Portrait of John Churchill, 1st Duke of Marlborough
https://clevelandart.org/art/1949.549
Unlike fragile portrait miniatures painted in watercolor on vellum or ivory, which are prone to cracking, fading, and flaking, enamels are resilient, impervious to the effects of light, and retain their striking original colors over time. Partly for this reason enamel was cons...
Artifact
| id |
id
127232
|
|---|---|
| contentType |
contentType
object
|
| citation |
citation
|
| rights |
rights
CC0
|
| rightsUri |
rightsUri
CC0
|
| language |
language
en
|
| wikidata |
wikidata
[
"Q79907090"
]
|
| source |
source
import
|
| accession |
accession
1949.549
|
Source image fields (4)
| thumbnailUrl | https://openaccess-cdn.clevelandart.org/1949.549/1949.549_web.jpg |
|---|---|
| largeImageUrl | https://openaccess-cdn.clevelandart.org/1949.549/1949.549_web.jpg |
| iiifBase | https://openaccess-cdn.clevelandart.org/1949.549/1949.549_web.jpg |
| imageCount | 1 |
Terms
Culture
England, 18th century
Technique
enamel on copper in a gilt metal frame
Genre
Portrait Miniature
Department
European Painting and Sculpture
Relations
belongs_to