Ask the Scholar

Document scope · 1 page
obj
Scholar
Ask about this object, its catalog metadata, its source description, or the page inventory. For page-specific OCR and visual context, open one of the page chats.

Source Description

Vajradhara, the primordial Buddha, is considered to be the original teacher of the tantric Buddhist (Vajrayana) teachings. Blue in color, he holds a vajra (a ritual scepter identified as masculine, and symbolizing compassionate action) and a bell (identified as feminine, and symbolizing wisdom). Crossing his hands, he expresses the union of these qualities in the state of enlightenment.Here, Vajradhara is flanked by two wrathful goddesses and is surrounded by mahasiddhas: great tantric practitioners who attained both special powers and spiritual enlightenment, usually through unconventional means. In the second row from the top, the figure on the far left is Virupa, who halts the sun’s movement with his raised hand; fond of drink, he had promised to pay his tavern bill once the sun set, so he prevented it from setting. On the right, the fifth figure from the top is Anangavajra, who had a vision of the Buddha as he was herding swine, a task his guru had assigned to him. Here, he holds a boar’s forelegs as he grasps a knife, while a golden Buddha image hovers before him. The reclining figure on the bottom row is Bhusuku, a lazy monk who regularly skipped recitation at his monastery, but was granted great wisdom by the bodhisattva Manjushri. Each mahasiddha belongs to a tantric lineage that traces its teachings to Vajradhara.

Scholar Source Context

Document identity
localId
11857
label
Vajradhara with Mahasiddhas
core
obj
dtoType
drawing
pageCount
1
Source metadata
id
11857
contentType
drawing
stage
normalized
title
Vajradhara with Mahasiddhas
description
Vajradhara, the primordial Buddha, is considered to be the original teacher of the tantric Buddhist (Vajrayana) teachings. Blue in color, he holds a vajra (a ritual scepter identified as masculine, and symbolizing compassionate action) and a bell (identified as feminine, and symbolizing wisdom). Crossing his hands, he expresses the union of these qualities in the state of enlightenment.Here, Vajradhara is flanked by two wrathful goddesses and is surrounded by mahasiddhas: great tantric practitioners who attained both special powers and spiritual enlightenment, usually through unconventional means. In the second row from the top, the figure on the far left is Virupa, who halts the sun’s movement with his raised hand; fond of drink, he had promised to pay his tavern bill once the sun set, so he prevented it from setting. On the right, the fifth figure from the top is Anangavajra, who had a vision of the Buddha as he was herding swine, a task his guru had assigned to him. Here, he holds a boar’s forelegs as he grasps a knife, while a golden Buddha image hovers before him. The reclining figure on the bottom row is Bhusuku, a lazy monk who regularly skipped recitation at his monastery, but was granted great wisdom by the bodhisattva Manjushri. Each mahasiddha belongs to a tantric lineage that traces its teachings to Vajradhara.
provenance
Chino Ronconi, Paris [date and mode of acquisition unknown]; John and Berthe Ford, Baltimore, November 1992, by purchase.
date
ca. 1400
rightsUri
CC0
language
en
genreSpecific
Painting & Drawing
paintings
tangkas
tankas
thangkas
thankas
imageCount
1
pageCount
1
source
import
dimensions
units
cm
width
59.1
height
50.2
dimensionsRaw
H: 23 1/4 x W: 19 3/4 in. (59.1 x 50.2 cm)
Source extras
cul
Buddhist
med
tempera and gold on cloth
creator_ids
6868
collection_ids
INT
exhibition_ids
2641
2071
Single page context
seq
1
pageIndex
0
type
photo
mediaId
0618d8df2400a49d