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Source Description

Verelst probably used a live model for this "portrait," but the old man's sword would have identified him to contemporary viewers as the Apostle Paul holding the symbol of his martyrdom, the sword by which he was beheaded. Paul's theology--emphasizing that personal salvation depends more on the believer's having faith in Christ's capacity to save than on carrying out good works--was fundamental for Dutch Protestants; images of Paul were painted by nearly every Dutch painter of religious subjects.Verelst was not a student of Rembrandt, but Paul's aged face emerging from shadow to suggest an inner spiritual state owes much to him.

Scholar Source Context

Document identity
localId
14960
label
Saint Paul
core
obj
dtoType
drawing
pageCount
1
Source metadata
id
14960
contentType
drawing
stage
normalized
title
Saint Paul
description
Verelst probably used a live model for this "portrait," but the old man's sword would have identified him to contemporary viewers as the Apostle Paul holding the symbol of his martyrdom, the sword by which he was beheaded. Paul's theology--emphasizing that personal salvation depends more on the believer's having faith in Christ's capacity to save than on carrying out good works--was fundamental for Dutch Protestants; images of Paul were painted by nearly every Dutch painter of religious subjects.Verelst was not a student of Rembrandt, but Paul's aged face emerging from shadow to suggest an inner spiritual state owes much to him.
provenance
William T. / Henry Walters Collection, Baltimore, prior to 1909 [mode of acquisition unknown]; Walters Art Museum, 1931, by bequest.
date
1645-1655 (Baroque)
rightsUri
CC0
language
en
genreSpecific
Painting & Drawing
paintings
imageCount
1
pageCount
1
source
import
dimensions
units
cm
width
42.8
height
34.4
dimensionsRaw
16 7/8 x 13 9/16 in. (42.8 x 34.4 cm)
Source extras
med
oil on panel
creator_ids
3971
collection_ids
BAR
exhibition_ids
2517
Single page context
seq
1
pageIndex
0
type
photo
mediaId
3d01431fc2e6c795