This object exhibits seals, colophons, or inscriptions that could provide additional information regarding the object’s history; see Curatorial Remarks in the object record for further details.

#ld1-1643390182193-1643390188000-0

painting

Ducklings, rocks, and flowers

[1] See Original Album List, pg. 40, Freer Gallery of Art and Arthur M. Sackler Gallery Archives. This object exhibits seals, colophons, or inscriptions that could provide additional information regarding the object’s history; see Curatorial Remarks in the object record for further details.

#ld1-1643390182193-1643390187876-0

painting

Ducks

[1] Undated folder sheet note. See Original Kakemono List, L. 80, pg. 3, Freer Gallery of Art and Arthur M. Sackler Gallery Archives. The majority of Charles Lang Freer’s purchases from Yamanaka & Company were made at its New York branch. Yamanaka & Company maintained branch offices, at various times, in Boston, Chicago, London, Peking, Shanghai, Osaka, Nara, and Kyoto. During the summer, the comp

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painting

Ducks on the Autumn Stream

[1] See Original Kakemono and Makimono List, L. 1264, Freer Gallery of Art and Arthur M. Sackler Gallery Archives. See also, LVC Catalogue, 1915, No. 37.

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painting

Ducks, Torrent, and Overhanging Rocks

[1] See Original Kakemono and Makimono List, L. 994, Freer Gallery of Art and Arthur M. Sackler Gallery Archives.

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painting

Ducks, flowers, and quail

2 pp

Li Wenqing 李文卿 (ca. 1869-1931) (C.L. Freer source)

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painting

Duke Wen of Jin recovering his state

[1] See Original Kakemono and Makimono List, L. 817, Freer Gallery of Art and Arthur M. Sackler Gallery Archives. This object exhibits seals, colophons, or inscriptions that could provide additional information regarding the object’s history; see Curatorial Remarks in the object record for further details.

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sculpture

Durga Mahishasuramardini ("Slayer of the Buffalo Demon")

2 pp

Goddess Durga was created from the combined energy of the three most powerful Hindu gods--Shiva, Brahma, and Vishnu--in order to defeat a demon that was plaguing the universe. This image represents a heroic moment for the goddess: she has just conquered the terrifying demon Mahisha. In order to escape the goddess, Mahisha had taken the form of a buffalo. Durga saw right through this petty disguise

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painting

Durga fighting the rakshashas Shunga and Nishunga, from a Devi Mahatmya

Colonel Henry Bathurst Hanna (1839-1914) was an officer in the British military and a collector of Indian paintings. Born in Petersfield, Hampshire, England, Hanna’s family later moved to London, where he was baptized in 1851. Beginning in 1857, Hanna served as a commissioned officer in the Indian Army and retired with the rank of Colonel in 1889. After his retirement, he resided in London and Pet

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Eagle Wharf (Tyzac Whiteley and Co.)

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