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Source Description

Aoki Shukuya was a top student of painter Ike Taiga and took responsibility for Taiga’s stylistic legacy. A painting album by Taiga, part of which survives today in Kyoto in hanging scroll format, served as the source for this painting by Shukuya and the matching designs from a set of wood-block–printed volumes published in 1804. The postscript to the books, written and carved by the scholar Minagawa Kien (皆川淇園) (1735–1807), explains that Taiga produced the original album for his wife and fellow painter Tokuyama Gyokuran (徳山玉瀾) (1727/28–1784). <br><br>The final design in the first volume of the books and Shukuya’s corresponding painting include the text “viewing the moon from a river pavilion” (江楼賞月). The scene alludes to a poem by Tang dynasty (618–907) poet Zhao Gu (趙嘏) (Chinese, active mid-800s). In the poem, a person gazes at the moon from a riverside pavilion and reflects on the absence of a companion who had admired it with him at the same place the year before.

Scholar Source Context

Document identity
localId
149741
label
Reverberations of Taiga, Volume 2 (leaf 25)
core
obj
dtoType
object
pageCount
1
Source metadata
id
149741
contentType
object
title
Reverberations of Taiga, Volume 2 (leaf 25)
description
Aoki Shukuya was a top student of painter Ike Taiga and took responsibility for Taiga’s stylistic legacy. A painting album by Taiga, part of which survives today in Kyoto in hanging scroll format, served as the source for this painting by Shukuya and the matching designs from a set of wood-block–printed volumes published in 1804. The postscript to the books, written and carved by the scholar Minagawa Kien (皆川淇園) (1735–1807), explains that Taiga produced the original album for his wife and fellow painter Tokuyama Gyokuran (徳山玉瀾) (1727/28–1784). <br><br>The final design in the first volume of the books and Shukuya’s corresponding painting include the text “viewing the moon from a river pavilion” (江楼賞月). The scene alludes to a poem by Tang dynasty (618–907) poet Zhao Gu (趙嘏) (Chinese, active mid-800s). In the poem, a person gazes at the moon from a riverside pavilion and reflects on the absence of a companion who had admired it with him at the same place the year before.
date
mid-1700s–1802
rights
CC0
rightsUri
CC0
language
en
wikidata
Q60474235
creators
35683
genreSpecific
Portfolio
imageCount
1
source
import
dimensionsRaw
["Album","closed: 28.3 x 33 cm (11 1/8 x 13 in.)"]
cul
Japan, Edo period (1615–1868)
accession
1979.73.2.25
Source extras
tec
double-leaf from a pair of albums; ink and light color on paper
tombstone
(大雅餘韻): Reverberations of Taiga, Volume 2 (leaf 25), mid-1700s–1802. Aoki Shukuya (Japanese, d. 1802). Double-leaf from a pair of albums; ink and light color on paper; album, closed: 28.3 x 33 cm (11 1/8 x 13 in.). The Cleveland Museum of Art, Andrew R. and Martha Holden Jennings Fund, 1979.73.2.25
seriesInOriginalLanguage
大雅餘韻
collection
Japanese Art
inscriptions
inscription
江楼賞月
inscription_translation
viewing the moon from a river pavilion
inscription_remark
The scene alludes to a poem by Tang-dynasty (618–907) poet Zhao Gu (趙嘏) (Chinese, active mid-800s). In the poem, a person gazes at the moon from a riverside pavilion and reflects on the absence of a companion who had admired it with him at the same place the year before.
sortorder
1
formerAccessionNumbers
1979,73b.25
didYouKnow
Traditionally, young painters in Japan began their studies with an established master painter. The master's compositions invariably became models that the apprentice copied to learn various ink and brush techniques.
creditline
Andrew R. and Martha Holden Jennings Fund
updatedAt
2026-06-17 12:46:59.760000
sourceId
149741
dept
Japanese Art
coll
Japanese Art
med
double-leaf from a pair of albums; ink and light color on paper
creatorTags
male
thumbnail_url
image_url
Single page context
seq
1
pageIndex
0
type
photo
mediaId
714c0c107195d6b4