Ask the Scholar
Document scope · 1 page
Scholar
Ask about this object, its catalog metadata, its source description, or the page inventory.
For page-specific OCR and visual context, open one of the page chats.
Source Description
Avalokiteshvara, bodhisattva of compassion, watches over all living beings, helping them toward spiritual liberation. Holding a lotus and prayer beads with his upper hands and joining his lower hands in the gesture of respectful greeting, he is accompanied (at left) by the yellow-skinned bodhisattva Manidhara, who holds two blue lotuses, and (at right) by the goddess Shadakshari, whose white color and attributes match those of Avalokiteshvara.In the Buddhist tradition, thangkas are portable icon paintings or banners whose complex and often highly detailed images enable those who contemplate them to understand the divine nature of Buddhas and be able to interact with them. Elaborate instructions on constructing and consecrating these images are found in texts called tantras. The ceremony that prepared this painting as a sacred receptacle for Avalokiteshvara would have included the ritual of opening the eye, which animated the inert painting and cloth into the enlightened deity capable of “seeing” and bestowing blessings on the devotee. Another ritual in the ceremony involves reciting verses beseeching the deity to remain within the image. The various ritual steps were all designed to localize the emanation of Avalokiteshvara.
Scholar Source Context
Document identity
localId
14336
label
Shadakshari Avalokiteshvara
core
obj
dtoType
drawing
citationUrl
pageCount
1
Source metadata
id
14336
sourceUrl
contentType
drawing
stage
normalized
title
Shadakshari Avalokiteshvara
description
Avalokiteshvara, bodhisattva of compassion, watches over all living beings, helping them toward spiritual liberation. Holding a lotus and prayer beads with his upper hands and joining his lower hands in the gesture of respectful greeting, he is accompanied (at left) by the yellow-skinned bodhisattva Manidhara, who holds two blue lotuses, and (at right) by the goddess Shadakshari, whose white color and attributes match those of Avalokiteshvara.In the Buddhist tradition, thangkas are portable icon paintings or banners whose complex and often highly detailed images enable those who contemplate them to understand the divine nature of Buddhas and be able to interact with them. Elaborate instructions on constructing and consecrating these images are found in texts called tantras. The ceremony that prepared this painting as a sacred receptacle for Avalokiteshvara would have included the ritual of opening the eye, which animated the inert painting and cloth into the enlightened deity capable of “seeing” and bestowing blessings on the devotee. Another ritual in the ceremony involves reciting verses beseeching the deity to remain within the image. The various ritual steps were all designed to localize the emanation of Avalokiteshvara.
provenance
Gautam Rana, Kathmandu, Nepal; purchased by John and Berthe Ford, Baltimore, November 1998.
date
late 12th–13th century
citationUrl
rightsUri
CC0
language
en
genreSpecific
Painting & Drawing
paintings
tangkas
tankas
thangkas
thankas
imageCount
1
pageCount
1
source
import
dimensions
units
cm
width
86.4
height
74.6
dimensionsRaw
H: 34 x W: 29 3/8 in. (86.4 x 74.6 cm); Framed: 56 1/16 × 38 5/8 × 2 5/8 in. (142.4 × 98.11 × 6.67 cm)
style
Pala
Source extras
cul
Buddhist
inscriptions
[Inscription and Translation] On back: Establish in me a perfect wisdom. / All realities arise from causes. The causes are described by Tathagata. Whatever eliminates the causes
they are spoken of by the Great Sage. / Concerning striving in patience and noble patience / It is the supreme peace
says the Buddha. / He who harms other
even after renouncing the worldly life
is not a disciple of the Sage (Buddha).
med
tempera on cloth
creator_ids
6868
collection_ids
INT
exhibition_ids
2184
2071
Single page context
seq
1
pageIndex
0
type
photo
mediaId
8904a05d6acf7dfc