Freer Gallery of Art and Arthur M. Sackler Gallery Search

painting

Snow clearing on mountains and rivers, after Wang Wei

7 pp

[1] See Original Kakemono and Makimono List, L. 669, Freer Gallery of Art and Arthur M. Sackler Gallery Archives. According to Ingrid Larsen, "'Don’t Send Ming or Later Pictures': Charles Lang Freer and the First Major Collection of Chinese Painting in an American Museum," Ars Orientalis vol. 40 (2011), Loon Gu Sai was possibly Lunguzhai, a store in the antiques district of Liulichang.

#ld1-1643390182193-1643390186529-0

painting

Snow-laden Pine Boughs

1 pp

[1] See Original Kakemono List, L. 336, pg. 83, Freer Gallery of Art and Arthur M. Sackler Gallery Archives.

#ld1-1643390182193-1643390184354-0

painting

Snow-laden branches of a plum-tree

1 pp

[1] See Original Kakemono and Makimono List, L. 1284, Freer Gallery of Art and Arthur M. Sackler Gallery Archives.

#ld1-1643390182193-1643390190687-0

painting

Snow-laden grasses and Snow-laden pine branches

1 pp

[1] Undated folder sheet note. See Original Kakemono List, S.I. 104, pg. 22, Freer Gallery of Art and Arthur M. Sackler Gallery Archives.

#ld1-1643390182193-1643390182740-0

painting

Snow-laden pine and shrub

1 pp

[1] See Original Kakemono List, L. 247, pg. 56, Freer Gallery of Art and Arthur M. Sackler Gallery Archives.

#ld1-1643390182193-1643390183859-0

painting

Snowscape after Guo Xi 《仿郭熙雪景圖》

2 pp

"Half the paintings by Guo Xi [circa 1001-1090] that I have seen are real and half are counterfeit. When I come across a real one, I study the real thing, and when I come across a counterfeit, I study the counterfeit as well. . . . In fact, everyone who appreciates my work considers me a true Heyang [Guo Xi], and I have always thought myself a true Heyang as well. Because of this, people compete t

#ld1-1643390182193-1643390189300-0

Soupe à Trois Sous

1 pp

Whistler etchings are identified by "G" numbers as assigned in "James McNeill Whistler: The Etchings, a catalogue raisonne," by Margaret F. McDonald, Grischka Petri, Meg Hausberg, and Joanna Meacock (University of Glasgow, 2012), http://etchings.arts.gla.ac.uk. This print is G64 state 1 of 1.

#ld1-1643390182193-1643390183260-0

painting

Southend Pier

2 pp

[1] See Original Whistler List, Paintings, pg. 20, Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Thomas Way Sr. and his son, Thomas Robert Way, were lithographers who worked closely with Whistler on several of his projects. They helped with the printing of his etchings, as well as the printing of Whistler’s promotional materials. Both Thomas Way Sr. and Thomas Robert Way owned many

#ld1-1643390182193-1643390184641-0

painting

Southend–Sunset

2 pp

[1] See Original Whistler List, Paintings, pg. 20B, Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Thomas Way Sr. and his son, Thomas Robert Way, were lithographers who worked closely with Whistler on several of his projects. They helped with the printing of his etchings, as well as the printing of Whistler’s promotional materials. Both Thomas Way Sr. and Thomas Robert Way owned many

#ld1-1643390182193-1643390185034-0