The Annunciation

c. 1503–5 Source image
https://clevelandart.org/art/1959.99.8

Dürer’s Gabriel is no humble messenger: he commands the space with rippling drapery and an expansive spread of wings. Indeed, it is Mary who seems submissive, dwarfed by the massive architecture and her new responsibility as the mother of God. The grand setting underscores the...

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1959.99.8
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