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22 Opening sequence
upright piano in one corner. In another corner, cages filled with
mice for medical experiments. KLEIN goes into bedroom. Unmade bed.
A rifle and some ammunition on a table. Clothes strewn all over the
floor. He looks in closet, pulls out a priest's robes and looks at
them. They're the only nicely kept thing in the place. (OS: Ferrie
was a defrocked novitiate priest of an esoteric church.) Puts them
back. In bathroom he finds globs of glue on mirror, where FERRIE puts
on his wig. Greasepaint, makeup kit on sink. Kitchen is also
cluttered with dirty dishes, mostly coffee cups, cigarette ash,
rotting food. KLEIN returns to living room, sits down to wait with
the others, says nothing. He looks up at an enormous map of Cuba on
wall across from him. Camera focuses on it.
Cut to FERRIE interrogation scene. (OS: You already have a draft of
that.) KLEIN and IVON bringing FERRIE into JIM's office.
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"ocrText": "22 Opening sequence\nupright piano in one corner. In another corner, cages filled with\nmice for medical experiments. KLEIN goes into bedroom. Unmade bed.\nA rifle and some ammunition on a table. Clothes strewn all over the\nfloor. He looks in closet, pulls out a priest's robes and looks at\nthem. They're the only nicely kept thing in the place. (OS: Ferrie\nwas a defrocked novitiate priest of an esoteric church.) Puts them\nback. In bathroom he finds globs of glue on mirror, where FERRIE puts\non his wig. Greasepaint, makeup kit on sink. Kitchen is also\ncluttered with dirty dishes, mostly coffee cups, cigarette ash,\nrotting food. KLEIN returns to living room, sits down to wait with\nthe others, says nothing. He looks up at an enormous map of Cuba on\nwall across from him. Camera focuses on it.\nCut to FERRIE interrogation scene. (OS: You already have a draft of\nthat.) KLEIN and IVON bringing FERRIE into JIM's office."
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