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Arabic script was included in many Italian silk patterns during the 1300s and early 1400s. Usually a few unintelligible but decorative Arabic letters were repeated in the design, but here, the pseudo-Arabic script is prominently displayed in the scalloped bands that support trefoil palmettes. Dogs and birds are incorporated into the pattern in an Italian fashion. During the 1300s and 1400s, Arabic script was featured in luxurious silks woven in Islamic territories, where it symbolized royal power. Spain, Egypt, and to a lesser extent the former Islamic territory of Sicily all produced examples that could have influenced the international silk style created by Italian silk designers. In addition, weavers may also have reinforced the fashion; they migrated from Sicily to the silk-weaving city of Lucca and subsequently to Venice. In Italian painting, pseudo-Arabic script not only decorated the border of the Virgin's mantle, but it was also repeated in silks displayed in the backgrounds.

Page data

Page
1
Source index
0
Type
photo
Media ID
ee89db2e79c2df6b
Size
unknown

Document data

ID
99536
Core
obj
Type
object
DTO data
{
    "id": "99536",
    "contentType": "object",
    "title": "Silk with Dogs and Arabic Script in Swaying Bands",
    "description": "Arabic script was included in many Italian silk patterns during the 1300s and early 1400s. Usually a few unintelligible but decorative Arabic letters were repeated in the design, but here, the pseudo-Arabic script is prominently displayed in the scalloped bands that support trefoil palmettes. Dogs and birds are incorporated into the pattern in an Italian fashion. During the 1300s and 1400s, Arabic script was featured in luxurious silks woven in Islamic territories, where it symbolized royal power. Spain, Egypt, and to a lesser extent the former Islamic territory of Sicily all produced examples that could have influenced the international silk style created by Italian silk designers. In addition, weavers may also have reinforced the fashion; they migrated from Sicily to the silk-weaving city of Lucca and subsequently to Venice. In Italian painting, pseudo-Arabic script not only decorated the border of the Virgin's mantle, but it was also repeated in silks displayed in the backgrounds.",
    "date": "1370–1400",
    "citation": "https://clevelandart.org/art/1919.17.a",
    "rights": "CC0",
    "rightsUri": "CC0",
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    "largeImageUrl": "https://openaccess-cdn.clevelandart.org/1919.17.a/1919.17.a_web.jpg",
    "imageCount": 1,
    "source": "import",
    "dimensionsRaw": "Overall: 30.2 x 31.1 cm (11 7/8 x 12 1/4 in.); Mounted: 46.4 x 69.2 cm (18 1/4 x 27 1/4 in.)",
    "cul": [
        "Italy, last third of 14th century"
    ],
    "accession": "1919.17.a"
}

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Document identity
{
    "localId": "99536",
    "label": "Silk with Dogs and Arabic Script in Swaying Bands",
    "core": "obj",
    "dtoType": "object"
}
Document source metadata
{
    "id": "99536",
    "contentType": "object",
    "title": "Silk with Dogs and Arabic Script in Swaying Bands",
    "description": "Arabic script was included in many Italian silk patterns during the 1300s and early 1400s. Usually a few unintelligible but decorative Arabic letters were repeated in the design, but here, the pseudo-Arabic script is prominently displayed in the scalloped bands that support trefoil palmettes. Dogs and birds are incorporated into the pattern in an Italian fashion. During the 1300s and 1400s, Arabic script was featured in luxurious silks woven in Islamic territories, where it symbolized royal power. Spain, Egypt, and to a lesser extent the former Islamic territory of Sicily all produced examples that could have influenced the international silk style created by Italian silk designers. In addition, weavers may also have reinforced the fashion; they migrated from Sicily to the silk-weaving city of Lucca and subsequently to Venice. In Italian painting, pseudo-Arabic script not only decorated the border of the Virgin's mantle, but it was also repeated in silks displayed in the backgrounds.",
    "date": "1370–1400",
    "citation": "https://clevelandart.org/art/1919.17.a",
    "rights": "CC0",
    "rightsUri": "CC0",
    "language": "en",
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    "thumbnailUrl": "https://openaccess-cdn.clevelandart.org/1919.17.a/1919.17.a_web.jpg",
    "largeImageUrl": "https://openaccess-cdn.clevelandart.org/1919.17.a/1919.17.a_web.jpg",
    "imageCount": 1,
    "source": "import",
    "dimensionsRaw": "Overall: 30.2 x 31.1 cm (11 7/8 x 12 1/4 in.); Mounted: 46.4 x 69.2 cm (18 1/4 x 27 1/4 in.)",
    "cul": [
        "Italy, last third of 14th century"
    ],
    "accession": "1919.17.a"
}
Document source extras
{
    "tec": "silk and silver thread; a combination of two weaves, 2/1 twill and 1/5 twill (lampas)",
    "tombstone": "Silk with Dogs and Arabic Script in Swaying Bands, 1370–1400. Italy, last third of 14th century. Silk and silver thread; a combination of two weaves, 2/1 twill and 1/5 twill (lampas); overall: 30.2 x 31.1 cm (11 7/8 x 12 1/4 in.); mounted: 46.4 x 69.2 cm (18 1/4 x 27 1/4 in.). The Cleveland Museum of Art, Dudley P. Allen Fund, 1919.17.a",
    "collection": "Textiles",
    "url": "https://clevelandart.org/art/1919.17.a",
    "creditline": "Dudley P. Allen Fund",
    "updatedAt": "2026-05-29 05:22:34.961000",
    "imageUrl": "https://openaccess-cdn.clevelandart.org/1919.17.a/1919.17.a_print.jpg",
    "sourceId": 99536,
    "dept": "Textiles",
    "coll": "Textiles",
    "med": "silk and silver thread; a combination of two weaves, 2/1 twill and 1/5 twill (lampas)",
    "thumbnail_url": null,
    "image_url": null
}
Page context
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