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Source Description
Traditionally, young painters in Japan began their studies with an established master-painter. The master's compositions invariably became models that the apprentice copied to learn various ink and brush techniques. Shukuya was a pupil of the famous Kyoto artist Ikeno Taiga, whose style is reflected in these sketches of rocks, trees, and mountains.
Scholar Source Context
Document identity
localId
149727
label
Reverberations of Taiga, Volume 2 (leaf 12)
core
obj
dtoType
object
pageCount
1
Source metadata
id
149727
contentType
object
title
Reverberations of Taiga, Volume 2 (leaf 12)
description
Traditionally, young painters in Japan began their studies with an established master-painter. The master's compositions invariably became models that the apprentice copied to learn various ink and brush techniques. Shukuya was a pupil of the famous Kyoto artist Ikeno Taiga, whose style is reflected in these sketches of rocks, trees, and mountains.
date
mid- to late 1700s
rights
CC0
rightsUri
CC0
language
en
wikidata
Q60474196
creators
35683
genreSpecific
Portfolio
imageCount
1
source
import
dimensionsRaw
["Album","closed: 28.3 x 33 cm (11 1/8 x 13 in.)"]
cul
Japan, Edo period (1615–1868)
accession
1979.73.2.12
Source extras
tec
double-leaf from a pair of albums; ink and light color on paper
tombstone
Reverberations of Taiga, Volume 2 (leaf 12), mid- to late 1700s. Aoki Shukuya (Japanese, d. 1802). Double-leaf from a pair of albums; ink and light color on paper; album, closed: 28.3 x 33 cm (11 1/8 x 13 in.). The Cleveland Museum of Art, Andrew R. and Martha Holden Jennings Fund, 1979.73.2.12
collection
Japanese Art
formerAccessionNumbers
1979.73b.12
creditline
Andrew R. and Martha Holden Jennings Fund
updatedAt
2026-05-29 07:43:14.149000
sourceId
149727
dept
Japanese Art
coll
Japanese Art
med
double-leaf from a pair of albums; ink and light color on paper
creatorTags
male
thumbnail_url
image_url
Single page context
seq
1
pageIndex
0
type
photo
mediaId
1340dff2806b6c8a