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Source Description
This pair of sake pourers adorned with with bamboo and bellflowers is attributed to the founder of the Seifū Studio, Seifū Yohei I (1801–1861).<br><br>Yohei I, the lineage founder, was born to the Yasuda family in the city of Kanazawa, which faces the Sea of Japan. His home province of Kaga (in present-day Ishikawa Prefecture) produced its own ceramics, known as Kutani ware, but for his training as a potter, Yohei I chose Kyoto, which produced the more technically advanced porcelain ware. He moved to Kyoto around the 1820s and became apprenticed to Nin’ami Dohachi, a leading potter in the city. He later struck out on his own, and it is likely that his teacher gave him the name Seifu Yohei. His works include many exquisitely painted copies of Chinese porcelain, and he also produced stoneware with overglaze color enamels that emulated works in the style of Ogata Kenzan (1663–1743) at which his teacher excelled.
Scholar Source Context
Document identity
localId
520244
label
Sake Pourer with Bellflowers
core
obj
dtoType
object
pageCount
1
Source metadata
id
520244
contentType
object
title
Sake Pourer with Bellflowers
description
This pair of sake pourers adorned with with bamboo and bellflowers is attributed to the founder of the Seifū Studio, Seifū Yohei I (1801–1861).<br><br>Yohei I, the lineage founder, was born to the Yasuda family in the city of Kanazawa, which faces the Sea of Japan. His home province of Kaga (in present-day Ishikawa Prefecture) produced its own ceramics, known as Kutani ware, but for his training as a potter, Yohei I chose Kyoto, which produced the more technically advanced porcelain ware. He moved to Kyoto around the 1820s and became apprenticed to Nin’ami Dohachi, a leading potter in the city. He later struck out on his own, and it is likely that his teacher gave him the name Seifu Yohei. His works include many exquisitely painted copies of Chinese porcelain, and he also produced stoneware with overglaze color enamels that emulated works in the style of Ogata Kenzan (1663–1743) at which his teacher excelled.
date
c. 1844–57
rights
CC0
rightsUri
CC0
language
en
wikidata
Q119486905
creators
446644
genreSpecific
Ceramic
imageCount
1
source
import
cul
Japan, Edo period (1615–1868)
accession
2022.143.2
Source extras
tec
one of a pair of sake flasks; stoneware with white slip, underglaze blue and gold repair (kintsugi) (Kyoto ware)
tombstone
Sake Pourer with Bellflowers (徳利), c. 1844–57. Attributed to Seifū Yohei I (Japanese, 1801–1861). One of a pair of sake flasks; stoneware with white slip, underglaze blue and gold repair (kintsugi) (Kyoto ware). The Cleveland Museum of Art, Gift of James and Christine Heusinger, 2022.143.2
titleInOriginalLanguage
徳利
collection
Japanese Art
inscriptions
inscription
The storage box for the pair of vessels is inscribed and impressed with seals.
sortorder
1
didYouKnow
<em>Kintsugi</em> is the Japanese art of repairing broken pottery by mending the areas of breakage with urushi lacquer dusted or mixed with powdered gold.
creditline
Gift of James and Christine Heusinger
updatedAt
2026-05-29 09:07:39.507000
sourceId
520244
dept
Japanese Art
coll
Japanese Art
med
one of a pair of sake flasks; stoneware with white slip, underglaze blue and gold repair (kintsugi) (Kyoto ware)
creatorTags
male
thumbnail_url
image_url
Single page context
seq
1
pageIndex
0
type
photo
mediaId
2bea6120363ae658