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Source Description

Saint Jerome, best known in history as a scholar who made a translation of parts of the bible into a standard Latin that had a long-lasting impact on its interpretation, may also be represented as a penitent who spent four years in the Syrian desert as a hermit. To expel lascivious thoughts of young women, he beat his breast, and he grew spiritually strong through long hours of study. Though the saint is usually represented in his desert retreat, here he is shown in timeless isolation.The mantel he draps around him is a wonder of rhythmic folds that fall naturalistically yet in an intriguing pattern.This panel, together with other half-length depictions of saints, was made in 1468 for an altarpiece in the church of Santa Giustina in Venice. There is another panel from the altarpiece in the National Gallery of Art in Washington D.C.

Scholar Source Context

Document identity
localId
13974
label
Saint Jerome in Penitence
core
obj
dtoType
drawing
pageCount
2
Source metadata
id
13974
contentType
drawing
stage
normalized
title
Saint Jerome in Penitence
description
Saint Jerome, best known in history as a scholar who made a translation of parts of the bible into a standard Latin that had a long-lasting impact on its interpretation, may also be represented as a penitent who spent four years in the Syrian desert as a hermit. To expel lascivious thoughts of young women, he beat his breast, and he grew spiritually strong through long hours of study. Though the saint is usually represented in his desert retreat, here he is shown in timeless isolation.The mantel he draps around him is a wonder of rhythmic folds that fall naturalistically yet in an intriguing pattern.This panel, together with other half-length depictions of saints, was made in 1468 for an altarpiece in the church of Santa Giustina in Venice. There is another panel from the altarpiece in the National Gallery of Art in Washington D.C.
provenance
Don Marcello Massarenti Collection, Rome [date and mode of acquisition unknown] [1881 catalogue: no. 62; 1897 catalogue: no. 402, as Francesco Squarcione]; Henry Walters, Baltimore, 1902, by purchase; Walters Art Museum, 1931, by bequest.
date
1468 (early Renaissance)
rightsUri
CC0
language
en
genreSpecific
Painting & Drawing
oil paintings (visual works)
imageCount
2
pageCount
2
source
import
dimensions
units
cm
width
49.2
height
27.3
depth
1.4
dimensionsRaw
Painted surface H: 19 3/8 x W: 10 3/4 x Approx. D: 9/16 in. (49.2 x 27.3 x 1.4 cm)
Source extras
med
oil on panel
creator_ids
2258
collection_ids
REN
exhibition_ids
none
Page inventory
seq
1
type
photo
mediaId
9d969971137d4071
hasOcr
no
hasDescription
no
seq
2
type
photo
mediaId
77b3be478413875f
hasOcr
no
hasDescription
no