[1] See Original Album List, pg. 49, Freer Gallery of Art and Arthur M. Sackler Gallery Archives. By at least 1917, Tonying and Company maintained business locations in Shanghai, Beijing, Paris, London, and New York, NY.
[1] See Original Bronze List, L. 418, Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Abel William Bahr (1877-1959) was a collector and dealer born in Shanghai, China. After he left Shanghai in 1910, he lived, at various points in time, in London, Montreal, and Ridgefield, Connecticut. He established a gallery in New York City in 1920.
Whistler etchings are identified by "G" numbers as assigned in "James McNeill Whistler: The Etchings, a catalogue raisonne," by Margaret F. McDonald, Grischka Petri, Meg Hausberg, and Joanna Meacock (University of Glasgow, 2012), http://etchings.arts.gla.ac.uk. This print is G140 state 2 of 2.
Whistler etchings are identified by "G" numbers as assigned in "James McNeill Whistler: The Etchings, a catalogue raisonne," by Margaret F. McDonald, Grischka Petri, Meg Hausberg, and Joanna Meacock (University of Glasgow, 2012), http://etchings.arts.gla.ac.uk. This print is G101 state 3 of 14.
[2] Undated folder sheet note. See Original Bronze List, S.I. 1271, Freer Gallery of Art and Arthur M. Sackler Gallery Archives. For further details regarding the gift, see F1917.306.2a-f, Curatorial Remark 2, Louise Cort, July 8, 2010, in the object record.
[2] Undated folder sheet note. See Original Bronze List, S.I. 1271, Freer Gallery of Art and Arthur M. Sackler Gallery Archives. For further details regarding the gift, see F1917.306.2a-f, Curatorial Remark 2, Louise Cort, July 8, 2010, in the object record.
[2] Undated folder sheet note. See Original Bronze List, S.I. 1271, Freer Gallery of Art and Arthur M. Sackler Gallery Archives. For further details regarding the gift, see F1917.306.2a-f, Curatorial Remark 2, Louise Cort, July 8, 2010, in the object record.
[2] Undated folder sheet note. See Original Bronze List, S.I. 1271, Freer Gallery of Art and Arthur M. Sackler Gallery Archives. For further details regarding the gift, see F1917.306.2a-f, Curatorial Remark 2, Louise Cort, July 8, 2010, in the object record.