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Traditionally, young painters in Japan began their studies with an established master-painter. The master's compositions invariably became models that the apprentice copied to learn various ink and brush techniques. Shukuya was a pupil of the famous Kyoto artist Ikeno Taiga, whose style is reflected in these sketches of rocks, trees, and mountains.
Page data
- Page
- 1
- Source index
- 0
- Type
- photo
- Media ID
- 0607cf709d964d36
- Size
- unknown
Document data
- ID
- 149708
- Core
- obj
- Type
- object
DTO data
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"description": "Traditionally, young painters in Japan began their studies with an established master-painter. The master's compositions invariably became models that the apprentice copied to learn various ink and brush techniques. Shukuya was a pupil of the famous Kyoto artist Ikeno Taiga, whose style is reflected in these sketches of rocks, trees, and mountains.",
"date": "mid- to late 1700s",
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Document identity
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"label": "Reverberations of Taiga, Volume 1 (leaf 29)",
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Document source metadata
{
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Document source extras
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"tec": "double-leaf from a pair of albums; ink and light color on paper",
"tombstone": "Reverberations of Taiga, Volume 1 (leaf 29), mid- to late 1700s. Aoki Shukuya (Japanese, d. 1802). Double-leaf from a pair of albums; ink and light color on paper; album, closed: 28.3 x 33 cm (11 1/8 x 13 in.). The Cleveland Museum of Art, Andrew R. and Martha Holden Jennings Fund, 1979.73.1.29",
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Page context
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