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Source Description
The central subject is an enthroned ruler surrounded by couriers and musicians. The wide border is filled with an elaborately animated Kufic inscription in which the shafts of the letters terminate in human busts, representing musicians and warriors; various animals; and human hands, holding a variety of symbolic objects. This complex inscription has not yet been deciphered; it appears to be in Persian and to contain only benedictory phrases.<br><br>Around the outside of the rim, an Arabic inscription, in <em>nashki </em>letters, reads: "You elevated one [of God's] creature[s] and he has ruled with good fortune and blessing and happiness and security and felicity and victory." <br><br>That the scene does not refer to a specific royal personage but is rather only a representation of the abstract concept of the "Heavenly Banquet" as a symbol of apotheosis indicated by the banner held over the head of the enthroned figure, which actually proclaims this vessel to be "the work of Ibrahim the Decorator [or the Engraver]."
Scholar Source Context
Document identity
localId
149945
label
Salver
core
obj
dtoType
object
pageCount
1
Source metadata
id
149945
contentType
object
title
Salver
description
The central subject is an enthroned ruler surrounded by couriers and musicians. The wide border is filled with an elaborately animated Kufic inscription in which the shafts of the letters terminate in human busts, representing musicians and warriors; various animals; and human hands, holding a variety of symbolic objects. This complex inscription has not yet been deciphered; it appears to be in Persian and to contain only benedictory phrases.<br><br>Around the outside of the rim, an Arabic inscription, in <em>nashki </em>letters, reads: "You elevated one [of God's] creature[s] and he has ruled with good fortune and blessing and happiness and security and felicity and victory." <br><br>That the scene does not refer to a specific royal personage but is rather only a representation of the abstract concept of the "Heavenly Banquet" as a symbol of apotheosis indicated by the banner held over the head of the enthroned figure, which actually proclaims this vessel to be "the work of Ibrahim the Decorator [or the Engraver]."
date
1100s
rights
CC0
rightsUri
CC0
language
en
wikidata
Q79931803
genreSpecific
Metalwork
imageCount
1
source
import
dimensionsRaw
Diameter: 58 cm (22 13/16 in.)
cul
Afghanistan, Ghaznavid Period, 12th Century
accession
1980.179
Source extras
tec
brass
tombstone
Salver, 1100s. Afghanistan, Ghaznavid Period, 12th Century. Brass; diameter: 58 cm (22 13/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 1980.179
collection
Islamic Art
inscriptions
inscription
amal-e ibrahim-e naqqash
inscription_translation
Signed: Work of Ibrahim the Decorator
sortorder
1
inscription
nawwahtum khalqan fa-sara bi'l-yamini wa'l-barakati wa'l-suroori wa'l-salamati wa'l-su'adati wa' l-nusrati
inscription_translation
Inscription: You elevated one [of God's] creature[s] and he has ruled with good fortune and blessing and happiness and security and felicity and victory.
inscription_remark
Arabic inscription in nashki script
sortorder
2
inscription
Undeciphered inscription in stylized Kufic script with human-headed, animal-headed, and foliated terminals
sortorder
3
didYouKnow
The distinctively horned hats are seen on other artworks of the Ghaznavid period (977–1186).
citations
citation
Lee, Sherman E. “The Year in Review for 1980.” <em>The Bulletin of the Cleveland Museum of Art</em> 68, no. 6 (June 1981): 163–219.
page_number
Mentioned: p. 211, no. 16; Reproduced: p. 184, no. 16
citation
<em>Handbook of the Cleveland Museum of Art</em>. Cleveland, OH: The Museum, 1991.
page_number
Mentioned and Reproduced: p. 29
creditline
John L. Severance Fund
updatedAt
2026-05-29 07:44:02.967000
sourceId
149945
dept
Islamic Art
coll
Islamic Art
med
brass
thumbnail_url
image_url
Single page context
seq
1
pageIndex
0
type
photo
mediaId
70cac32b10ba2aa5