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Source Description
Navajo blankets are splendid microcosms of the Southwest’s cultural richness. This example has two old Navajo designs: the terraced diamond and the striped moki pattern. Moki’s origin is unclear. It may have come from Pueblo peoples, from whom the Navajo learned weaving after migrating to the Southwest from Canada. Or it could have come from the Spaniards, who arrived in the Southwest in 1540, not long after the Navajo. Though the patterns are old, the blanket was created around 1900 when Navajo weavers began to innovate for the Anglo market, and wearing-blankets, which were worn around the shoulders, became rugs sold to outsiders. In Navajo legend, weaving is connected to the mythic Spider-Woman, who on her loom wove the universe from cosmic materials. Weaving, then, is an activity charged with meaning. The Navajo place emphasis not so much on the final product but on the process, which they regard as a means of creating beauty and projecting it onto the world.
Scholar Source Context
Document identity
localId
97991
label
Hubbell Revival-Style Rug with Moki (Moqui) Stripes
core
obj
dtoType
object
pageCount
1
Source metadata
id
97991
contentType
object
title
Hubbell Revival-Style Rug with Moki (Moqui) Stripes
description
Navajo blankets are splendid microcosms of the Southwest’s cultural richness. This example has two old Navajo designs: the terraced diamond and the striped moki pattern. Moki’s origin is unclear. It may have come from Pueblo peoples, from whom the Navajo learned weaving after migrating to the Southwest from Canada. Or it could have come from the Spaniards, who arrived in the Southwest in 1540, not long after the Navajo. Though the patterns are old, the blanket was created around 1900 when Navajo weavers began to innovate for the Anglo market, and wearing-blankets, which were worn around the shoulders, became rugs sold to outsiders. In Navajo legend, weaving is connected to the mythic Spider-Woman, who on her loom wove the universe from cosmic materials. Weaving, then, is an activity charged with meaning. The Navajo place emphasis not so much on the final product but on the process, which they regard as a means of creating beauty and projecting it onto the world.
date
c. 1890–1910
citation
rights
CC0
rightsUri
CC0
language
en
wikidata
Q79482934
genreSpecific
Textile
imageCount
1
source
import
dimensionsRaw
Overall: 194.8 x 138.4 cm (76 11/16 x 54 1/2 in.)
cul
America, Native North American, Southwest, Navajo (Dine), female artist
accession
1917.62
Source extras
tec
Wool (Germantown): tapestry weave
tombstone
Hubbell Revival-Style Rug with Moki (Moqui) Stripes, c. 1890–1910. America, Native North American, Southwest, Navajo (Dine), female artist. Wool (Germantown): tapestry weave; overall: 194.8 x 138.4 cm (76 11/16 x 54 1/2 in.). The Cleveland Museum of Art, Gift of Mrs. L. E. Holden, 1917.62
collection
T - Native North American
citations
citation
"Accessions." <em>The Bulletin of the Cleveland Museum of Art</em> 4, no. 4 (1917): 64-67.
page_number
Mentioned: p. 64
citation
Sims, Lowery Stokes. The persistence of geometry: form, content, and culture in the collection of the Cleveland Museum of Art. Cleveland: Cleveland Museum of Art, 2006.
page_number
p. 88 & 118, No. 62
creditline
Gift of Mrs. L. E. Holden
updatedAt
2026-05-29 05:17:21.945000
sourceId
97991
dept
Textiles
coll
T - Native North American
med
Wool (Germantown): tapestry weave
thumbnail_url
image_url
Single page context
seq
1
pageIndex
0
type
photo
mediaId
ae43e91243893006