Ask the Scholar

Document scope · 1 page
obj
Scholar
Ask about this object, its catalog metadata, its source description, or the page inventory. For page-specific OCR and visual context, open one of the page chats.

Source Description

Elite Xhosa women once wore beaded garments like this on festive occasions. Made almost completely from imported Venetian or Bohemian glass beads, they were overt status symbols. Imported beads functioned as money for the Xhosa between circa 1770 and 1829. These garments’ female maker carefully selected beads of the highest quality, uniform in color, shape, and size.

Scholar Source Context

Document identity
localId
456953
label
Royal ceremonial beadwork: anklet (izitsaba)
core
obj
dtoType
object
pageCount
1
Source metadata
id
456953
contentType
object
title
Royal ceremonial beadwork: anklet (izitsaba)
description
Elite Xhosa women once wore beaded garments like this on festive occasions. Made almost completely from imported Venetian or Bohemian glass beads, they were overt status symbols. Imported beads functioned as money for the Xhosa between circa 1770 and 1829. These garments’ female maker carefully selected beads of the highest quality, uniform in color, shape, and size.
date
1800s
rights
CC0
rightsUri
CC0
language
en
wikidata
Q117247292
genreSpecific
Mixed Media
imageCount
1
source
import
dimensionsRaw
Overall: 27.9 x 8.9 cm (11 x 3 1/2 in.)
cul
Africa, Southern Africa, South Africa, Southeast Cape Region, Unknown female Xhosa-style maker(s)
accession
2022.49.d
Source extras
tec
Glass beads and sinew
tombstone
Royal ceremonial beadwork: anklet (izitsaba), 1800s. Africa, Southern Africa, South Africa, Southeast Cape Region, Unknown female Xhosa-style maker(s). Glass beads and sinew; overall: 27.9 x 8.9 cm (11 x 3 1/2 in.). The Cleveland Museum of Art, Severance and Greta Millikin Trust, 2022.49.d
collection
African Art
didYouKnow
The beads to make an ensemble like this cost several cattle in the early 1800s, an amount most couldn't afford.
citations
citation
Pemberton, John. <em>African Beaded Art: Power and Adornment</em>. Northampton, Mass: Smith College Museum of Art, 2008.
page_number
pp. 170-172
creditline
Severance and Greta Millikin Trust
updatedAt
2026-05-29 09:04:58.524000
sourceId
456953
dept
African Art
coll
African Art
med
Glass beads and sinew
thumbnail_url
image_url
Single page context
seq
1
pageIndex
0
type
photo
mediaId
6911355813be87b7