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Source Description
During the 1300s, elephant ivory was valued by courtly patrons as the most exquisite material for indicating the human form. At this time Paris was the center of production for luxury ivories like the example seen here. They were <br>much sought after by members of the court and aristocracy as emblems of wealth and status and signifiers of fashion and taste. This ivory, once forming a mirror back, depicts a man and woman engaged in a game of chess, a popular game at the time representing both love and war in medieval iconography. Various suggestions have been proposed for the identity of the couple—Tristan and Iseult or Lancelot and Guinevere—without certainty. Mirror backs survive in large numbers from the 1300s and typically depict amorous encounters or chivalrous behavior. They were produced for a secular clientele steeped in romantic literature and with an appetite for luxury objects.
Scholar Source Context
Document identity
localId
119014
label
Mirror Case with a Couple Playing Chess
core
obj
dtoType
object
pageCount
1
Source metadata
id
119014
contentType
object
title
Mirror Case with a Couple Playing Chess
description
During the 1300s, elephant ivory was valued by courtly patrons as the most exquisite material for indicating the human form. At this time Paris was the center of production for luxury ivories like the example seen here. They were <br>much sought after by members of the court and aristocracy as emblems of wealth and status and signifiers of fashion and taste. This ivory, once forming a mirror back, depicts a man and woman engaged in a game of chess, a popular game at the time representing both love and war in medieval iconography. Various suggestions have been proposed for the identity of the couple—Tristan and Iseult or Lancelot and Guinevere—without certainty. Mirror backs survive in large numbers from the 1300s and typically depict amorous encounters or chivalrous behavior. They were produced for a secular clientele steeped in romantic literature and with an appetite for luxury objects.
date
1325–50
rights
CC0
rightsUri
CC0
language
en
wikidata
Q60760219
genreSpecific
Ivory
imageCount
1
source
import
dimensionsRaw
Diameter: 10.2 x 1 cm (4 x 3/8 in.)
cul
France, Paris
accession
1940.12
Source extras
tec
ivory
tombstone
Mirror Case with a Couple Playing Chess, 1325–50. France, Paris. Ivory; diameter: 10.2 x 1 cm (4 x 3/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 1940.1200
collection
MED - Gothic
didYouKnow
Chess was a wildly popular pastime among the nobility, and was also an important element in medieval romantic literature. Who do you think is winning this game?
citations
citation
Longhurst, M.H. "The Eumorfopoulos Collection, Western Objects, II" <em>Apollo</em> 3 (May, 1926).
page_number
p. 262
citation
Brochard, Maud. “Les ivoires profanes parisiens du XIVe siècle: Artisanat du luxe et objets du quotidien.” In <em>Gothic Ivories between Luxury and Crisis</em>, edited by Manuela Studer-Karlen, pp. 33–55. Schweiz: Schwabe Verlag, 2024.
citation
Studer-Karlen, Manuela. “Les valves de miroir sculptées sur ivoire et la clientèle féminine.” In <em>Gothic Ivories between Luxury and Crisis</em>, edited by Manuela Studer-Karlen, pp. 203–224. Schweiz: Schwabe Verlag, 2024.
citation
Burlington Fine Arts Club, and Lessing J. Rosenwald Reference Collection (Library of Congress).<em> Catalogue of an Exhibition of Carvings in Ivory</em>. London: Priv. Print. for the Burlington Fine Arts Club, 1923.
page_number
no. 144
citation
Burlington Fine Arts Club, and J. G. Mann<em>. Catalogue of an Exhibition of Gothic Art in Europe (C. 1200-C. 1500). </em>London: Priv. Print. for the Burlington fine arts club, 1936.
page_number
no. 109, pl. XXV
citation
Williamson, George Charles. <em>The Book of Ivory. L</em>ondon: F. Muller, 1938.
page_number
p. 163
citation
Cheney, Thomas L. "A French Ivory Mirror-Back of the Fourteenth Century." <em>The Bulletin of the Cleveland Museum of Art</em> 28, no. 8 (1941).
page_number
pp. 124-5
citation
<em>Art News</em> (November 15-30, 1941).
page_number
p. 30
citation
Cheney, Thomas L. "A French Ivory Mirror-Back fo the Fourteenth Century," <em>Art Quarterly</em> (Autumn 1941).
page_number
pp. 333, 340-1
citation
Wixom, William D. <em>Treasures from Medieval France. </em>[Cleveland]: Cleveland Museum of Art, 1967.
page_number
Mentioned and reproduced: p. 206-207; cat.no. V-18
citation
Morewedge, Rosmarie Thee. <em>The Role of Woman in the Middle Ages: Papers of the Sixth Annual Conference of the Center for Medieval and Early Renaissance Studies, State University of New York at Binghamton, 6-7 May 1972. </em>Albany: State University of New York Press, 1975.
page_number
pp. 139-41
citation
Wack, Mary Frances.<em> Lovesickness in the Middle Ages: The Viaticum and Its Commentaries</em>. Philadelphia: University of Pennsylvania Press, 1990.
page_number
p. 69, fig. 3.6
citation
Randall, Richard H.<em> The Golden Age of Ivory: Gothic Carvings in North American Collections</em>. New York: Hudson Hills Press, 1993.
page_number
p. 123, cat. no. 184
citation
Barnet, Peter. <em>Images in Ivory: Precious Objects of the Gothic Age</em>. Detroit, MI: Detroit Institute of Arts, 1997.
page_number
Mentioned and Reproduced: p. 232-233
citation
"Front Matter." <em>Speculum</em> 78, no. 2 (2003).
page_number
cover
citation
Dressler, Rachel Ann. <em>Of Armor and Men in Medieval England: The Chivalric Rhetoric of Three English Knights' Effigies. </em>Aldershot, Hants, England: Ashgate, 2004.
page_number
fig. 63
citation
Cleveland Museum of Art, and Holger A. Klein. <em>Sacred Gifts and Worldly Treasures: Medieval Masterworks from the Cleveland Museum of Art.</em> Cleveland, Ohio: Cleveland Museum of Art, 2007.
page_number
cat. 66, p. 186
citation
Eikelmann, Renate, Holger A. Klein, Stephen N. Fliegel, and Virginia Brilliant. <em>The Cleveland Museum of Art: Meisterwerke von 300 bis 1550</em>. München: Hirmer, 2007.
page_number
pp. 202-2, no. 74
citation
Lam, Lylan. "Les vavles de miroir gothiques: sources littéraires et iconographie" in <em>Zeitschrift fur Kunstgeschichte</em> vol. 74, No. 3 (2011).
page_number
pp. 306-9, fig. 5
citation
Lowden, John, and Alexandra Gerstein.<em> Medieval and Later Ivories in the Courtauld Gallery: Complete Catalogue. </em>2013.
page_number
p. 134, fig. 1.5
citation
Gertsman, Elina and Barbara H. Rosenwein. <em>The Middle Ages in 50 Objects</em>. Cambridge: Cambridge University Press, 2018.
page_number
Mentioned: p. 142-145; Reproduced: p. 143
citation
Chiesi, Benedetta. "Avori Gotici." In <em>Gli Avori del Museo Nazionale del Bargello</em>, 199 -332. Ilaria Ciseri, et.al. Milano,Italia: Officina libraria, 2018.
page_number
Reproduced and mentioned; p. 297
citation
Kopp, V. & E. Lapina, "Games and Visual Culture in the Middle Ages and the Renaissance". <em>Studies in the History of Daily Life (800-1600) V</em>olume 8, Turnhout: Brepols Publishers, 2020.
page_number
pp. 221-23, 225, 230-31
creditline
Purchase from the J. H. Wade Fund
updatedAt
2026-05-29 06:09:11.101000
sourceId
119014
dept
Medieval Art
coll
MED - Gothic
med
ivory
thumbnail_url
image_url
Single page context
seq
1
pageIndex
0
type
photo
mediaId
fd077e531fc3d2ec